Mafia Girl

Mafia Girl

4.2 7
by Deborah Blumenthal

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"What's in a name? Everything… if you have my name." At her exclusive Manhattan high school, half the guys lust after seventeen-year-old Gia. The other half are afraid to even walk near her. After all, everyone knows who she is. They know that her father doesn't have a boss. He is the boss--the capo di tutti, boss of all bosses. But they don't know the real


"What's in a name? Everything… if you have my name." At her exclusive Manhattan high school, half the guys lust after seventeen-year-old Gia. The other half are afraid to even walk near her. After all, everyone knows who she is. They know that her father doesn't have a boss. He is the boss--the capo di tutti, boss of all bosses. But they don't know the real Gia. She's dreaming of a different life--one where she can be more than her infamous name. And lately, she's thinking way too much about Michael, the green-eyed cop who's wrong for her for so many reasons. And yet being with him feels so right. Now the real Gia is keeping secrets of her own alongside her family's. And she's breaking all the rules to get what she wants.

Editorial Reviews

Publishers Weekly
Gia may be a smart, pretty, and hardworking 17-year-old, but she’s also the daughter of the “capo di tutti capi,” the boss of bosses. The rumors that her father will have teachers “whacked” if she doesn’t do well aren’t true, but she is driven to her Manhattan private school by an armed bodyguard. Blumenthal (The Lifeguard) tells a good story—there’s Gia’s friendship with rich but lonely Clive, her uphill fight for the school presidency, her instant chemistry with the cop she calls “Officer Hottie,” and her father’s declining fortunes—but the book suffers from a kind of moral blindness. Readers will root for Gia to live her own life, loathe the snobs who look down on her, and feel bad when Gia’s family loses everything, but there’s still the never-specified human cost of what her father does. There are consequences to his actions, yes, but the novel wants readers to both sympathize with Gia and be impressed by her lifestyle in a way that requires some selective vision. Ages 13–up. Agent: Abigail Samoun, Red Fox Literary. (Mar.)
Children's Literature - Sarah Raymond
Gia is a junior in high school, but she is not the typical high school girl. Her father is the boss of all bosses. He is the head of the mafia, and with this comes some prestige as well a certain amount of stigmatism. The people at her school, with the exception of a few good friends, fear her and what her family represents. While on one hand she is a strong independent young lady that has no problem pursuing the officer that pulled her over and arrested her for drinking and driving, she is also very insecure and fears that her father will be arrested and put in jail for life. Gia’s life is a bit beyond ridiculous and hard to relate to because she lives a life that not many people live. Her relationship with “Officer hottie” is bizarre, as there is no real relationship until the end when she sleeps with him, and this is an unnecessary piece of the story. As a reader we are led to believe that she is getting her life together, but then she continues to pursue this unhealthy relationship with the officer. Reviewer: Sarah Raymond; Ages 14 up.
Voya Reviews, April 2014 (Vol. 36, No. 1) - Lexis Colon
This book has a lot of dramatic action, which makes it interesting. It will catch readers’ interest right away, with Gia getting arrested and calling the cop “hottie.” They will want to find out what happens next. Girls who like to read books that seem realistic will enjoy this book. Reviewer: Lexis Colon, Teen Reviewer; Ages 15 to 18.
Voya Reviews, April 2014 (Vol. 36, No. 1) - Kim Carter
Out for a joyride in a “borrowed” Porsche 911 with her “separated-at-birth best friend” Ro (short for Rosemarie), Gia is not the least bit worried when they get pulled over for speeding, despite the fact that Ro only has a learner’s permit and they have an open six-pack of beer. Why should she worry when she knows her father’s lawyer will take of things? After all, Gia’s father is the capo di tutti cappi, boss of all bosses, in New York City. What she does not anticipate, however, is how hard she will fall for arresting “Officer Hottie,” aka Michael Cross. Despite being asked to model for Vogue in an upcoming “Under Age and Over the Top” feature, Gia cannot get Michael out of her mind. Between running for class president at her elite private school, preparing for her Vogue debut, and watching her older brother get ready to follow in her father’s footsteps even as her father faces life imprisonment, Gia continues to find ways to get Michael’s attention, on her own terms. Gia’s rough language and devil-may-care attitude hide a surprisingly naïve young woman verging on adulthood. Likewise, below Mafia Girl’s sensational plot elements lies a more substantive coming-of-age story, avoiding neither realities nor consequences, even though it does avoid being didactic. While there are certainly reasons to weigh this purchase, Mafia Girl epitomizes the exhortation “Don’t judge a book by its cover” and may well entice older, reluctant readers. Reviewer: Kim Carter; Ages 15 to 18.
School Library Journal
Gr 8 Up—Seventeen-year-old Gia, the daughter of New York City's most notorious Mafia boss, leads a privileged life, but what she wants most is to have a normal existence in which her family is safe. When she and her best friend are pulled over for underage drinking and driving, Gia is immediately attracted to the arresting police officer—despite his lack of interest. Not one to be denied, Gia does everything in her power to wear down his resistance, all the while running for school president, posing for Vogue, and surviving mob hits. In the end, she gets what she wants but at a price. Told from the first-person point of view, Blumenthal's novel gives the audience insight into Gia, and while it believably captures the unfiltered, frenetic thoughts going on in many teens' minds, the stream-of-consciousness approach has its limitations; not only does the style disrupt the flow of the narrative, making it choppy and uneven, but it diminishes Gia's character, too. Run-on sentences, lack of punctuation, acronyms, and random capitalization reveal Gia's shallowness and immaturity. She's annoyed that her classmates judge her by her family, yet she easily dismisses them as being spoiled and stuck-up. The secondary characters, especially Officer Cross, are underdeveloped and forgettable with the exception of Gia's friend Clive, who's deserving of his own story. Promising idea, underwhelming result.—Audrey Sumser, Cuyahoga County Public Library, Mayfield, OH
Kirkus Reviews
Enjoyable, straightforward high school drama despite the Mafia princess framework. Gia wants to be a normal middle-class 17-year-old girl, with normal high school drama and normal friends and normal relationship woes. But her father is the capo di tutti capi, "the Boss of all Bosses." So she's driven to her extremely ritzy private school every day by Frankie with the Glock, and when she's pulled over for speeding by the most gorgeous cop ever, her dad's million-dollar lawyer bails her out. Still, for the most part, she manages "normal": She works hard to get straight A's, resents her parent-mandated after-school job and runs for student-council president. Sure, Gia's family drama involves cops coming after her dad, but everything's going to be fine, right? When everything isn't fine, Gia will still survive, as she has fantastic friends who will always be there for her. An unsettling, discordant romance with a police officer—where the age and power differential are never addressed—only weakens Gia's otherwise strong characterization and development. Despite all the wealth, Vogue photo shoots and designer clothing, mostly a down-to-earth slice of life; more Kody Keplinger than Gossip Girl. (Fiction. 13-16)
From the Publisher

