Mama Tried/Pride in What I Am

Mama Tried/Pride in What I Am

5.0 1
by Merle Haggard
     
 

By the time he was cutting his ninth (Mama Tried) and tenth (Pride in What I Am) albums for Capitol, Merle Haggard had clearly defined himself as a poet who spoke to the lives of the working class, the poor, the disenfranchised, and repentant outlaws. Whereas Johnny Cash's songs often spoke of places on the map as well as those in the soul, the Hag'sSee more details below

Overview

By the time he was cutting his ninth (Mama Tried) and tenth (Pride in What I Am) albums for Capitol, Merle Haggard had clearly defined himself as a poet who spoke to the lives of the working class, the poor, the disenfranchised, and repentant outlaws. Whereas Johnny Cash's songs often spoke of places on the map as well as those in the soul, the Hag's geographical references were almost always internal, touching that metaphysical spot where people puzzle over their fate, bemoan mistakes that cost them a good woman's love, honor a good day's work (and a good woman's love), or ruminate over the twists of fate that put them on the wrong side of the law. Both Mama Tried and Pride in What I Am are chock-full of these populist anthems, starting with the former's classic title song (which few remember was penned as the title song for a Dick Clark–produced film called Killers Three) and the latter's forthright title declaration, which was initially embraced by political conservatives, obscuring both its intent and the themes Hag was exploring. He defined his position by addressing the common man's plight, as he does most respectfully in the gentle, acoustic-laced rhythms of Dolly Parton's "In the Good Old Days (When Times Were Bad)." Revenge is the driving force in Mama Tried's caustic, rock-driven "I'll Always Know" as surely as it is in Pride's bristling breakup shuffle, "I'm Bringin' Home Good News," a gleeful, pitiless declaration of independence by a man who's had enough of his cheatin' wife. The swaying hard country of Mel Tillis's "I Could Have Gone Right" amounts to the sequel to "Mama Tried" in its theme of a man who took a wrong turn despite his mother's best efforts to steer him right. On a heartfelt note, breaking up has rarely been expressed as tenderly as on the Spanish-inflected shuffle of "I Just Want to Look at You" or as poignantly as in the soothing, pop-influenced strains of "Keep Me from Cryin' Today." Timeless themes, pointed songs, and impeccable playing lend these albums an enduring appeal.

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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
In early 2006, roughly in time for the 40th anniversary of Merle Haggard's debut album, Capitol Nashville launched an ambitious Haggard catalog project, reissuing ten albums as a series of five two-fers, each adorned with bonus tracks. All these albums had been reissued before, either stateside by Capitol or Koch or in the U.K. by EMI or BGO, but they've never have been given such an excellent treatment as they are here. The albums are paired together in logical, chronological order, the 24-bit digital remastering gives these recordings the best sound they've ever had, the front cover artwork is reproduced for each album on a two-fer, and the liner notes are candid and detailed. Dedicated Hag fans certainly have nearly all this material in their collection -- not only have the albums been on CD, but the bonus tracks have by and large appeared on Bear Family's box Untamed Hawk, which chronicled his early work for Capitol, or showed up on Capitol's own box, Down Every Road -- but they still may be tempted by this series, since these discs not only sound and look terrific, but they're also more listenable than any previous CD incarnation of these classic albums. And make no mistake, all ten albums featured in Capitol Nashville's first wave of Haggard reissues in February 2006 are classic albums; some may be a little stronger than others, but there's not a weak one in the bunch, and they all stand as some of the finest music of their time. The fourth of these two-fers pairs his last album of 1968, Mama Tried, plus his first from 1969, Pride in What I Am. Mama Tried has a loose prison theme, with about a third of the album sung from the perspective of a prisoner. Chief among these is Haggard's masterpiece "Mama Tried," a semi-autobiographical tribute to a mother who couldn't steer her son right no matter how hard she tried, but covers of Porter Wagoner's "Green Green Grass of Home" and Johnny Cash's "Folsom Prison Blues," plus Mel Tillis' "I Could Have Gone Right," also give the album a loose theme, but this is hardly a concept album. The rest of the album contains lean, tough Bakersfield honky tonk like "Little Ole Wine Drinker Me" and an excellent cover of Lefty Frizzell's "Run 'Em Off," plus such bittersweet, folky tunes as a cover of Dolly Parton's "In the Good Old Days (When Times Were Bad)." There are also a number of excellent, often overlooked originals like "I'll Always Know," "The Sunny Side of My Life," and "You'll Never Love Me Now," which illustrate the progression in both Haggard's writing and his music, and help make Mama Tried one of his very best records. As good as Mama Tried is, it's matched by Pride in What I Am. While there are no hits outside of "I Take a Lot of Pride in What I Am" the album gains considerable strength from its diverse material. The rolling, folk-tinged sound epitomized by the title song is balanced by twangy, spare country and bits of hard honky tonk, blues, and cowboy, not to mention the slyly inventive arrangement on his version of Lefty Frizzell's "It Meant Goodbye to Me When You Said Hello to Him." There are also hints of the direction Hag would take in the near future, including a Jimmie Rodgers song (his tribute to the singing brakeman, Same Train, Different Time, would follow next), and the encroaching celebration of a time passed, through his cover of Red Simpson's "I Think We're Livin' in the Good Old Days." There is another Simpson cover in "Somewhere on Skid Row," but what fuels Pride in What I Am is a selection of graceful, low-key minor masterworks from Haggard himself, who explores gentler territory with "The Day the Rains Came" and "I Can't Hold Myself in Line," while kicking up the tempo with the delightful "I'm Bringin' Home Good News" and lying back with the steady-rolling "I Just Want to Look at You One More Time." None of these may be among his most commonly celebrated songs, but they're all small gems that illustrate what a fine songwriter he is. They also help form the core of this subtly adventurous, rich album that may not be among his flashiest, but is another excellent record by one of the most reliable recording artists in country history. And when it's paired with Mama Tried, it makes for a two-fer that very well may be the strongest disc in Capitol Nashville's initial installment of Haggard reissues.

