The Magic Barrel

( 5 )

Overview

Winner of the National Book Award for Fiction

Introduction by Jhumpa Lahiri

Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and ...

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Overview

Winner of the National Book Award for Fiction

Introduction by Jhumpa Lahiri

Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.

The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.

Winner of the 1959 National Book Award

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Editorial Reviews

From the Publisher
"In the short story, Malamud achieved an almost psalmlike compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and noctures."—Mark Shechner, Partisan Review

"There are thirteen stoires in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not admiration but gratitude."—Richard Sullivan, The Chicago Tribune

Mark Shechner
In the short story, Malamud achieved an almost psalm-like compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and nocturnes.
Partisan Review
Richard Sullivan
There are thirteen stories in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not only admiration but gratitude.
The Chicago Tribune
Richard Stern
The stories Malamud wrote in the fifties and sixties will, I think, be treasured as long as people treasure the art of short story.
Chicago Tribune Books
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Product Details

  • ISBN-13: 9780374525866
  • Publisher: Farrar, Straus and Giroux
  • Publication date: 7/28/2003
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 232
  • Sales rank: 460,585
  • Product dimensions: 5.40 (w) x 8.20 (h) x 0.70 (d)

Meet the Author

Bernard Malamud (1914-1986) also wrote eight novels, he won the Pulitzer Prize and a second National Book award for The Fixer. Born in Brooklyn, he taught for many years at Bennington College in Vermont.

Biography

Bernard Malamud (1914-1986), perhaps more than any Jewish-American author in the twentieth century, including Saul Bellow, translated the literature of the Eastern European shtetl to the streets of America. So carefully written, so diligently constructed, are his stories and novels that one could erringly view them as narratives that represent a certain current of "Jewish" writing, or as period pieces. Upon numerous re-readings of his many works, the exact opposite feeling is engendered. This is one of the most profound literati of our age, and his contributions will surely transcend the earthly time in which they were written.

Because of the reconstruction of The Natural (1952) as a movie with a happy ending, belying the bitter pill swallowed by slugger Roy Hobbs at the end of the book, Malamud's popularity has enjoyed a revival, particularly for elevating the game of baseball - already an American fantasy - to the realm of mythos. The truth was that true to his literary forebears, I.L. Peretz and Sholom Aleichem, Malamud's reliance upon myth, legend, and magic often helped convey the most intimate details of existence, and consequently, life's pathos and sadness as much as life's joy and fulfillment. Malamud explicated the tragic role of the Jew in many of his stories, including The Fixer (1966), which won the National Book Award and the Pulitzer Prize, and later was adapted into a motion picture. That novel was based on the true story of Mendel Beilis, victim of the Kiev Blood Libel of 1913.

The stories are marked by a faithfulness to accent and tone that lends an unmistakable reality to every sentence and idea Malamud chose to set forth. The Magic Barrel (1954) is the diadem of his many short pieces. The sufferings of a rabbinic student, Leo Finkle, and his heroic but ungainly attempt to turn his life inside out, as he grasps desperately with his forlorn search for a marriage partner, are wrenching and inexpressibly moving. Suffering is Malamud's focus, and no author probed the subject more intensely.

The crowning literary achievement for Malamud came with the publication of The Assistant (1957). Again, mixing myth with reality, a virtual monk, Morris Bober, a grocer, welcomes into his ÒcellÓ the itinerant ne'er-do-well, Frank Alpine, whose initials most surely stand for the wonder-worker, St. Francis of Assisi. In the strictness of his prose, Malamud reshapes the grocery into a kind of Jewish monastery, as Frank, the repentant, becomes Morris's disciple in training for a new vocation. At a certain point in his novitiate, Frank asks Morris: "Tell me why it is that Jews suffer so much? It seems to me that they like to suffer, don't they?" Morris answers: "Do you like to suffer? They suffer because they are Jews." Frank responds: "That's what I mean, they suffer more than they have to." Morris replies: "If you live, you suffer. Some people suffer more, but not because they want. But I think if a Jew don't suffer for the Law, he will suffer for nothing. What do you suffer for Morris?" said Frank. "I suffer for you," Morris said calmly. "What do you mean?" asked Frank. "I mean you suffer for me."

