BN.com Gift Guide

Makers of Modern Architecture, Volume II: From Le Corbusier to Rem Koolhaas [NOOK Book]

Overview

In the first volume of Makers of Modern Architecture (2007), Martin Filler examined the emergence of that revolutionary new form of building and explored its aesthetic, social, and spiritual aspirations through illuminating studies of some of its most important practitioners, from Louis Sullivan and Frank Lloyd Wright to, in our own time, Renzo Piano and Santiago Calatrava.
 
Now, in Makers of Modern Architecture, Volume II, Filler ...
See more details below
Makers of Modern Architecture, Volume II: From Le Corbusier to Rem Koolhaas

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac

Want a NOOK? Explore Now

NOOK Book (eBook)
$16.49
BN.com price
(Save 44%)$29.95 List Price

Overview

In the first volume of Makers of Modern Architecture (2007), Martin Filler examined the emergence of that revolutionary new form of building and explored its aesthetic, social, and spiritual aspirations through illuminating studies of some of its most important practitioners, from Louis Sullivan and Frank Lloyd Wright to, in our own time, Renzo Piano and Santiago Calatrava.
 
Now, in Makers of Modern Architecture, Volume II, Filler continues his investigations into the building art, beginning with the historical eclecticism of McKim, Mead, and White, best remembered today for New York City’s demolished Pennsylvania Station. He surveys the seemingly inexhaustible flow of new books about Wright and Le Corbusier, and continues his commentaries on Piano’s museum buildings with an essay focused on the new Broad Contemporary Art Museum in Los Angeles.
 
There are less well known subjects here too, from the Frankfurt urban planner Ernst May to Buckminster Fuller, inventor of the geodesic dome. Filler judges Edward Durell Stone—the architect of the U.S. embassy in New Delhi, the Huntington Hartford Museum in New York City, and the Kennedy Center in Washington—to have been “a middling product of his times,” however personally interesting he may have been. And he looks back at James Stirling, who in the 1970s and 1980s was “a veritable rock star of the profession,” responsible for what Filler considers some of the very few worthwhile postmodernist buildings.
 
The essays collected here are not entirely historical, however. Filler also focuses on some of the most recent projects to have attracted critical and popular attention both in the United States and abroad, including Rem Koolhaas’s CCTV building in Beijing and Bernard Tschumi’s Acropolis Museum in Athens. He argues that Kazuyo Sejima and Ryue Nishizawa’s New Museum in New York City is “one of those rare, clarifying works of architecture that makes most recent buildings of the same sort look suddenly ridiculous.” He calls Tod Williams and Billie Tsien’s brilliant reimagining of the Barnes Collection in Philadelphia “a latter-day miracle...a virtually unimprovable setting” for its art. He finds Michael Arad’s September 11 Memorial at Ground Zero “a sobering, disturbing, heartbreaking, and overwhelming masterpiece.” And he argues that Diller Scofidio + Renfro’s Institute of Contemporary Art in Boston and their work revitalizing the High Line and Lincoln Center in New York make them today’s “shrewdest yet most sympathetic enhancers of the American metropolis.”
 
Filler remains, in these nineteen essays, a shrewd observer of the pressures on architects and their projects—money, politics, social expectations, even the weight of their own reputations. But his focus is always on the buildings themselves, on their sincerity and directness, on their form and their function, on their capacity to bring delight to the human landscape.
Read More Show Less

Editorial Reviews

From Barnes & Noble

Reviewers of the first volume of Martin Filler's Maker of Modern Architecture predicted that it would eclipse other books in the field and compared it to a Vasari's Lives for architects. The second volume, a full six years in preparation, continues Filler's explorations with nineteen essays that cover not only the lives and works of seminal architects, but also aesthetic continuities and disjunctions; and the social and economic implications of their work.

Publishers Weekly
In this superb follow-up to his first volume of essays on modern building’s pioneers and major designers, architecture critic Filler (formerly at House & Garden, now a contributor to the New York Review of Books, where these 19 essays first appeared) brings his expertise to bear on architects who have been neglected (Carlo Scarpa), those who have fallen out of critical favor (Edward Durell Stone), and others whose standing has been debated (Eero Saarinen), while deftly evaluating the work of contemporaries such as Bernard Tschumi and Snøhetta. The recurrent theme is personality and how it plays into the art form: Rem Koolhaas’s “morally neutral attitude,” for instance, as embodied by his controversial CCTV building in Beijing, which Filler faults for its “unconscionable destruction” of nearby landmarks and its chilling aloofness. Similarly, he suggests that James Stirling’s “abundant architectural gifts” were thwarted by his irascible disposition. A highlight of the collection is Filler’s deeply moving essay in support of Michael Arad’s National September 11 Memorial—an unforgettable piece of writing that cuts through the media babel that surrounded the memorial’s unveiling. Always a strong believer in public buildings’ “direct social implications,” Filler could be called the presumptive conscience of the architect; and his contribution to both architecture criticism and general readers’ understanding is invaluable. 8 pages of photos. (Sept.)
From the Publisher
"In this superb follow-up to his first volume of essays on modern building’s pioneers and major designers, architecture critic Filler brings his expertise to bear on architects who have been neglected (Carlo Scarpa), those who have fallen out of critical favor (Edward Durell Stone), and others whose standing has been debated (Eero Saarinen), while deftly evaluating the work of contemporaries such as Bernard Tschumi and Snøhetta…. A highlight of the collection is Filler’s deeply moving essay in support of Michael Arad’s National September 11 Memorial—an unforgettable piece of writing that cuts through the media babel that surrounded the memorial’s unveiling….his contribution to both architecture criticism and general readers’ understanding is invaluable." — Publishers Weekly, starred review

“Filler writes amazing descriptions of buildings with an ability to maneuver through space with words like a very good perspective drawing: clear, articulate, and very often inspired…Filler’s discussions on the method and orchestration of buildings are superb, as is his ability to cite sources and the derivation of architects’ work….This brand of criticism is elegant and worldly….” —Oculus, The Center for Architecture

Praise for Makers of Modern Architecture, Volume I:
 
  “Filler’s assessments in The New York Review stand apart, eschewing fashion and offering polished, carefully edited and backed-up, though highly personal, assertions.... Filler’s razor-sharp mind and sharper tongue set him apart. We gobble up what he thinks, as well as how he serves it up.” —Robert Ivy, Architectural Record
 
“Martin Filler’s book is liberating.... For those seeking a brilliant if potted guide to modern architecture, Filler fits the bill. His book bristles with bracing insights, incisive judgments, and wicked lines.” —Robert Zaretsky, Houston Chronicle
 
“Martin Filler’s writing demonstrates his lucidity and independence of mind.... Filler is an elegant writer, clearly committed to thinking about his subjects, and working hard to engage his audience. He seeks to place architecture in a wider cultural context rather than leave it trapped in the self-regarding discourse of criticism. He is not afraid to express his opinions.” —Deyan Sudjic, The Architect’s Newspaper

Read More Show Less

Product Details

  • ISBN-13: 9781590177013
  • Publisher: New York Review Books
  • Publication date: 8/20/2013
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 336
  • File size: 9 MB

Meet the Author

Martin Filler was the longtime architecture critic of House & Garden until it ceased publication in 2007. He is the co-author, with Olivier Boissière, of The Vitra Design Museum: Frank Gehry, Architect, and the author of Makers of Modern Architecture, Volume I, based on essays from The New York Review of Books. He is a fellow of the American Academy of Arts and Sciences.
Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)