"Filled with detailed descriptions of decadent Italian meals, gorgeous clothes, heart-stopping violence, and sweet yet lusty love and desire, Mafia Girl will find a wide variety of readers, some intrigued with the Mob, others seeking a love story." Booklist Online, April 30, 2014

"Gia's rough language and devil-may-care attitude hide a surprisingly naive young woman verging on adulthood. . .Mafia Girl epitomizes the exhortation 'Don't judge a book by its cover' and may well entice older, reluctant readers." VOYA, April 2014

"The twinkling backdrop of Manhattan and the budding romance between two opposites will make YA fans adore this novel. The characters are well thought out, adding to the allure of Blumenthal's uncommon storyline." RT Book Reviews, January 18, 2014

"Blumenthal tells a good story--there's Gia's friendship with rich but lonely Clive, her uphill fight for the school presidency, her instant chemistry with the cop she calls 'Officer Hottie,' and her father's declining fortunes. . ." Publishers Weekly, December 13, 2013

Product Details

Whitman, Albert & Company
Publication date:
Product dimensions:
5.50(w) x 8.30(h) x 1.10(d)
1050L (what's this?)
Age Range:
13 - 17 Years

Read an Excerpt

Mafia Girl

By Deborah Blumenthal


Copyright © 2014 Deborah Blumenthal
All rights reserved.
ISBN: 978-1-4804-7553-3


The white plastic Jesus dangling by a string from the rearview mirror is rocking in time to the music as Ro barrels up the Henry Hudson Parkway singing "Stop in the Name of Love."