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Product Details

Release Date:
02/21/2006
Label:
Capitol
UPC:
0094634479721
catalogNumber:
44797
Rank:
75697

Related Subjects

Tracks

  1. Mama Tried  -  Merle Haggard & the Strangers
  2. Green Green Grass of Home  -  Merle Haggard & the Strangers
  3. Little Ole Wine Drinker Me  -  Merle Haggard & the Strangers
  4. In the Good Old Days (When Times Were Bad)  -  Merle Haggard & the Strangers
  5. I Could Have Gone Right  -  Merle Haggard & the Strangers
  6. I'll Always Know  -  Merle Haggard & the Strangers
  7. The Sunny Side of My Life  -  Merle Haggard & the Strangers
  8. Teach Me to Forget  -  Merle Haggard & the Strangers
  9. Folsom Prison Blues  -  Merle Haggard & the Strangers
  10. Run 'Em Off  -  Merle Haggard & the Strangers
  11. You'll Never Love Me Now  -  Merle Haggard & the Strangers
  12. Too Many Bridges to Cross Over  -  Merle Haggard & the Strangers
  13. Lookin' for My Mind  -  Merle Haggard & the Strangers
  14. You're Not Home Yet  -  Merle Haggard & the Strangers
  15. I Take a Lot of Pride in What I Am  -  Merle Haggard & the Strangers
  16. Who'll Buy the Wine  -  Merle Haggard & the Strangers
  17. The Days the Rains Came  -  Merle Haggard & the Strangers
  18. It Meant Goodbye to Me When You Said Hello to Him  -  Merle Haggard & the Strangers
  19. I Can't Hold Myself in Line  -  Merle Haggard & the Strangers
  20. I'm Bringin' Home Good News  -  Merle Haggard & the Strangers
  21. Keep Me from Cryin' Today  -  Merle Haggard & the Strangers
  22. I Just Want to Look at You One More Time  -  Merle Haggard & the Strangers
  23. Somewhere on Skid Row  -  Merle Haggard & the Strangers
  24. I'm Free  -  Merle Haggard & the Strangers
  25. California Blues  -  Merle Haggard & the Strangers
  26. I Think We're Livin' in the Good Old Days  -  Merle Haggard & the Strangers
  27. California on My Mind  -  Merle Haggard & the Strangers
  28. White Line Fever  -  Merle Haggard & the Strangers
  29. Streets of Berlin  -  Merle Haggard & the Strangers

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Album Credits

Performance Credits

Merle Haggard   Primary Artist

Technical Credits

Johnny Cash   Composer
Merle Haggard   Composer
Dolly Parton   Composer
Mel Tillis   Composer
Leon Payne   Composer
Red Simpson   Composer
Hank Cochran   Composer
Dallas Frazier   Composer
Will Jennings   Composer
Randy LeRoy   Remastering
Leon Chase Copeland   Composer
Billy Mize   Composer
Fuzzy Owen   Composer
Chris Clough   Reissue Producer
Hank Mills   Composer
Tony Lee   Composer
Dean Holloway   Composer
Howard Kim   Reissue Design

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