The aching reality. The underlying mythos. The seeming simplicity. All point to the immeasurable depth of a master artisan and artist whose literary bequest remains one of the Jewish community's most priceless possessions.

Author biography courtesy of Congregation Emanu-El of the City of New York.

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    1. Date of Birth:
      April 28, 1914
    2. Place of Birth:
      Brooklyn, New York
    1. Date of Death:
      March 18, 1986
    2. Place of Death:
      New York, New York
    1. Education:
      B.A., City College of New York, 1936; M.A., Columbia University, 1942

Read an Excerpt

The Magic Barrel

THE FIRST SEVEN YEARS

Feld, the shoemaker, was annoyed that his helper, Sobel, was so insensitive to his reverie that he wouldn't for a minute cease his fanatic pounding at the other bench. He gave him a look, but Sobel's bald head was bent over the last as he worked and he didn't notice. The shoemaker shrugged and continued to peer through the partly frosted window at the near-sighted haze of falling February snow. Neither the shifting white blur outside, nor the sudden deep remembrance of the snowy Polish village where he had wasted his youth could turn his thoughts from Max the college boy, (a constant visitor in the mind since early that morning when Feld saw him trudging through the snowdrifts on his way to school) whom he so much respected because of the sacrifices he had made throughout the years—In winter or direst heat—to further his education. An old wish returned to haunt the shoemaker: that he had had a son instead of a daughter, but this blew away in the snow for Feld, if anything, was a practical man. Yet he could not help but contrast the diligence of the boy, who was a peddler's son, with Miriam's unconcern for an education. True, she was always with a book in her hand, yet when the opportunity arose for a college education, she had said no she would rather find a job. Hehad begged her to go, pointing out how many fathers could not afford to send their children to college, but she said she wanted to be independent. As for education, what was it, she asked, but books, which Sobel, who diligently read the classics, would as usual advise her on. Her answer greatly grieved her father.

A figure emerged from the snow and the door opened. At the counter the man withdrew from a wet paper bag a pair of battered shoes for repair. Who he was the shoemaker for a moment had no idea, then his heart trembled as he realized, before he had thoroughly discerned the face, that Max himself was standing there, embarrassedly explaining what he wanted done to his old shoes. Though Feld listened eagerly, he couldn't hear a word, for the opportunity that had burst upon him was deafening.

He couldn't exactly recall when the thought had occurred to him, because it was clear he had more than once considered suggesting to the boy that he go out with Miriam. But he had not dared speak, for if Max said no, how would he face him again? Or suppose Miriam, who harped so often on independence, blew up in anger and shouted at him for his meddling? Still, the chance was too good to let by: all it meant was an introduction. They might long ago have become friends had they happened to meet somewhere, therefore was it not his duty—an obligation—to bring them together, nothing more, a harmless connivance to replace an accidental encounter in the subway, let's say, or a mutual friend's introduction in the street? Just let him once see and talk to her and he would for sure be interested. As for Miriam, what possible harm for a working girl in an office, who met only loud-mouthed salesmen and illiterate shipping clerks, to make the acquaintance of a fine scholarly boy? Maybe he would awaken in her a desire to go to college; if not—the shoemaker'smind at last came to grips with the truth—let her marry an educated man and live a better life.

When Max finished describing what he wanted done to his shoes, Feld marked them, both with enormous holes in the soles which he pretended not to notice, with large white-chalk x's, and the rubber heels, thinned to the nails, he marked with o's, though it troubled him he might have mixed up the letters. Max inquired the price, and the shoemaker cleared his throat and asked the boy, above Sobel's insistent hammering, would he please step through the side door there into the hall. Though surprised, Max did as the shoemaker requested, and Feld went in after him. For a minute they were both silent, because Sobel had stopped banging, and it seemed they understood neither was to say anything until the noise began again. When it did, loudly, the shoemaker quickly told Max why he had asked to talk to him.

"Ever since you went to high school," he said, in the dimly-lit hallway, "I watched you in the morning go to the subway to school, and I said always to myself, this is a fine boy that he wants so much an education."