Without warning she lurches into the middle lane then floors the gas so Mr. Trailer Trash in the pickup with the God, Guns, and Guts bumper sticker riding our tail and doing disgusting things with his tongue is left behind like roadkill.

"Do not fuck with a Porsche 911," Ro says, extending her middle finger.

It can go 197 mph, I'm about to add, then think better of it because our little Jesus is shaking his head and doing figure eights. Or it's me because we've shared a six-pack and haven't eaten except for the Ritz Bits that Dante—whose car we have stolen—left behind in the glove compartment along with Trojan Extended Pleasures and half a joint.

"Where are we going again?" Ro asks.

"The outlets. Looking for Louboutins."

"Why didn't we program the GPS?" she says, punching her head. "I don't, uh, really know where I'm going." She blinks hard as if that will clear her brain fog.

I tap tap tap on the GPS, only "outlet mall" doesn't come up and neither does "Louboutins" and I can't remember the actual name of the mall and I'm starting to feel queasy and wondering if this was really such a hot idea since I have two quizzes tomorrow that I haven't studied for. But that doesn't matter because right then we hear a siren in the background that starts out low and grating, like the buzz of a bloodthirsty mosquito circling your ear, and then it grows louder and louder—and in case you're deaf there's a row of red.

Flashing. Lights. In. The. Mirror.

"Mofo," Ro says. "First time we cut school and we get ..."

"PULL OVER TO THE SHOULDER," booms the loudspeaker.

"No way," I mutter.

Ro shoots me a look of disbelief. "Gia, remember whose car is this?"

I do remember. She slows down and makes her way to the shoulder while I study the font on the can of Bud between my knees deciding if I think it really works with the design.

Bodoni, that's the name of the font I like. Bodoni.

"Don't say anything," she says.


"Don't say anything unless he asks you something."

"What do you think I'm going say, 'do you want a hand job?'"

Ro and I start to laugh because right then that becomes the most hilarious thing in the world. Then the cop struts up to the driver's window and we are not laughing any more. No. I stare straight ahead.

"You were doin' eighty."

"Oh," Ro says. Dead silence. One one-thousand. Two one-thousand. Three one-thousand.

"License and registration," he says, which will be a problem.

Ro hands him her license, which isn't a license. It's a goddamn learner's permit. She leans across me and fishes around in the glove compartment until she finds the registration or maybe it's the insurance and accidentally knocks the condoms to the floor. Ro hands him the registration. Dante's registration.

"So you don't have a license and it's not your car," the cop says. "And you were speeding and drinking."

Ro doesn't answer, but she's breathing like an asthmatic.

"You," he says. "ID."

I turn to look up at him and he looks back at me and something like the wattage they must use for the electric chair shoots through me from head to toe. Because the cop is about the hottest thing on the face of the universe, and I am ready to roll on my back—but I mean, a cop? So I uncurl my middle finger at him.

"Gia," Ro hisses.

"What exactly is your problem?" he asks.


He stares at me for longer than he has to and I stare back at him, never mind the heat and the shock waves. I refuse to look away first.

"ID," he says again, pointing to my bag in case I don't understand English.

I scratch the side of my nose with my middle finger, then hand him my learner's permit. "Here, hottie."

Another intense look before he examines my permit, looks back at me in surprise when he recognizes the name, examines my permit again, and then hands it back to me.

"Shit," he mutters.


What's in a name? E-v-e-r-y-t-h-i-n-g—if you have my name. Everything if instead of working in a law office or a bank or maybe the IRS, your dad hangs out in a social club that's probably bugged by the feds.

Everything if he's been perp-walked in front of the TV cameras more times than I can remember.

Everything if he's the one whose last name they whisper when people disappear.

