Making Films in Contemporary Hollywood

Overview


Traditionally, film critics have concentrated on the director, seeing feature filmmaking as a form of individual expression. The authors challenge this view, arguing that filmmaking is a form of collection expression. They examine the idea that many individuals, including editors, cinematographers and sound designers, contribute to the making of a film, and argue that it is misleading to classify them as technicians. The authors consider is how money and power determines the structure within which all those ...
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Overview


Traditionally, film critics have concentrated on the director, seeing feature filmmaking as a form of individual expression. The authors challenge this view, arguing that filmmaking is a form of collection expression. They examine the idea that many individuals, including editors, cinematographers and sound designers, contribute to the making of a film, and argue that it is misleading to classify them as technicians. The authors consider is how money and power determines the structure within which all those involved with filmmaking work. And, in challenging the accepted view of the dynamics of filmmaking, the book raises questions about the nature of the feature film. Is it essentially a visual form? What place does it have? How important is the script?

Making Films in Contemporary Hollywood contains analysis, interviews and case studies of Chinatown, Jurassic Park, and When Harry Met Sally, bringing a fresh perspective to the study of filmmaking that will be both informative and provocative for Media and Film Studies students at all levels.
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Product Details

  • ISBN-13: 9780340809839
  • Publisher: Bloomsbury Academic
  • Publication date: 2/25/2005
  • Series: A Hodder Arnold Publication
  • Pages: 162
  • Product dimensions: 6.14 (w) x 9.21 (h) x 0.36 (d)

Table of Contents

1 Introduction 1
2 The politics of filmmaking 12
3 What do filmmakers think about filmmaking? 17
4 Oscars and aesthetics 48
5 Observations : Bonfire of the vanities, Up close and personal, heaven's gate 60
6 Criticism : Jurassic Park, Chinatown, When Harry Met Sally 74
7 Conclusion - authors, entertainers, and other issues 113
App. 1 Filmmakers' grids 125
App. 2 Film credits (Jurassic Park, Chinatown, When Harry Met Sally) 130
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