"Thanks," Max said, nervously alert. He was tall and grotesquely thin, with sharply cut features, particularly a beak-like nose. He was wearing a loose, long slushy overcoat that hung down to his ankles, looking like a rug draped over his bony shoulders, and a soggy, old brown hat, as battered as the shoes he had brought in.

"I am a business man," the shoemaker abruptly said to conceal his embarrassment, "so I will explain you right away why I talk to you. I have a girl, my daughter Miriam—she is nineteen—a very nice girl and also so pretty that everybody looks on her when she passes by in the street. She is smart, always with a book, and I thought to myself that a boy like you, an educated boy—I thoughtmaybe you will be interested sometime to meet a girl like this." He laughed a bit when he had finished and was tempted to say more but had the good sense not to.

Max stared down like a hawk. For an uncomfortable second he was silent, then he asked, "Did you say nineteen?"

"Yes."

"Would it be all right to inquire if you have a picture of her?"

"Just a minute." The shoemaker went into the store and hastily returned with a snapshot that Max held up to the light.

"She's all right," he said.

Feld waited.

"And is she sensible—not the flighty kind?"

"She is very sensible."

After another short pause, Max said it was okay with him if he met her.

"Here is my telephone," said the shoemaker, hurriedly handing him a slip of paper. "Call her up. She comes home from work six o'clock."

Max folded the paper and tucked it away into his worn leather wallet.

"About the shoes," he said. "How much did you say they will cost me?"

"Don't worry about the price."

"I just like to have an idea."

"A dollar—dollar fifty. A dollar fifty," the shoemaker said.

At once he felt bad, for he usually charged two twenty-five for this kind of job. Either he should have asked the regular price or done the work for nothing.

Later, as he entered the store, he was startled by a violent clanging and looked up to see Sobel pounding with all his might upon the naked last. It broke, the iron strikingthe floor and jumping with a thump against the wall, but before the enraged shoemaker could cry out, the assistant had torn his hat and coat from the hook and rushed out into the snow.

 

So Feld, who had looked forward to anticipating how it would go with his daughter and Max, instead had a great worry on his mind. Without his temperamental helper he was a lost man, especially since it was years now that he had carried the store alone. The shoemaker had for an age suffered from a heart condition that threatened collapse if he dared exert himself. Five years ago, after an attack, it had appeared as though he would have either to sacrifice his business upon the auction block and live on a pittance thereafter, or put himself at the mercy of some unscrupulous employee who would in the end probably ruin him. But just at the moment of his darkest despair, this Polish refugee, Sobel, appeared one night from the street and begged for work. He was a stocky man, poorly dressed, with a bald head that had once been blond, a severely plain face and soft blue eyes prone to tears over the sad books he read, a young man but old—no one would have guessed thirty. Though he confessed he knew nothing of shoemaking, he said he was apt and would work for a very little if Feld taught him the trade. Thinking that with, after all, a landsman, he would have less to fear than from a complete stranger, Feld took him on and within six weeks the refugee rebuilt as good a shoe as he, and not long thereafter expertly ran the business for the thoroughly relieved shoemaker.

Feld could trust him with anything and did, frequently going home after an hour or two at the store, leaving all the money in the till, knowing Sobel would guard every cent of it. The amazing thing was that he demanded so little. His wants were few; in money he wasn't interested—in nothing but books, it seemed—which he one by one lent to Miriam, together with his profuse, queer written comments, manufactured during his lonely rooming house evenings, thick pads of commentary which the shoemaker peered at and twitched his shoulders over as his daughter, from her fourteenth year, read page by sanctified page, as if the word of God were inscribed on them. To protect Sobel, Feld himself had to see that he received more than he asked for. Yet his conscience bothered him for not insisting that the assistant accept a better wage than he was getting, though Feld had honestly told him he could earn a handsome salary if he worked elsewhere, or maybe opened a place of his own. But the assistant answered, somewhat ungraciously, that he was not interested in going elsewhere, and though Feld frequently asked himself what keeps him here? why does he stay? he finally answered it that the man, no doubt because of his terrible experiences as a refugee, was afraid of the world.

