Major Pettigrew's Last Stand

Major Pettigrew's Last Stand

by Helen Simonson
Major Pettigrew's Last Stand

Major Pettigrew's Last Stand

by Helen Simonson

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Overview

Written with a delightfully dry sense of humour and the wisdom of a born storyteller, Major Pettigrew's Last Stand explores the risks one takes when pursuing happiness in the face of family obligation and tradition.

When retired Major Pettigrew strikes up an unlikely friendship with Mrs. Ali, the Pakistani village shopkeeper, he is drawn out of his regimented world and forced to confront the realities of life in the twenty-first century. Brought together by a shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship on the cusp of blossoming into something more. But although the Major was actually born in Lahore, and Mrs. Ali was born in Cambridge, village society insists on embracing him as the quintessential local and her as a permanent foreigner. The Major has always taken special pride in the village, but will he be forced to choose between the place he calls home and a future with Mrs. Ali?

BONUS: This edition contains a Major Pettigrew's Last Stand discussion guide.

Product Details

ISBN-13: 9781588369659
Publisher: Random House Publishing Group
Publication date: 03/02/2010
Sold by: Random House
Format: eBook
Pages: 368
Sales rank: 121,819
File size: 3 MB

About the Author

About The Author
Helen Simonson was born in England and spent her teenage years in a small village in East Sussex. A graduate of the London School of Economics and former travel advertising executive, she has lived in America for the last two decades. A longtime resident of Brooklyn, she now lives with her husband and two sons in the Washington, D.C., area. This is her first novel.

Read an Excerpt

Chapter One


Major Pettigrew was still upset about the phone call from his brother’s wife and so he answered the doorbell without thinking. On the damp bricks of the path stood Mrs. Ali from the village shop. She gave only the faintest of starts, the merest arch of an eyebrow. A quick rush of embarrassment flooded to the Major’s cheeks and he smoothed helplessly at the lap of his crimson, clematis-covered housecoat with hands that felt like spades.

“Ah,” he said.

“Major?”

“Mrs. Ali?” There was a pause that seemed to expand slowly, like the universe, which, he had just read, was pushing itself apart as it aged. “Senescence,” they had called it in the Sunday paper.

“I came for the newspaper money. The paper boy is sick,” said Mrs. Ali, drawing up her short frame to its greatest height and assuming a brisk tone, so different from the low, accented roundness of her voice when it was quiet in the shop and they could discuss the texture and perfume of the teas she blended specially for him.

“Of course, I’m awfully sorry.” He had forgotten to put the week’s money in an envelope under the outside doormat. He started fumbling for the pockets of his trousers, which were somewhere under the clematis. He felt his eyes watering. His pockets were inaccessible unless he hoisted the hem of the housecoat. “I’m sorry,” he repeated.

“Oh, not to worry,” she said, backing away. “You can drop it in at the shop later—sometime more convenient.” She was already turning away when he was seized with an urgent need to explain.

“My brother died,” he said. She turned back. “My brother died,” he repeated. “I got the call this morning. I didn’t have time.” The dawn chorus had still been chattering in the giant yew against the west wall of his cottage, the sky pink, when the telephone rang. The Major, who had been up early to do his weekly housecleaning, now realized he had been sitting in a daze ever since. He gestured helplessly at his strange outfit and wiped a hand across his face. Quite suddenly his knees felt loose and he could sense the blood leaving his head. He felt his shoulder meet the doorpost unexpectedly and Mrs. Ali, quicker than his eye could follow, was somehow at his side propping him upright.

“I think we’d better get you indoors and sitting down,” she said, her voice soft with concern. “If you will allow me, I will fetch you some water.” Since most of the feeling seemed to have left his extremities, the Major had no choice but to comply. Mrs. Ali guided him across the narrow, uneven stone floor of the hallway and deposited him in the wing chair tucked just inside the door of the bright, book-lined living room. It was his least favorite chair, lumpy cushioned and with a hard ridge of wood at just the wrong place on the back of his head, but he was in no position to complain.

“I found the glass on the draining board,” said Mrs. Ali, presenting him with the thick tumbler in which he soaked his partial bridgework at night. The faint hint of spearmint made him gag. “Are you feeling any better?”

“Yes, much better,” he said, his eyes swimming with tears. “It’s very kind of you.?.?.?.”

“May I prepare you some tea?” Her offer made him feel frail and pitiful.

“Thank you,” he said. Anything to get her out of the room while he recovered some semblance of vigor and got rid of the housecoat.