If you haven't caught on yet, I'll bring you up to speed. My dad doesn't have a boss, he is the boss. The capo di tutti capi. Translation: boss of all bosses.

There. Now leave it alone.

And me? His seventeen-year-old daughter who half the boys in school are afraid to walk near, and the other half swoon after for their own sick reasons, which gives me the dubious distinction of being the most hated/loved girl in school.

Not that I care.

They call me Gia. Just Gia. Even the teachers taking attendance. Never mind my last name with the operatic mouthful of syllables and vowels. Unless you need a dinner reservation in a place that's booked, then doors open and you get comped with antipasti and fritto misto, and after the main course when you're stuffed, Napoleons and cannoli appear when you didn't order dessert, and then we act impressed and my dad overtips.

Aside from the name buzz though, my dad and mom insist that, after all, we are just like everyone else. A normal, middle-class Italian family that goes to church, raises money for the nuns in Palermo who run the children's cancer hospital, helps the neighbors when they fall on tough times, but most of all, minds its own business.

Only how do I explain Frankie with the Glock who drives me to school every day in a Cadillac Escalade and then waits in front of the hydrant for me at three o'clock, and Vinnie—aka "the Nose"—who routinely sticks his into my life so he can snitch to my dad about who I'm hanging out with? Fortunately Vinnie is such a dick that he has no clue that the cop with the electric green eyes ...

But I'm getting ahead of myself.


It's not that I mind being driven to central booking in the back of a grungy patrol car that reeks of vomit, it's just that I so have to pee and Officer Hottie is getting on my nerves because he is driving at an excruciatingly slow speed, every now and then glancing at us through the barrier between the front and back seat.

"What's your name?" I say, to make convo. Ro slides her foot over and kicks mine, but I ignore her.

"Cross," Officer Hottie says.

"Are you or is that actually your name?"

"Michael Cross," he says with a smirky smile.

"So are you like a good Catholic with a name like that?"

Our eyes met in the rearview mirror. He doesn't answer. "Well?"

"Where are we goin' with this?"

"I was just wondering if you pray," I say.

"You think I need to?"

"Not for my sake."

His eyes meet mine and he looks away.

"So do girls find you hard to talk to?"

Ro kicks me harder.

"What?" he asks in disbelief.

"Well you don't seem to actually talk."

He shakes his head, refusing to get into anything.

"I mean it's too bad," I say, unable to leave it alone.

"Gia," Ro says softly, treading carefully. "Can you stop?"

"What?" I say, holding my hands out helplessly. "I'm just trying to lighten things up here by making con-ver-sa-tion, or at least trying to. But Officer Hottie doesn't want to talk to me, which is too bad."

"You have quite a mouth," he says.

"Getting warmer."

The convo ends when he pulls up to the front of the station and opens the back door to let his juveniles out. We're walked up to the front desk where we wait while the cop behind it makes a point of looking up and then ignoring us.

"What ya got?" he says to Officer Hottie.

"Two under, DUI, speeding, no license, possibly stolen vehicle, resisting."

"We. Are. Fucked," Ro whispers.

"Yeah," I whisper back, staring at Officer Hottie. "But it was so worth it."

Don't get me wrong, it's not like we ditch school and go joyriding and get picked up by hot cops on a regular basis. This was singular. They were doing construction on the new library and the work filled the air with flying soot, which we were convinced was asbestos, and it was seventy-five degrees in October and what better weather to declare it a mental health day, never mind the chance to avoid some of the cockroaches perpetually dissing me. All other days, Ro and I do a fair job of acting like the A students we are at the Morgan School on Manhattan's Upper East Side.

And no one takes that lightly.

Only now? With a police record? How much hush money would my dad have to fork over to—

"GIA!" my mom shouts, making the walls vibrate as she bursts into the station with Ro's mom and my brother, Anthony. She runs up and hugs me. "You scared me to death. You know I hate trouble."

"Sorry, Ma," I say because I can't think of anything brilliant.

"Do you know what this is going to fucking cost us?" Anthony says under his breath.