After the incident with the broken last, angered by Sobel's behavior, the shoemaker decided to let him stew for a week in the rooming house, although his own strength was taxed dangerously and the business suffered. However, after several sharp nagging warnings from both his wife and daughter, he went finally in search of Sobel, as he had once before, quite recently, when over some fancied slight —Feld had merely asked him not to give Miriam so many books to read because her eyes were strained and red—the assistant had left the place in a huff, an incident which, as usual, came to nothing for he had returned after the shoemaker had talked to him, and taken his seat et the bench. But this time, after Feld had plodded through the snow to Sobel's house—he had thought of sending Miriam but the idea became repugnant to him—the burly landlady at the door informed him in a nasal voice that Sobel was not at home, and though Feld knew this was a nasty lie, forwhere had the refugee to go? still for some reason he was not completely sure of—it may have been the cold and his fatigue—he decided not to insist on seeing him. Instead he went home and hired a new helper.

Having settled the matter, though not entirely to his satisfaction, for he had much more to do than before, and so, for example, could no longer lie late in bed mornings because he had to get up to open the store for the new assistant, a speechless, dark man with an irritating rasp as he worked, whom he would not trust with the key as he had Sobel. Furthermore, this one, though able to do a fair repair job, knew nothing of grades of leather or prices, so Feld had to make his own purchases; and every night at closing time it was necessary to count the money in the till and lock up. However, he was not dissatisfied, for he lived much in his thoughts of Max and Miriam. The college boy had called her, and they had arranged a meeting for this coming Friday night. The shoemaker would personally have preferred Saturday, which he felt would make it a date of the first magnitude, but he learned Friday was Miriam's choice, so he said nothing. The day of the week did not matter. What mattered was the aftermath. Would they like each other and want to be friends? He sighed at all the time that would have to go by before he knew for sure. Often he was tempted to talk to Miriam about the boy, to ask whether she thought she would like his type—he had told her only that he considered Max a nice boy and had suggested he call her—but the one time he tried she snapped at him—justly—how should she know?

At last Friday came. Feld was not feeling particularly well so he stayed in bed, and Mrs. Feld thought it better to remain in the bedroom with him when Max called. Miriam received the boy, and her parents could hear their voices, his throaty one, as they talked. Just before leaving, Miriam brought Max to the bedroom door and he stoodthere a minute, a tall, slightly hunched figure wearing a thick, droopy suit, and apparently at ease as he greeted the shoemaker and his wife, which was surely a good sign. And Miriam, although she had worked all day, looked fresh and pretty. She was a large-framed girl with a well-shaped body, and she had a fine open face and soft hair. They made, Feld thought, a first-class couple.

Miriam returned after 11:30. Her mother was already asleep, but the shoemaker got out of bed and after locating his bathrobe went into the kitchen, where Miriam, to his surprise, sat at the table, reading.

"So where did you go?" Feld asked pleasantly.

"For a walk," she said, not looking up.

"I advised him," Feld said, clearing his throat, "he shouldn't spend so much money."

"I didn't care."

The shoemaker boiled up some water for tea and sat down at the table with a cupfull and a thick slice of lemon.

"So how," he sighed after a sip, "did you enjoy?"

"It was all right."

He was silent. She must have sensed his disappointment, for she added, "You can't really tell much the first time."

"You will see him again?"

Turning a page, she said that Max had asked for another date.

"For when?"

"Saturday."

"So what did you say?"

"What did I say?" she asked, delaying for a moment —"I said yes."

Afterwards she inquired about Sobel, and Feld, without exactly knowing why, said the assistant had got another job. Miriam said nothing more and began to read. Theshoemaker's conscience did not trouble him; he was satisfied with the Saturday date.