It was strange, he thought, to listen again to a woman clattering teacups in the kitchen. On the mantelpiece his wife, Nancy, smiled from her photo, her wavy brown hair tousled, and her freckled nose slightly pink with sunburn. They had gone to Dorset in May of that rainy year, probably 1973, and a burst of sunlight had briefly brightened the windy afternoon; long enough for him to capture her, waving like a young girl from the battlements of Corfe Castle. Six years she had been gone. Now Bertie was gone, too. They had left him all alone, the last family member of his generation. He clasped his hands to still a small tremor.

Of course there was Marjorie, his unpleasant sister-in-law; but, like his late parents, he had never fully accepted her. She had loud, ill-formed opinions and a north country accent that scraped the eardrum like a dull razor. He hoped she would not look for any increase in familiarity now. He would ask her for a recent photo and, of course, Bertie’s sporting gun. Their father had made it clear when he divided the pair between his sons that they were to be restored in the event of death, in order to be passed along intact within the family. The Major’s own gun had lain solitary all these years in the double walnut box, a depression in the velvet lining indicating the absence of its mate. Now they would be restored to their full value—around a hundred thousand pounds, he imagined. Not that he would ever dream of selling. For a moment he saw himself quite clearly at the next shoot, perhaps on one of the riverside farms that were always plagued with rabbits, coming up to the invited group, bearing the pair of guns casually broken over his arm.

“Good God, Pettigrew, is that a pair of Churchills?” someone would say—perhaps Lord Dagenham himself, if he was shooting with them that day—and he would casually look, as if he had forgotten, and reply, 
“Yes, matched pair. Rather lovely walnut they used when these were made,” offering them up for inspection and admiration.

A rattling against the doorjamb startled him out of this pleasant interlude. It was Mrs. Ali with a heavy tea tray. She had taken off her green wool coat and draped her paisley shawl around the shoulders of a plain navy dress, worn over narrow black trousers. The Major realized that he had never seen Mrs. Ali without the large, stiff apron she always wore in the shop.

“Let me help you with that.” He began to rise from the chair.

“Oh, I can manage perfectly well,” she said, and brought the tray to the nearby desk, nudging the small stack of leather books aside with one corner. “You must rest. You’re probably in shock.”


“It was unexpected, the telephone ringing so absurdly early. Not even six o’clock, you know. I believe they were all night at the hospital.”

“It was unexpected?”

“Heart attack. Quite massive apparently.” He brushed a hand over his bristled mustache, in thought. “Funny, somehow you expect them to save heart attack victims these days. Always seem to on television.” Mrs. Ali wobbled the spout of the teapot against a cup rim. It made a loud chonk and the Major feared a chip. He recollected (too late) that her husband had also died of a heart attack. It was perhaps eighteen months or two years now. “I’m sorry, that was thoughtless—” She interrupted him with a sympathetic wave of dismissal and continued to pour. “He was a good man, your husband,” he added.

What he remembered most clearly was the large, quiet man’s restraint. Things had not been altogether smooth after Mr. Ali took over old Mrs. Bridge’s village shop. On at least two occasions the Major had seen Mr. Ali, on a crisp spring morning, calmly scraping spray paint from his new plate glass windows. Several times, Major Pettigrew had been in the store when young boys on a dare would stick their enormous ears in the door to yell “Pakis go home!” Mr. Ali would only shake his head and smile while the Major would bluster and stammer apologies. The furor eventually died down. The same small boys slunk into the store at nine o’clock at night when their mothers ran out of milk. The most stubborn of the local working men got tired of driving four miles in the rain to buy their national lottery tickets at an “English” shop. The upper echelons of the village, led by the ladies of the various village committees, compensated for the rudeness of the lower by developing a widely advertised respect for Mr. and Mrs. Ali. The Major had heard many a lady proudly speak of “our dear Pakistani friends at the shop” as proof that Edgecombe St. Mary was a utopia of multicultural understanding.

When Mr. Ali died, everyone had been appropriately upset. The village council, on which the Major sat, had debated a memorial service of some kind, and when that fell through (neither the parish church nor the pub being suitable) they had sent a very large wreath to the funeral home.

“I am sorry I did not have an opportunity to meet your lovely wife,” said Mrs. Ali, handing him a cup.

“Yes, she’s been gone some six years now,” he said. “Funny really, it seems like both an eternity and the blink of an eye all at the same time.”

“It is very dislocating,” she said. Her crisp enunciation, so lacking among many of his village neighbors, struck him with the purity of a well-tuned bell. “Sometimes my husband feels as close to me as you are now, and sometimes I am quite alone in the universe,” she added.

“You have family, of course.”

“Yes, quite an extended family.” He detected a dryness in her tone. “But it is not the same as the infinite bond between a husband and wife.”

“You express it perfectly,” he said. They drank their tea and he felt a sense of wonder that Mrs. Ali, out of the context of her shop and in the strange setting of his own living room, should be revealed as a woman of such great understanding. “About the housecoat,” he said.

