Makeover TV: Selfhood, Citizenship, and Celebrity

Makeover TV: Selfhood, Citizenship, and Celebrity

by Brenda R. Weber
     
 

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ISBN-10: 0822345684

ISBN-13: 9780822345688

Pub. Date: 11/20/2009

Publisher: Duke University Press Books


In 2004, roughly 25 makeover-themed reality shows aired on U.S. television. By 2009, there were more than 250, from What Not to Wear and The Biggest Loser to Dog Whisperer and Pimp My Ride. In Makeover TV, Brenda R. Weber argues that whether depicting transformations of bodies, trucks, finances, relationships, kids, or homes,

Overview


In 2004, roughly 25 makeover-themed reality shows aired on U.S. television. By 2009, there were more than 250, from What Not to Wear and The Biggest Loser to Dog Whisperer and Pimp My Ride. In Makeover TV, Brenda R. Weber argues that whether depicting transformations of bodies, trucks, finances, relationships, kids, or homes, makeover shows posit a self achievable only in the transition from the “Before-body”—the overweight figure, the decrepit jalopy, the cluttered home—to the “After-body,” one filled with confidence, coded with celebrity, and imbued with a renewed faith in the powers of meritocracy. The rationales and tactics invoked to achieve the After-body vary widely, from the patriotic to the market-based, and from talk therapy to feminist empowerment. The genre is unified by its contradictions: to uncover your “true self,” you must be reinvented; to be empowered, you must surrender to experts; to be special, you must look and act like everyone else.

Based on her analysis of more than 2,500 hours of makeover TV, Weber argues that the much-desired After-body speaks to and makes legible broader cultural narratives about selfhood, citizenship, celebrity, and Americanness. Although makeovers are directed at both male and female viewers, their gendered logic requires that feminized subjects submit to the controlling expertise wielded by authorities. The genre does not tolerate ambiguity. Conventional (middle-class, white, ethnically anonymous, heterosexual) femininity is the goal of makeovers for women. When subjects are male, makeovers often compensate for perceived challenges to masculine independence by offering men narrative options for resistance or control. Foregoing a binary model of power and subjugation, Weber provides an account of makeover television that is as appreciative as it is critical. She reveals the makeover show as a rich and complicated text that expresses cultural desires and fears through narratives of selfhood.

Product Details

ISBN-13:
9780822345688
Publisher:
Duke University Press Books
Publication date:
11/20/2009
Series:
Console-ing Passions
Edition description:
New Edition
Pages:
344
Product dimensions:
6.00(w) x 9.10(h) x 0.90(d)

Table of Contents

Introduction. Into the Makeover Maze: A Method in the Madness 1

1. Makeover Nation: Americanness, Neoliberalism, and the Citizen-Subject 37

2. Visible Subjects: Economies of Looking, Pedagogies of Shame, Sights of Resistance 81

3. "I'm a Woman Now!" Race, Class, and Femme-ing the Normative 127

4. What Makes the Man? Masculinity and the Self-Made (Over) Man 171

5. Celebrated Selfhood: Reworking Commodification through Reality Celebrity 215

Conclusion. Can This Makeover Be Saved? 253

Notes 267

Bibliography 285

Videography 301

Index 315

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