Making Waste: Leftovers and the Eighteenth-Century Imagination

Overview

Why was eighteenth-century English culture so fascinated with the things its society discarded? Why did Restoration and Augustan writers such as Milton, Dryden, Swift, and Pope describe, catalog, and memorialize the waste matter that their social and political worlds wanted to get rid of--from the theological dregs in Paradise Lost to the excrements in "The Lady's Dressing Room" and the corpses of A Journal of the Plague Year? In Making Waste, the first book about refuse and its place in Enlightenment literature ...

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Overview

Why was eighteenth-century English culture so fascinated with the things its society discarded? Why did Restoration and Augustan writers such as Milton, Dryden, Swift, and Pope describe, catalog, and memorialize the waste matter that their social and political worlds wanted to get rid of--from the theological dregs in Paradise Lost to the excrements in "The Lady's Dressing Room" and the corpses of A Journal of the Plague Year? In Making Waste, the first book about refuse and its place in Enlightenment literature and culture, Sophie Gee examines the meaning of waste at the moment when the early modern world was turning modern.

Gee explains how English writers used contemporary theological and philosophical texts about unwanted and leftover matter to explore secular, literary relationships between waste and value. She finds that, in the eighteenth century, waste was as culturally valuable as it was practically worthless--and that waste paradoxically revealed the things that the culture cherished most.

The surprising central insight of Making Waste is that the creation of value always generates waste. Waste is therefore a sign--though a perverse one--that value and meaning have been made. Even when it appears to symbolize civic, economic, and political failure, waste is in fact restorative, a sign of cultural invigoration and imaginative abundance. Challenging the conventional association of Enlightenment culture with political and social improvement, and scientific and commercial progress, Making Waste has important insights for cultural and intellectual history as well as literary studies.

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Editorial Reviews

Choice
This brief book on an unlikely topic is packed with insights. By focusing on 'waste,' Gee has found an original way to look at the literature of the Restoration and early 18th century. . . . Best of all, she always writes clearly, making her book accessible even to beginners.
Studies in English Literature
For a book concerned largely with filth, Making Waste is stylistically pristine. Gee writes with an elegance and fluency that buoys her thinking from one topic to the next. . . . Rarely does criticism read so well.
— Jonathan Kramnick
Scriblerian
Dazzling in its range of reference and implications, Making Waste springs to life like Swift's gaudy tulips, mixing memory and desire like lilacs bred out of the dead land, and inviting us to feast on the rich literary and theoretical harvest Ms. Gee has gleaned from the leftover.
— Lynn Festa
Studies in English Literature - Jonathan Kramnick
For a book concerned largely with filth, Making Waste is stylistically pristine. Gee writes with an elegance and fluency that buoys her thinking from one topic to the next. . . . Rarely does criticism read so well.
Scriblerian - Lynn Festa
Dazzling in its range of reference and implications, Making Waste springs to life like Swift's gaudy tulips, mixing memory and desire like lilacs bred out of the dead land, and inviting us to feast on the rich literary and theoretical harvest Ms. Gee has gleaned from the leftover.
From the Publisher

"This brief book on an unlikely topic is packed with insights. By focusing on 'waste,' Gee has found an original way to look at the literature of the Restoration and early 18th century. . . . Best of all, she always writes clearly, making her book accessible even to beginners."--Choice

"For a book concerned largely with filth, Making Waste is stylistically pristine. Gee writes with an elegance and fluency that buoys her thinking from one topic to the next. . . . Rarely does criticism read so well."--Jonathan Kramnick, Studies in English Literature

"Dazzling in its range of reference and implications, Making Waste springs to life like Swift's gaudy tulips, mixing memory and desire like lilacs bred out of the dead land, and inviting us to feast on the rich literary and theoretical harvest Ms. Gee has gleaned from the leftover."--Lynn Festa, Scriblerian

Choice

This brief book on an unlikely topic is packed with insights. By focusing on 'waste,' Gee has found an original way to look at the literature of the Restoration and early 18th century. . . . Best of all, she always writes clearly, making her book accessible even to beginners.
Studies in English Literature

For a book concerned largely with filth, Making Waste is stylistically pristine. Gee writes with an elegance and fluency that buoys her thinking from one topic to the next. . . . Rarely does criticism read so well.
— Jonathan Kramnick
Scriblerian

Dazzling in its range of reference and implications, Making Waste springs to life like Swift's gaudy tulips, mixing memory and desire like lilacs bred out of the dead land, and inviting us to feast on the rich literary and theoretical harvest Ms. Gee has gleaned from the leftover.
— Lynn Festa
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Product Details

  • ISBN-13: 9780691139845
  • Publisher: Princeton University Press
  • Publication date: 12/28/2009
  • Pages: 216
  • Product dimensions: 6.20 (w) x 9.30 (h) x 0.90 (d)

Meet the Author


Sophie Gee is assistant professor of English at Princeton University and the author of "The Scandal of the Season" (Scribner), a novel based on the story behind Alexander "Pope's Rape of the Lock". She writes regularly for the "New York Times Book Review", the "Washington Post", and the "Financial Times".
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Table of Contents


ACKNOWLEDGMENTS vii
Introduction: Making Waste 1
Chapter 1: The Invention of the Wasteland: Civic Narrative and Dryden's Annus Mirabilis 18
Chapter 2: Wastelands, Paradise Lost, and Popular Polemic at the Restoration 41
Chapter 3: Milton's Chaos in Pope's London: Material Philosophy and the Book Trade 67
Chapter 4: The Man on the Dump: Swift, Ireland, and the Problem of Waste 91
Chapter 5: Holding On to the Corpse: Fleshly Remains in A Journal of the Plague Year 112
Afterword: Mr. Spectator's Tears and Sophia
Western's Muff 137
NOTES 145
BIBLIOGRAPHY 169
INDEX 187
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