“Housecoat?”

“The thing I was wearing.” He nodded to where it now lay in a basket of National Geographics. “It was my wife’s favorite housecleaning attire. Sometimes I, well...”

“I have an old tweed jacket that my husband used to wear,” she said softly. “Sometimes I put it on and take a walk around my garden. And sometimes I put his pipe in my mouth to taste the bitterness of his tobacco.” She flushed a warmer shade and lowered her deep brown eyes to the floor, as if she had said too much. The Major noticed the smoothness of her skin and the strong lines of her face.

“I still have some of my wife’s clothes, too,” said the Major. “After six years, I don’t know if they still smell of her perfume or whether I just imagine it.” He wanted to tell her how he sometimes opened the closet door to thrust his face against the nubby suits and the smooth chiffon blouses. Mrs. Ali looked up at him and behind her heavy-lidded eyes he thought she too might be thinking of such absurd things.

“Are you ready for more tea?” she asked and held out her hand for his cup.

When Mrs. Ali had left, she making her excuses for having invited herself into his home and he making his apologies for inconveniencing her with his dizzy spell, the Major donned his housecoat once more and went back to the small scullery beyond the kitchen to finish cleaning his gun. He was conscious of tightness around his head and a slight burn in the throat. This was the dull ache of grief in the real world; more dyspepsia than passion.

He had left a small china cup of mineral oil warming on its candle stand. He dipped his fingers in the hot oil and began to rub it slowly into the burled walnut root of the gun stock. The wood became silk under his fingertips. He relaxed into his task and felt his grief ease, making room for the tiniest flowering of a new curiosity.

Mrs. Ali was, he half suspected, an educated woman, a person of culture. Nancy had been such a rare person, too, fond of her books and of little chamber concerts in village churches. But she had left him alone to endure the blunt tweedy concerns of the other women of their acquaintance. Women who talked horses and raffles at the hunt ball and who delighted in clucking over which unreliable young mother from the council cottages had messed up arrangements for this week’s play group at the Village Hall. Mrs. Ali was more like Nancy. She was a butterfly to their scuffle of pigeons. He acknowledged a notion that he might wish to see Mrs. Ali again outside of the shop, and wondered whether this might be proof that he was not as ossified as his sixty-eight years, and the limited opportunities of village life, might suggest.

Bolstered by the thought, he felt that he was up to the task of phoning his son, Roger, in London. He wiped his fingertips on a soft yellow rag and peered with concentration at the innumerable chrome buttons and LED displays of the cordless phone, a present from Roger. Its speed dial and voice activation capabilities were, Roger said, useful for the elderly. Major Pettigrew disagreed on both its ease of use and the designation of himself as old. It was frustratingly common that children were no sooner gone from the nest and established in their own homes, in Roger’s case a gleaming black-and-brass-decorated penthouse in a high-rise that blighted the Thames near Putney, than they began to infantilize their own parents and wish them dead, or at least in assisted living. It was all very Greek, the Major thought. With an oily finger, he managed to depress the button marked “1—Roger Pettigrew, VP, Chelsea Equity Partners,” which Roger had filled in with large, childlike print. Roger’s private equity firm occupied two floors in a tall glass office tower in London’s Docklands; as the phone rang with a metallic ticking sound, the Major imagined Roger in his unpleasantly sterile cubicle with the battery of computer monitors and the heap of files for which some very expensive architect had not bothered to provide drawers.

Roger had already heard.

“Jemima has taken on the call-making. The girl’s hysterical, but there she is, calling everyone and his dog.”

“It helps to keep busy,” suggested the Major.

“More like wallowing in the whole bereaved-daughter role, if you ask me,” said Roger. “It’s a bit off, but then they’ve always been that way, haven’t they?” His voice was muffled and the Major assumed this meant he was once again eating at his desk.

“That’s unnecessary, Roger,” he said firmly. Really, his son was becoming as unedited as Marjorie’s family. The city was full of blunt, arrogant young men these days and Roger, approaching thirty, showed few signs of evolving past their influence.

“Sorry, Dad. I’m very sorry about Uncle Bertie.” There was a pause. “I’ll always remember when I had chicken pox and he came over with that model plane kit. He stayed all day helping me glue all those tiny bits of balsa together.”

“As I recall you broke it against the window the next day, after you’d been warned against flying it indoors.”

“Yeah, and you used it as kindling for the kitchen stove.”

“It was broken to pieces. No sense in wasting it.” The memory was quite familiar to them both. The same story came up over and over at family parties. Sometimes it was told as a joke and they all laughed. Sometimes it was a cautionary lecture to Jemima’s willful son. Today the hint of reproach was showing along the seams.

