Madrigals: Books IV and V: (Sheet Music)

Claudio Monteverdi (1567–1643) ranks not only as a major composer of the Early Baroque, but also as one of the most important and influential figures in music history. His madrigals — secular songs usually on the theme of love and written for a small number of voices, often unaccompanied — are now the subject of much study, recording, and performance. Recognized today for their profound effect on the transition from the polyphonic style of the late Renaissance to the declamatory homophonic style of the Baroque, they are among the greatest musical legacies from the past.
This convenient edition presenting both Books IV and V makes available for the first time 39 of Monteverdi's finest madrigals in one inexpensive paperbound volume. Originally published at the turn of the 17th century, they represent "the peak of the music that Monteverdi produced in the first half of his life" (New Grove's Dictionary of Music and Musicians) and the beginning of a new homophobic tradition that was to flower in the operas of the Baroque. Extremely moving, they express Monteverdi's revolutionary idea — seconda prattica — stressing the emotion of the words over the strict polyphonic structure of the music.
Amateurs and professionals alike will enjoy the new English line-for-line translations of the poems facing the reliable Italian text printed in verse form. Mostly for five unaccompanied voices, the madrigals (20 in Book IV and 19 in Book V) have been carefully reproduced and enlarged from the epoch-making edition prepared by the Venetian composer Gian Francesco Malipiero in 1927. Included are a new preface, translations of Monteverdi's prefaces, identification of the poets, and historical discussion. Ideal for amateur get-togethers, professional performances, and vocal study and practice, this sturdy, affordable edition will be treasured by Monteverdi fans for years to come.

1108340859
Madrigals: Books IV and V: (Sheet Music)

Claudio Monteverdi (1567–1643) ranks not only as a major composer of the Early Baroque, but also as one of the most important and influential figures in music history. His madrigals — secular songs usually on the theme of love and written for a small number of voices, often unaccompanied — are now the subject of much study, recording, and performance. Recognized today for their profound effect on the transition from the polyphonic style of the late Renaissance to the declamatory homophonic style of the Baroque, they are among the greatest musical legacies from the past.
This convenient edition presenting both Books IV and V makes available for the first time 39 of Monteverdi's finest madrigals in one inexpensive paperbound volume. Originally published at the turn of the 17th century, they represent "the peak of the music that Monteverdi produced in the first half of his life" (New Grove's Dictionary of Music and Musicians) and the beginning of a new homophobic tradition that was to flower in the operas of the Baroque. Extremely moving, they express Monteverdi's revolutionary idea — seconda prattica — stressing the emotion of the words over the strict polyphonic structure of the music.
Amateurs and professionals alike will enjoy the new English line-for-line translations of the poems facing the reliable Italian text printed in verse form. Mostly for five unaccompanied voices, the madrigals (20 in Book IV and 19 in Book V) have been carefully reproduced and enlarged from the epoch-making edition prepared by the Venetian composer Gian Francesco Malipiero in 1927. Included are a new preface, translations of Monteverdi's prefaces, identification of the poets, and historical discussion. Ideal for amateur get-togethers, professional performances, and vocal study and practice, this sturdy, affordable edition will be treasured by Monteverdi fans for years to come.

24.95 In Stock
Madrigals: Books IV and V: (Sheet Music)

Madrigals: Books IV and V: (Sheet Music)

by Claudio Monteverdi
Madrigals: Books IV and V: (Sheet Music)

Madrigals: Books IV and V: (Sheet Music)

by Claudio Monteverdi

Paperback(Italian text with English translations)

$24.95 
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Overview

Claudio Monteverdi (1567–1643) ranks not only as a major composer of the Early Baroque, but also as one of the most important and influential figures in music history. His madrigals — secular songs usually on the theme of love and written for a small number of voices, often unaccompanied — are now the subject of much study, recording, and performance. Recognized today for their profound effect on the transition from the polyphonic style of the late Renaissance to the declamatory homophonic style of the Baroque, they are among the greatest musical legacies from the past.
This convenient edition presenting both Books IV and V makes available for the first time 39 of Monteverdi's finest madrigals in one inexpensive paperbound volume. Originally published at the turn of the 17th century, they represent "the peak of the music that Monteverdi produced in the first half of his life" (New Grove's Dictionary of Music and Musicians) and the beginning of a new homophobic tradition that was to flower in the operas of the Baroque. Extremely moving, they express Monteverdi's revolutionary idea — seconda prattica — stressing the emotion of the words over the strict polyphonic structure of the music.
Amateurs and professionals alike will enjoy the new English line-for-line translations of the poems facing the reliable Italian text printed in verse form. Mostly for five unaccompanied voices, the madrigals (20 in Book IV and 19 in Book V) have been carefully reproduced and enlarged from the epoch-making edition prepared by the Venetian composer Gian Francesco Malipiero in 1927. Included are a new preface, translations of Monteverdi's prefaces, identification of the poets, and historical discussion. Ideal for amateur get-togethers, professional performances, and vocal study and practice, this sturdy, affordable edition will be treasured by Monteverdi fans for years to come.


Product Details

ISBN-13: 9780486251028
Publisher: Dover Publications
Publication date: 07/19/2011
Series: Dover Song Collections Series
Edition description: Italian text with English translations
Pages: 272
Product dimensions: 8.12(w) x 10.94(h) x 0.59(d)

About the Author

Claudio Giovanni Antonio Monteverdi (1567–1643) was an Italian composer and singer whose work marked the transition between Renaissance and Baroque music. He developed two individual styles of composition: the Renaissance polyphonic tradition and the new basso continuo technique of the Baroque.

Table of Contents

PREFACE
TEXTS AND TRANSLATIONS
BOOK IV
  "Ah, dolente partita!"
  "Cor mio, mentre vi miro"
  "Cor mio, non mori? e mori!"
  Sfogava con le stelle
  Volgea l'anima mia soavemente
  "Anima mia, perdona"
  Che se tu se' 'l cor mio
  Luci serene e chiare
  La piaga c'ho nel core
  "Voi pur da me partite, anima dura"
  A un giro sol de' begl'occhi lucenti
  Ohimè! se tanto amate
  Io mi son giovinetta
  "Quel augellin, che canta"
  "Non piú guerra, pietate"
  Sí ch'io vorrei morire
  Anima dolorosa che vivendo
  Anima del cor mio
  "Longe da te, cor mio"
  "Piagn'e sospira, e quand'I caldi raggi"
BOOK V
  "Cruda Amarilli, che col nome ancora"
  "O Mirtillo, Mirtillo, anima mia"
  Era l'anima mia
  "Ecco, Silvio, colei che 'n odio hai tanto"
  tanto
  "Ma, se con la pietá non è in te spenta"
  "Dorinda, ah! dirò "mia" se mia non sei"
  "Ecco, piegando le ginocchia a terra"
  "Ferir quel petto, Silvio?"
  "Ch'i' t'ami, e t'ami piú vi di la mia vita"
  Deh! bella e cara e sí soave un tempo
  "Ma tu, piú che mai dura"
  Che dar piú vi poss'io?
  M'è piú dolce il penar per Amarilli
  "Ahi, com'a un vago sol cortese giro"
  Troppo ben può questo tiranno Amore
  "Amore, se giusto sei"
  "T'amo, mia vita" la mia cara vita"
  E cosí a poco a poco (for six voices)
  Questi vaghi concenti (for nine voices)

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