Not Turtledove's best
For readers of Turtledove's massive alternate U.S. history saga ("How Few Remain" through "In at the Death") "The Man With the Iron Heart" might seem to be a natural choice. After all, here is Turtledove doing what he does best: taking familiar history and spinning it off in a new and thought provoking direction. Unfortunately, the flaws in this book quickly overwhelm the few positives it contains.
A very thinly veiled allegory for our present involvement in Iraq and Afghanistan, this book presents a post-WWII Nazi resistance that refuses to concede defeat, and an American public too short sighted to stay the course. As he did in the final installments of the Settling Accounts series, Turtledove has the bad guys anachronistically taking on the tactics of modern-day terrorists. But it just doesn't play. Lacking anything in the actual historical record to support the idea of Nazi suicide bombers, the notion, used over and over again here, simply lacks credibility.
Two other stylistic traits of the author also wear very thin in this book. Turtledove developed a habit in Settling Accounts of having virtually everything (until the end) going right for the bad guys, while the good guys mostly stood there looking confused and incompetent. Here, this practice is taken to almost ludicrous extremes. Allied occupation forces are presented as mostly clueless buffoons, while the wily Nazis outthink, outplan, and outperform them at every turn. The Allies single success is to be found in the absurdly understated killing of the Resistance leader, whereupon we are finally introduced to his second in command, only to learn that he's even more of an evil genius than his former boss. As the book ends, the feckless and clueless Allies, the Americans foremost among them, are literally and effectively beaten by the resurgent and dogged Nazis. While Turtledove's message, relative to Iraq and Afghanistan, comes through loud and clear, the Truman era trappings simply do not work, much like when M*A*S*H superimposed 1980s political and social sensibilities on the same point in time: take away the gags and it was almost offensive. Here, characters set in the late 1940s act as though it is 2009, and it simply does not hold water.
The second problem is that character development in this book is also extremely weak. Virtually every person we meet is 2-dimensional, some ridiculously so. Turtledove's story telling style was always to move the story's larger action through the characters' eyes. But from "How Few Remain" through "In at the Death" he gave us characters we cared about. We don't here. Add his maddening penchant for repeating himself regarding characters' motivations, and the result is that the ciphers in this book simply cannot carry the weight asked of them. It is hard to care about these people, and it becomes extremely difficult to put stock in their point of view.
In sum, this story took new and potentially interesting material, but ran it through an all-too-familiar processing. The result is a familiar pabulum. Maybe Turtledove got bored and did not give it his best; maybe he is just tired. But having eagerly read 11 of his books before this, I found The Man with the Iron Heart to be a crashing disappointment.
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