That's Anthony. Not I'm glad you didn't get your head split open in the Porsche while going eighty. Not how are we going to keep this out of the papers? But I'm in the middle of a police station and what is the point of getting into an argument with my stupid guinea brother. I look at him and look away.

"Later, okay?"

"Rosemarie," Ro's mom says, shaking her head. "What were you thinking?"

"I didn't think, I—"

"Right," her mom snaps, her mouth in a tight line. "You didn't think."

We all stand around until my dad's lawyer, Mario Della Russo, aka Super Mario, strolls into the station in his million-dollar chocolate-brown Armani suit with a cream silk shirt and his trademark alligator loafers.

"Theresa, Maria," he says, kissing my mom and then Ro's mom. "Always something, eh?"

He moves on to me. "My beautiful, beautiful Gia," he says, leaning back and admiring me before kissing me on both cheeks. "Are the boys still killing themselves if you won't look at them?" he says with a laugh.

"I'm still holding out for you, Mario," which he loves me to say so I say it.

He throws back his head and laughs the way he always laughs because old guys love to hear things like that and anyway we need a lawyer who totally loves us to bail me and Ro out of this total fucking mess.

"I will take care of it," he says with a wave of his hand like he's about to talk to the first-class reservations desk at Alitalia for an upgrade instead of the low-life cops at the stinking ghetto precinct we are stuck in. He speaks to the desk sergeant. There is a discussion, paperwork, more discussion although I can't imagine what there is to keep talking about because we're so friggin' guilty even though it's a first offense for both of us. But then I see him uncover his gold pen and sign some papers. Finally he turns to us.

"Come," he says in his soothing tone. "It's getting late. We don't want to miss dinner."

Super Mario is cool. Perpetually cool, cool, cool, no matter how hot the water someone may be drowning in.

I wave good-bye with my fingertips at Officer Hottie who stands ramrod straight and stares but doesn't wave back, then follow Super Mario out of the station into his Panamera.

"What did my dad say?" I whisper.

Mario raises his eyebrows and turns his upright fist in a circle.

Translation: I. Am. Screwed.

I set the table for dinner the way I always set the table, using the perfectly polished silver forks and knives and the lacy place mats that are really plastic lacy place mats so that you can wipe away the stains and pretend they never happened.

We all sit down and eat the way we always do without drama, at least for the time it takes to eat the stuffed artichokes and drink the first glasses of Chianti. Anthony wolfs down his dinner and my mom always says, "Slow down and enjoy your food," and my dad never says anything. His mouth just tightens.

Then I jump up to carry the plates with the mounds of artichoke leaves into the kitchen while my mom puts on her elbow-length oven mitts and brings the manicotti to the table. I serve my mom first and then my dad. He holds up his hand because I'm about to give him a portion for three.

"Basta, basta," he says, looking at me pointedly, which—knowing my dad—means not only enough manicotti, but also enough of everything I've put the family through. I put some of it back and he continues to x-ray me with his eyes because my dad gets most of the information he needs by reading people's faces, leaving them no space to hide.

I look back at him and mouth, "I'm sorry."

"Sorry," he says mockingly, lifting his chin. His mouth hardens and he looks through me until I look away. He's not going to ruin dinner by punishing me now. He'll think about it. Then after I go to my room and try to concentrate on homework, which I won't be able to do because I'll be waiting for him to come up, he'll open my door without knocking.

"Starting tomorrow, no more ..." he'll say and let me know my sentence. I'll listen and take it because when my father makes up his mind, if you want to live, you don't try to negotiate.



The next morning I'm sitting in my usual seat in English, but Mrs. Carter can't see me because she's nearsighted. I wave from the back and then come up to her desk and she hands me back my paper on Julius Caesar.

"Excellent," she says. "It breathes."

"It breathes" is Mrs. Carter's way of saying that you didn't just rip your ideas off Wikipedia or SparkNotes like a mindless asshole who'll end up in trade school or buy a paper off the website that Dante and others I know regularly frequent.

All of us at Morgan School are way above that. About the only things not required to get into Morgan are a DNA swab and an E.P.T. test. To seal the deal, they ask for a tuition deposit stiffer than a payoff to a Colombian drug cartel.

