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Mahler: His Life, Work and World

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Gustav Mahler was one of the greatest conductors and composers of his time,acclaimed throughout Europe and America for his full-blooded interpretations of a repertoire that ranged from Mozart and Beethoven to Wagner and Strauss, and for his own richly orchestrated pieces. Today his music is almost a cult: intensely emotional and evocative, it stirs and inspires the listener, and it awakens curiosity as to the nature of the man who created it.This book brings together a wealth of contemporary material--letters, ...
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More About This Book

Overview

Gustav Mahler was one of the greatest conductors and composers of his time,acclaimed throughout Europe and America for his full-blooded interpretations of a repertoire that ranged from Mozart and Beethoven to Wagner and Strauss, and for his own richly orchestrated pieces. Today his music is almost a cult: intensely emotional and evocative, it stirs and inspires the listener, and it awakens curiosity as to the nature of the man who created it.This book brings together a wealth of contemporary material--letters, reviews, concert programs, diary extracts--to create a picture of Mahler in his own words and those of his friends, colleagues, and critics. From his early childhood to the days of his final triumphs in Vienna and New York, his life, attitudes, beliefs, conflicts, loves, and losses are recorded and presented in vivid detail.
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Product Details

  • ISBN-13: 9780500281970
  • Publisher: Thames & Hudson
  • Publication date: 5/28/2000
  • Pages: 256
  • Product dimensions: 7.09 (w) x 10.05 (h) x 1.00 (d)

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Sort by: Showing all of 2 Customer Reviews
  • Posted November 2, 2008

    more from this reviewer

    ... it deserves the 5 stars ...{{continued}}

    Quote"" In the unending debate about the effectiveness of psychotherapy, the creativity question remains unresolved. What happens to art when medicine meddles with an artist's mind? There are two known instances of composers who sought psychiatric help. On the afternoon of 26 August 1910, Gustav Mahler spent four hours discussing his marital difficulties with Sigmund Freud as they strolled through the Dutch town of Leiden. The two great minds achieved instant rapport. Freud said later that no-one had ever grasped psychoanalysis so swiftly. Mahler, for his part, felt much better. 'Be joyful!' he cabled his young wife, Alma. unquote <BR/><BR/><BR/>***Two persons must have shaped Mahler's personality: <BR/>1)Leo Pinsker (1821-1891) was born in Poland. <BR/>One of the first Jews to attend Odessa University, he studied law, but realized that, as a Jew, he had little chance of becoming a lawyer, so he studied medicine at the University of Moscow, returning to Odessa to practice in 1849. When pogroms started in Odessa in 1871, enlightened Jews were distraught. Assimilation activities ceased and Pinsker returned to medicine, becoming prominent in public life. Within a few years, these activities were renewed, but they were brought to a sudden halt in 1881, when another wave of pogroms began in southern Russia. <BR/>The concept of channeling Russian Jewish emigration to one country was rebuffed in Vienna and Paris, where Jewish leaders favored emigration to the U.S. rather than a Jewish homeland.(Mahler also did so) . <BR/>"... to the living the Jew is a corpse, to the native a foreigner, to the homesteader a vagrant, to the proprietary a beggar, to the poor an exploiter and a millionaire, to the patriot a man without a country, for all a hated rival." <BR/><BR/><BR/>2)Sigmund Freud: 1856-1939 <BR/>Was Freud interested in music at all? Exactly what Freud cured is unclear. Emmanuel Garcia, psychiatric consultant to the Curtis Institute of Music in Philadelphia, has postulated a theory that Mahler's libido ((psychoanalysis) a Freudian term for sexual urge or desire) was restored by talking to Freud. If so it made little difference, as Alma continued seeing her young lover, the future Bauhaus founder, Walter Gropius. As for any effect on Mahler's music, there was none. He died nine months later, of heart disease. Freud, seeing the obituary, sent the estate a back-dated invoice. Privately, Freud acknowledged that his treatment of Mahler had been superficial. It was, he said, 'as if you would dig a single shaft through a mysterious building'."" <BR/><BR/><BR/>*** Alma MARIA Mahler?? (Maria) - Maria is Mahler's mother name!!!! Mahler's first daughter' name was Maria too - she died of scarlet fever!!! <BR/><BR/>**His last words were "Mozartl" - (a diminutive, corresponding to 'dear little Mozart'

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  • Posted October 30, 2008

    more from this reviewer

    The Book deserves 5 stars

    ** Mahler (1860-1911) must have lost heart of composing after seeing Freud? <BR/><BR/>The circumstances surrounding the composition of the Tenth were highly unusual - the revelation that his young wife had had an affair with the architect Walter Gropius <BR/>The unsettled frame of Mahler's mind found expression in the despairing comments (many addressed to Alma) written on the manuscript of the Tenth, and must have influenced its composition: (True?) on the final page of the short score, Mahler wrote, "für dich leben! für dich sterben!" (To live for you! To die for you!) and the exclamation "Alms chi!" underneath the last soaring phrase.(Alms=money for the poor???) Alma kept the score with its final tribute in her living room - like a hunting trophy - the score refers to his unfinished 10th symphony. Was it inscribed on the score of the 10th? Mahler composed sketches of five movements!!!! <BR/><BR/>There is no sign that Mahler ever worked on the 10th Symphony again (Started in July 1910) after his visit to Freud in August 1910 - until he died August 10, 1911. Could it be that he intentionally kept his 10th unfinished - In Sept 1910 Mahler ended his efforts on the 10th Did he leave it unfinished for Alma to complete the work after he's gone; as to make up for his mistake when (1902) he ruled Alma out of composing. Or he did not finish it and temporarily put it aside to be able to make final revisions to the Ninth? <BR/><BR/>Mahler struggles in the 10th. a) Dissonance piled on dissonance and pierced by a high trumpet A, which erupts in the first movement. The shock of Gropius letters? Alma's accusations? (of WHAT??) Hardly less appalling is the muffled drum stroke which ends in the fourth movement and is repeated in the fifth. Alma links it to the episode when they heard together from a funeral cortege which passed far below their hotel window during their first winter in New York (Mahler's gloom during his happiest days-backlog of anti-Semitic complexities!!). Perhaps that is where Mahler got his raw material, but doesn't he use it here to a deeper and more recent movement with the echoes of the song about a child left to starve to death. Isn't Mahler now (or again) the abandoned one? - Again backlog of anti-Semitic complexities!!- He scrawled tortured words on the manuscript among them "" Mercy!! Oh God! Oh God! Why hast thou forsaken me?""--""The devil dances it with me/Madness seize me, accursed one/Destroy me/That I forgot, that I am"" like several notes Mahler left for Alma in the farmhouse. He may have written something more shocking on the bottom half of the Purgatories' title page, but the section has been sliced off, presumably by Alma. <BR/><BR/>After Mahler sought counseling from Sigmund Freud and on the verge of its successful première in Munich he dedicated the Eighth Symphony to Alma in a desperate attempt to repair the breach. ((Premiered in Munich on September 12, 1910 featured a chorus of about 850, with an orchestra of 171)) Did Freud recommend that Mahler dedicate his 8th to Alma? <BR/>Emanuel Garcia - an American psychoanalyst - puts this case eloquently in a paper made public in 1994. <BR/>Mahler suffered from Oedipal Conflict - A complex of males; desire to possess the mother sexually and to exclude the father; said to be a source of personality disorders if unresolved -

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