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| Fang Island | Primary Artist |
| Zoe Ellis | Choir, Chorus |
| John Williams | Choir, Chorus |
| Keith Souza | Vocals |
| Seth Manchester | Vocals |
| Chris Georges | Group Member |
| Sam Muglia | Shakuhachi, Soloist |
| Marc St. Sauveur | Group Member |
| Jason Bartell | Group Member |
| Adam Pumilia | Bass |
| Jeff Bartell | Choir, Chorus |
| Colleen Doyle | Choir, Chorus |
| Brandon Amorin | Choir, Chorus |
| Ryan Newmeyer | Choir, Chorus |
| Reba Mitchell | Vocals, Choir, Chorus |
| Michael Jacober | Bass |
| Josh "Sweaty P." Joseph | Guitar, Choir, Chorus |
| Keith Souza | Producer, Engineer, Mastering |
| Seth Manchester | Engineer, Mastering |
| Fang Island | Composer, Producer |
Editorial Reviews
All Music Guide - James Christopher Monger
Brooklyn by way of Providence miniature guitar army Fang Island's second studio outing, the appropriately titled Major, finds the newly shrunken trio merrily avoiding minor keys amidst a maelstrom of metal-infused, full-hearted millennial power pop. Raw, radiant, and rambunctious, songs like "Kindergarten," "Chime Out," and "Asunder" belong in a Wes Anderson film, albeit one that inhabits an alternate universe where the fastidious auteur was weaned on '80s hair metal instead of '60s pop. Major, like the band's 2010 eponymous debut, sounds like Torche tearing through a set of Cheap Trick classics, but unlike its predecessor, the constant "oohs" and "aahs" are ...