But bottom line, the green light depends on who your parents are or how much they make. In my case, it's a bit of both. When my acceptance letter came, inscribed in magenta with one of those calligraphy pens, we all knew that an affirmative meant that my life would change for better or worse.

So I work hard. And when Mrs. Carter says my paper "breathes," she means I put my soul into it and that it has depth, which might sound stupid except I know what she means, and anyway I like her and the transported look in her eyes when she reads Shakespeare. And it's fun to psyche out all the flawed personalities because IMO Shakespeare's characters are cool, especially Hamlet who's troubled and all, but brilliant and hot. And their motivations are no different from ours, because who doesn't feel strung out like a desperate loser?

I walk back to my seat making sure to hold my paper so Christy Collins sees it and dies because she's convinced the only reason I usually get As is that the teachers are afraid they'll get whacked if I don't, which is ridiculous. Christy has never gotten an A, probably not a B either, but if money could buy grades, she'd be in Mensa. But never mind that, she's stone-cold jealous of me.

"Typical," she spits out as I pass her and her eyes glom on to the A.

I glance over my shoulder feeling a rush of pleasure at her snarky face.

"Can I read it?" Clive asks.

Clive Laurent is this totally unique, asexual, standout person who looks, acts, dresses, and thinks differently from everyone else on the planet. I'm convinced he was born a thousand years ago and somehow time-traveled and ended up at Morgan because he took a wrong turn on his way home to Camelot.

Clive has long, wispy blond hair and pale skin. No one has ever seen him without the navy cashmere scarf he wears knotted around his neck no matter how cold or hot it is. I think he's hypothermic if that's a word or a medical condition or state of being or something when you walk around perpetually chilled.

In addition to the scarf, Clive lives in a vintage Burberry raincoat, which weirded me out the first time I saw him in school. But then I heard him answer a question in class and I realized that he's completely brilliant and doesn't have a mean bone in his emaciated body. He was so deserving of extreme niceness by someone who isn't put off by his strangeness that he became my closest friend, not counting Ro.

It's not like Clive is some poor soul who sleeps on a park bench and dump dives for food. His family is beyond rich and he lives in a ginormous ninety-million dollar duplex high up in the Time Warner Center, and when you're looking out the window it feels like you're in a plane hovering over a twinkling skyscraper fairyland.


Excerpted from Mafia Girl by Deborah Blumenthal. Copyright © 2014 Deborah Blumenthal. Excerpted by permission of ALBERT WHITMAN & Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Deborah Blumenthal is an award-winning journalist with work in many national newspapers and magazines, including the New York Times Magazine, where she worked as a beauty editor. She is the author of The Lifeguard and Fat Chance. She lives in New York City.