During the week, by placing here and there a deft question, he managed to get from Miriam some information about Max. It surprised him to learn that the boy was not studying to be either a doctor or lawyer but was taking a business course leading to a degree in accountancy. Feld was a little disappointed because he thought of accountants as bookkeepers and would have preferred "a higher profession." However, it was not long before he had investigated the subject and discovered that Certified Public Accountants were highly respected people, so he was thoroughly content as Saturday approached. But because Saturday was a busy day, he was much in the store and therefore did not see Max when he came to call for Miriam. From his wife he learned there had been nothing especially revealing about their meeting. Max had rung the bell and Miriam had got her coat and left with him—nothing more. Feld did not probe, for his wife was not particularly observant. Instead, he waited up for Miriam with a newspaper on his lap, which he scarcely looked at so lost was he in thinking of the future. He awoke to find her in the room with him, tiredly removing her hat. Greeting her, he was suddenly inexplicably afraid to ask anything about the evening. But since she volunteered nothing he was at last forced to inquire how she had enjoyed herself. Miriam began something non-committal but apparently changed her mind, for she said after a minute, "I was bored."

When Feld had sufficiently recovered from his anguished disappointment to ask why, she answered without hesitation, "Because he's nothing more than a materialist."

"What means this word?"

"He has no soul. He's only interested in things."

He considered her statement for a long time but then asked, "Will you see him again?"

"He didn't ask."

"Suppose he will ask you?"

"I won't see him."

He did not argue; however, as the days went by he hoped increasingly she would change her mind. He wished the boy would telephone, because he was sure there was more to him than Miriam, with her inexperienced eye, could discern. But Max didn't call. As a matter of fact he took a different route to school, no longer passing the shoemaker's store, and Feld was deeply hurt.

Then one afternoon Max came in and asked for his shoes. The shoemaker took them down from the shelf where he had placed them, apart from the other pairs. He had done the work himself and the soles and heels were well built and firm. The shoes had been highly polished and somehow looked better than new. Max's Adam's apple went up once when he saw them, and his eyes had little lights in them.

"How much?" he asked, without directly looking at the shoemaker.

"Like I told you before," Feld answered sadly. "One dollar fifty cents."

Max handed him two crumpled bills and received in return a newly-minted silver half dollar.

He left. Miriam had not been mentioned. That night the shoemaker discovered that his new assistant had been all the while stealing from him, and he suffered a heart attack.

 

Though the attack was very mild, he lay in bed for three weeks. Miriam spoke of going for Sobel, but sick as he was Feld rose in wrath against the idea. Yet in his heart he knew there was no other way, and the first weary day back in the shop thoroughly convinced him, so thatnight after supper he dragged himself to Sobel's rooming house.

He toiled up the stairs, though he knew it was bad for him, and at the top knocked at the door. Sobel opened it and the shoemaker entered. The room was a small, poor one, with a single window facing the street. It contained a narrow cot, a low table and several stacks of books piled haphazardly around on the floor along the wall, which made him think how queer Sobel was, to be uneducated and read so much. He had once asked him, Sobel, why you read so much? and the assistant could not answer him. Did you ever study in a college someplace? he had asked, but Sobel shook his head. He read, he said, to know. But to know what, the shoemaker demanded, and to know, why? Sobel never explained, which proved he read much because he was queer.

Feld sat down to recover his breath. The assistant was resting on his bed with his heavy back to the wall. His shirt and trousers were clean, and his stubby fingers, away from the shoemaker's bench, were strangely pallid. His face was thin and pale, as if he had been shut in this room since the day he had bolted from the store.

"So when you will come back to work?" Feld asked him.

To his surprise, Sobel burst out, "Never."

Jumping up, he strode over to the window that looked out upon the miserable street. "Why should I come back?" he cried.

"I will raise your wages."

"Who cares for your wages!"

The shoemaker, knowing he didn't care, was at a loss what else to say.

"What do you want from me, Sobel?"

"Nothing."

"I always treated you like you was my son."

Sobel vehemently denied it. "So why you look for strange boys in the street they should go out with Miriam? Why you don't think of me?"

The shoemaker's hands and feet turned freezing cold. His voice became so hoarse he couldn't speak. At last he cleared his throat and croaked, "So what has my daughter got to do with a shoemaker thirty-five years old who works for me?"

"Why do you think I worked so long for you?" Sobel cried out. "For the stingy wages I sacrificed five years of my life so you could have to eat and drink and where to sleep?"

"Then for what?" shouted the shoemaker.