“Will you come down the night before?” asked the Major.

“No, I’ll take the train. But listen, Dad, don’t wait for me. It’s possible I might get stuck.”

Reading Group Guide

1.

In the outset of Major Pettigrew’s Last Stand, the Major is described as feeling the weight of his age, but on page 320, the morning after his romantic evening with Mrs. Ali at Colonel Preston’s Lodge,  Simonson writes that “a pleasant glow, deep in his gut, was all that remained of a night that seemed to have burned away the years from his back.” Love is not only for the young and, as it did the Major, it has the capacity to revitalize. Discuss the agelessness of love, and how it can transform us at any point in our lives.  

2. A crucial theme of Major Pettigrew’s Last Stand is that of obligation. What are the differences between the Pettigrews’ familial expectations and those of the Alis’?  What do different characters in the novel have to sacrifice in order to stay true to these obligations? What do they give up in diverging from them?

3. Major Pettigrew clings to the civility of a bygone era, and his discussions with Mrs. Ali over tea are a narrative engine of the book and play a central role in their burgeoning romance. In our digital world, how have interpersonal relationships changed? Do you think instant communication makes us more or less in touch with the people around us?

4. Much of the novel focuses on the notion of “otherness.” Who is considered an outsider in Edgecombe St. Mary? How are the various village outsiders treated differently?

5. First impressions in Major Pettigrew’s Last Stand can be deceiving. Discuss the progressions of the characters you feel changed the most from the beginning of the book to the end.  

6. The Major struggles to find footing in his relationship with his adult son, Roger. Discuss the trickiness of being a parent to an adult child, and alternatively, an adult child to an aging parent. How does the generation gap come to impact the relationship?

7. Major Pettigrew and Mrs. Ali connect emotionally in part because they share the experience of having lost a spouse, and in part because they delight in love having come around a second time. How do you think relationships formed in grief are different from those that are not?

8. For Major Pettigrew, the Churchills represent societal standing and achievement, as well as an important part of his family’s history. However, as events unfold, the Major begins to question whether loyalty and honor are more important than material objects and social status. Discuss the evolving importance of the guns to the Major, as well as the challenge of passing down important objects, and values, to younger generations.
 
 

Interviews

Finding Major Pettigrew and myself

Dear Barnes and Noble Readers,

I can’t tell you what a thrill it is to walk into a Barnes and Noble and see my novel, Major Pettigrew’s Last Stand, stacked on the shelves. I have had a few months to absorb this dream - but to be honest, I still have to pinch myself sometimes. This is my first novel and its initial success was greatly helped by being picked for the Barnes and Noble Discover New Writers program and being recommended by B&N booksellers throughout the country. I am very grateful to them all.

As I try to juggle book touring and interviews with my regular job (as a mother of two teenage boys), I am often asked how the novel came to be. I can only report that the smallest of inspirations - a desire to write something just for my own pleasure and a fleeting image of home - led me to a small brick house in an English village and a retired Major opening the door to a stranger. The Major was wearing a lady’s floral housecoat and this rather surprised his visitor, Mrs. Ali, an Englishwoman of Pakistani heritage, who owned the village shop.

From small beginnings, the story that unfolded was as much a surprise to me as it is to other readers. I just enjoyed spending hours in the landscape of Sussex, which I remember so well, and I tried to let my characters lead me. I was very often thrilled with where they went next. I remember laughing out loud when it became suddenly clear that the local village squire had dreadful plans in store for the Major’s village.

I am very happy that the novel turned out to be funny. It took me many years, and many attempts at stories, to give up trying to squash my natural sense of the absurd. When I finally gave up trying to be bleak and serious, and stopped worrying what people would think of my writing, something sparked in my work – and the Major appeared at his door, dressed for action.

Several years ago, as a stay-at-home mother, looking for some creative, intellectual outlet, I stumbled into a ‘Beginner Fiction’ class at New York’s 92nd Street Y with only the vaguest idea that I wanted to write. After diapers and toddler gym classes all week, I was thrilled to spend one night sitting around a conference table, sharing work with others (adults!) who thought they wanted to write. I could only work on my class assignments after eight pm when the children were asleep and before nine thirty when I was usually overtaken by my own exhaustion. Almost immediately I realized I was where I wanted to be.

My overnight success as a writer took a little longer. My toddlers are now applying to college!

In the intervening years I experienced all kinds of rejection – but took comfort in the fact that rejection letters addressed me as “Dear Writer.” I can only advise those who want to write to do it for you, do it with your own voice and find some other writers with whom to share the agonies! And, of course, every writer needs to read a lot of books. I hope you like the paperback version of Major Pettigrew’s Last Stand as much as everyone who worked on it. See you at Barnes and Noble!

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