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Mafia Girl 4.3 out of 5 based on 0 ratings. 7 reviews.
Anonymous More than 1 year ago
csingh More than 1 year ago
I'm not gonna lie to you, I really liked this book.  As in, "Holy smokes, this is wicked good!" and "I wonder if there'll be a sequel?"  Most mafioso related books usually tell the tale of adults in that life and I do believe Mafia Girl is the one of the first I've read from a teenager's perspective.  I can't begin to imagine how hard it is for a child growing up knowing what her parent or parents are involved in and then dealing with normal teenage hormones and angst on top of that. Gia is a lucky and unlucky girl.  She's got a father who loves her and she knows that.  She also knows he's not so loving to everyone else.  She's aware of the power her last name wields and why, but doesn't condone it and wants to be her own person.  I love that Gia had a conscience; she wasn't a total goody-two shoes, but she was confident and owned it.  I really admired Gia for having poise and handling things the way she did.  Not to mention being "jail bait" and chasing after a police officer who wouldn't mind taking down her family for good.   This book is about so much more than the mafia.  It's about Gia finding herself and learning about what's going on around her.  There were moments where I laughed, shook my head in worry and disgust, and cried. That's right, I'm an emotional reader and I cried.  I really am hoping Deborah Blumenthal writes another book featuring Gia.  I do know that I am really looking forward to her next Y.A. venture, whatever it may be.  
TipsyLit More than 1 year ago
Set in New York City, this story is about Gia, the daughter of a mafia boss. Gia attends an exclusive private school, has decadent clothing, and a generally luxurious lifestyle that includes a driver/body guard. It would be easy for such a character to be a shallow sum of red-soled shoes and glitzy parties, but Blumenthal makes Gia relatable through some less enjoyable aspects of being a crime boss’ daughter. She is a pariah at school, where the source of one’s family money is known and judged accordingly. Gia also has the added strain of attempting to have a private life away from the watchful eyes of the body guard, subsequent arguments with parents (and later dealing with punishments), and trying to reconcile a relationship with her father whom she adores but whose business ventures are becoming increasingly hard to ignore. Throw in a love story that seems doomed from the start and you have a page-turner. The love story was probably my least favorite aspect of the book probably because I wasn’t sold on her love interest and I think it was the weakest emotionally developed aspect in the novel. That being said, I would still recommend this book — Gia is smart, feisty, glamorous, and a really hard worker. She has some interesting experiences and has a unique perspective.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Loved Mafia Girl because of its fast-paced fun romance that made me laugh and also cry! A definite read!
Anonymous More than 1 year ago
I loved this book. The main character, Gia, is really likable, and even though she's rich and the daughter of a mafia boss, I found a lot of parts of her personality that I could relate to. It's a great story, very engaging.  
ysar More than 1 year ago
Seventeen-year-old Gia seems like other teenage girls. She gets grounded by her parents, spends too much time deciding what to wear, doesn’t always get along with her older brother, & is at odds with a nasty clique of girls at school. But as much as she’d like to be just another teenager, she can’t escape her name or judgement it brings. Being the daughter of the Mafia Don is anything but normal. When she’s arrested for standard teenage trouble-making, she can count on her dad’s lawyer to get her out of it. What she doesn’t count on is the hottie arresting officer. And as much as he tries to resist, it seems Michael is just as taken with her. He’s not easy to win over, though. Despite her best efforts at flirting, Gia can’t get a read on Officer Hottie. He seems interested, even affected, but dating an older guy who could be working on putting her dad behind bars isn’t something she can come out and tell her family. But... It took me a while to get into the story because of the stream of consciousness writing style and Gia’s spoiled little rich girl bad behavior. The writing style in many ways enhances the story and gives us a clearer picture of Gia’s mind, but it could have used better editing. Stream of consciousness often results in partial and run-on sentences, but it shouldn’t negate proper punctuation or resort to all caps for emphasis. The all caps thing really drove me nuts. I also had trouble buying the relationship with Michael, which is awful considering it’s a major plot point. I can understand Gia’s infatuation with him, but the basis seemed shallow. She goes from lusting after and flirting with the hot cop who arrests her to needing to see him again, to possibly being in a real relationship, all without knowing very much about him. His vague & one-word responses to her up until the very end didn’t show his personality but made him impossible to connect with. The Verdict... I don’t know. On one hand, it’s a great story about a universal teenage girl who simply wants to be known for who she is, not who her dad is. The class elections, the sneaking out, the getting grounded … It was all so normal & easy to relate to. But I didn’t buy the romance, which, if written better, might have made for an incredible read. Still, I loved that the story focus was on Gia, on her just trying to live her own life. In a lot of ways it reminded me of those hardly-known independent movies that tell a story so subtly that you think it’s boring — until the day-to-day life that seems so trivial becomes fascinating. Michael’s character was underdeveloped, as were the characters of Gia’s friends & parents, and there were lots of things mentioned that just turned into plot holes. It was implied that Dante was interested in being more than friends with Gia, but the subject was entirely glossed over. And some rival family or associate was making attempts on their lives, but aside from the scenes when it happened, that was it. It was so neglected that it felt like it was added as an excuse for Michael and Gia to talk — if his lack of response to just about everything could be considered talking. And Gia’s family was two-dimensional, her mother being a cooking fiend and her father only ever around to reprimand her and eat dinner. I could tell what the author was trying to do, but it didn’t happen. All in all, this had the makings of a great book — and a unique one at that, but I was disappointed when it didn’t live up