Malpractice [Clean Lyrics]

Editorial Reviews

All Music Guide - Jason Birchmeier
During the three-year gap separating Redman's previous album, Doc's da Name 2000 1998, from Malpractice, the crazed New Jersey rapper became a bona fide superstar thanks to his collaboration with the ubiquitous and ridiculously recognized Method Man. It now seems that the same sort of excessively brash attitude that somewhat burdens Method Man's superstar ego has become a staple of Redman's as well. That sort of lazy overconfidence often leads to effortless redundancy -- this is a problem that creeps into Malpractice. After nearly a decade, Redman's countless skits and his ever-wacky but still-the-same antics just don't seem as fresh and amusing as they once were. ...
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Editorial Reviews

All Music Guide - Jason Birchmeier
During the three-year gap separating Redman's previous album, Doc's da Name 2000 1998, from Malpractice, the crazed New Jersey rapper became a bona fide superstar thanks to his collaboration with the ubiquitous and ridiculously recognized Method Man. It now seems that the same sort of excessively brash attitude that somewhat burdens Method Man's superstar ego has become a staple of Redman's as well. That sort of lazy overconfidence often leads to effortless redundancy -- this is a problem that creeps into Malpractice. After nearly a decade, Redman's countless skits and his ever-wacky but still-the-same antics just don't seem as fresh and amusing as they once were. Furthermore, with his newfound Method Man-like arrogance, his old tricks seem even tougher to stomach. It'd be different if Redman took a Missy Elliott-like approach to Malpractice and made an effort to continually flip styles and keep things fresh with each album. That's not the case, though. Rather, he turns in a repeat performance of his last few solo albums. Erick Sermon again crafts a number of the beats, and Redman returns to many of the same lyrical motifs that fueled his past work. So, in a sense, you can commend Redman for his consistency; after all, his rhymes are always a grin and he even produces a good chunk of Malpractice. Unfortunately, if you've heard his previous albums, this is going to feel very familiar. It's guests like George Clinton and the aforementioned Missy Elliott who keep things fresh, and there's no shortage of guests here, but even they can't salvage the record's déjà vu feeling. It's not easy criticizing Malpractice, since it is a relatively strong album with some nice moments such as the lead single, "Let's Get Dirty." But being Redman's fifth solo album, you expect a little more growth; instead you get what feels like a repeat performance. [This album was also released in a clean version that censors any moments of profanity.]
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Product Details

  • Release Date: 5/22/2001
  • Label: Umvd Labels
  • UPC: 731454838429
  • Catalog Number: 548384

Tracks

Disc 1
  1. 1 Roller Coaster Malpractice (Intro) - G. Forbes (1:41)
  2. 2 Diggy Doc (1:51)
  3. 3 Lick a Shot (3:43)
  4. 4 Let's Get Dirty (I Can't Get in da Club) - DJ Kool (3:40)
  5. 5 Real N****z - Icarus (4:25)
  6. 6 Uh-Huh (3:43)
  7. 7 Da Bulls**t - Icarus (3:58)
  8. 8 Enjoy da Ride - Saukrates (4:13)
  9. 9 J.U.M.P. - George Clinton (3:49)
  10. 10 Muh-F***a (3:23)
  11. 11 Bricks Two - Shooga Bear (5:19)
  12. 12 Wrong 4 Dat - Keith Murray (2:47)
  13. 13 Dat B***h - Jewell (4:05)
  14. 14 Doggz II (3:26)
  15. 15 Whut I'ma Do Now (3:53)
  16. 16 Soopaman Luva 5, Pt. 1 (2:14)
  17. 17 Soopaman Luva 5, Pt. 2 (2:42)
  18. 18 Smash Sumthin' - F. Adam (3:45)
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Album Credits

Performance Credits
Redman Primary Artist
DJ Kool Track Performer
DMX Vocals
Method Man Track Performer
Keith Murray Track Performer
Missy Elliott Track Performer
Saukrates Track Performer
Mally G. Track Performer
Jewell Vocals
Technical Credits
Kevin Lewis Engineer
Reggie Noble Executive Producer
Erick Sermon Producer, Executive Producer
Tommy Uzzo Engineer
Mike Hogan Engineer
Adam F Arranger, Director, Producer, Engineer
L. Stuart Young Engineer
Michael Parnin Engineer
Rockwilder Producer
Kevin Liles Executive Producer
Mike Koch Engineer
Chonita Floyd Art Direction, Concept
DJ Twinz Producer
Kevin Guarnieri Digital Editing
Diverse Producer
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