Madvillainy represents the highly anticipated collaboration between Madlib and MF Doom. Recorded throughout 2003 -- a year which, between the two of them (under various aliases), saw more than eight releases featuring their work. When Madvillainy was released in March 2004 it became obvious that the best was saved for last as MF Doom's unpredictable lyrical style fits quite nicely within Madlib's unconventional beat orchestrations. Twenty-two short and blunted tracks bang out mythical stories of villains and urban (anti) heroes trying to make it through with their ganja and wits still intact -- each flows together in a comic book fashion sometimes segued with vignettes sampled from 1940s movies and broadcasts or left-field marjuana-toting skits. Madvillainy's strength lies in its mix between seemingly obtuse beats, samples, MCing, and some straight-up hip-hop bumping. Take "Accordion" for example. A wacky accordion sample loops throughout a slow-paced beat and lazy bassline while Doom flies through almost unaware of the background at times. Or "Raid," which features a beat that seems to be so out of time or step with a traditional hip-hop direction. But Doom sits quite comfortable within its frame and sets up Medaphor for a slick guest appearance. Other guests include the bad character, Lord Quasimoto, on "Americas Most Blunted" and the Sun Ra-inspired "Shadows of Tomorrow"; Wildchild blasts million-miles-an-hour rhymes on "Hardcore Hustle" and Stacy Epps floats through "Eye." Madvillainy gets close to the genius seen on Quasimoto's Unseen, and like that record this one might take a few listens to find it. But once it clicks in, this disc stays in the CD player for days.
- Release Date:
- Stones Throw
Performance CreditsMadvillain Primary Artist
MF Doom Vocals,Skit,Group Member
Madlib Group Member
Allah's Reflection Vocals
Stacy Epps Track Performer
Technical CreditsPeanut Butter Wolf Executive Producer
Dave Cooley Engineer
MF Doom Producer,Engineer,Vocal Producer
Otis Jackson Composer
James Reitano Illustrations,Video Director
Daniel Dumile Composer
Most Helpful Customer Reviews
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Madlib's beats are so new. Sometimes hip hop producers try to experiment and lose focus. Mad's beats are very different in every song. He incorporates a vast library of samples, and keeps the beat knocking. I can still bounce my head to this music. The lyrics are just okay. If they were good I would have given this album a 5. Just go buy it. I didn't expect it to be so damn nice!
I think every rap fan should hear this album. Both the lyrics and production are top-notch and come together to create one of the best albums ever made. The lyrics actually slightly edge out the beats, in my opinion but it's not really important - both are above and beyond most of anything else out there. If any album deserves 5 stars, it's easily this one.