"For Miriam," he blurted—"for her."

The shoemaker, after a time, managed to say, "I pay wages in cash, Sobel," and lapsed into silence. Though he was seething with excitement, his mind was coldly clear, and he had to admit to himself he had sensed all along that Sobel felt this way. He had never so much as thought it consciously, but he had felt it and was afraid.

"Miriam knows?" he muttered hoarsely.

"She knows."

"You told her?"

"No."

"Then how does she know?"

"How does she know?" Sobel said, "because she knows. She knows who I am and what is in my heart."

Feld had a sudden insight. In some devious way, with his books and commentary, Sobel had given Miriam to understand that he loved her. The shoemaker felt a terrible anger at him for his deceit.

"Sobel, you are crazy," he said bitterly. "She will never marry a man so old and ugly like you."

Sobel turned black with rage. He cursed the shoemaker, but then, though he trembled to hold it in, his eyes filled with tears and he broke into deep sobs. With his back to Feld, he stood at the window, fists clenched, and his shoulders shook with his choked sobbing.

Watching him, the shoemaker's anger diminished. His teeth were on edge with pity for the man, and his eyes grew moist. How strange and sad that a refugee, a grown man, bald and old with his miseries, who had by the skin of his teeth escaped Hitler's incinerators, should fall in love, when he had got to America, with a girl less than half his age. Day after day, for five years he had sat at his bench, cutting and hammering away, waiting for the girl to become a woman, unable to ease his heart with speech, knowing no protest but desperation.

"Ugly I didn't mean," he said half aloud.

Then he realized that what he had called ugly was not Sobel but Miriam's life if she married him. He felt for his daughter a strange and gripping sorrow, as if she were already Sobel's bride, the wife, after all, of a shoemaker, and had in her life no more than her mother had had. And all his dreams for her—why he had slaved and destroyed his heart with anxiety and labor—all these dreams of a better life were dead.

The room was quiet. Sobel was standing by the window reading, and it was curious that when he read he looked young.

"She is only nineteen," Feld said brokenly. "This is too young yet to get married. Don't ask her for two years more, till she is twenty-one, then you can talk to her."

Sobel didn't answer. Feld rose and left. He went slowly down the stairs but once outside, though it was an icy night and the crisp falling snow whitened the street, he walked with a stronger stride.

But the next morning, when the shoemaker arrived, heavy-hearted, to open the store, he saw he needn't have come, for his assistant was already seated at the last, pounding leather for his love.

Copyright © 1950, 1951, 1952, 1953, 1954, 1955, 1956, 1958 by Bernard Malamud, renewed 1977, 1979, 1980, 1982, 1983, 1984, 1986 by Bernard Malamud Copyright © 1953 by The American Mercury Magazine Introduction copyright © 2003 by Jhumpa Lahiri

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Table of Contents

Introduction
The First Seven Years 3
The Mourners 17
The Girl of My Dreams 27
Angel Levine 43
Behold the Key 57
Take Pity 85
The Prison 97
The Lady of the Lake 105
A Summer's Reading 135
The Bill 145
The Last Mohican 155
The Loan 183
The Magic Barrel 193
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  • Anonymous

    Posted August 8, 2002

    Genius!!!

    This book is wonderful!!! I loved the first story in the book... a man who can make a girl fall in love with him through books!!! It just doesn't get better than that!!! I am a short story connoisseur, and these tales whetted my appetite without leaving a bad aftertaste as is sometimes the case with short stories.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 8, 2007

    What a dread

    i have to admit the first story was great!!! The story's following had TERRIBLE endings. I mean they had you going thinkin it was going to end good but out of nowhere it just turned into this messed up life. And i swear the guy has a serious issue with Jewish people. I guess if you like the bad ending storys then i would suggest you go for it but if not i would leave the book alone.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 25, 2004

    Beautifull

    This whole collection is a gem. The first story, however, is a diamond. The others, mere pebbles by comparrison. Recomended to all lovers of the short story.

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  • Anonymous

    Posted December 1, 2010

    No text was provided for this review.

  • Anonymous

    Posted May 24, 2011

    No text was provided for this review.

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