The Many Aspects of Mobile Home Living

( 16 )

Overview

In this masterful debut, Martin Clark proves to be the heir apparent of great Southern raconteurs and the envy of more seasoned novelists as he takes us on a frantic tour of the modern south.

Hung over, beaten by the unforgiving sun, bitter at his estranged wife, and dreading the day’s docket of petty criminal cases, Judge Evers Wheeling is in need of something on the morning he's accosted by Ruth Esther English. Ruth Esther's strange story certainly is something, and Judge ...

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Overview

In this masterful debut, Martin Clark proves to be the heir apparent of great Southern raconteurs and the envy of more seasoned novelists as he takes us on a frantic tour of the modern south.

Hung over, beaten by the unforgiving sun, bitter at his estranged wife, and dreading the day’s docket of petty criminal cases, Judge Evers Wheeling is in need of something on the morning he's accosted by Ruth Esther English. Ruth Esther's strange story certainly is something, and Judge Wheeling finds himself in uncharted territory. Reluctantly agreeing to help Ruth Esther retrieve some stolen money, he recruits his pot-addled brother and a band of merry hangers-on for the big adventure. Raucous road trips, infidelity, suspected killers, winning Lotto tickets, drunken philosophical rants, and at least one naked woman tied to a road sign ensue in The Many Aspects of Mobile Home Living, one part legal thriller, one part murder mystery, and all parts all wild.

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Editorial Reviews

From the Publisher
“This is a grand, rumbling ride through the world of Evers Wheeling and wild company…. If I did not live such a sheltered existence, this is the book I’d love to write.”–Kaye Gibbons
Publishers Weekly - Publisher's Weekly
Clark, a circuit court judge in Virginia, has written a sophisticated legal thriller that is closer to the drug-besotted dadaism of Tom McGuane's early novels than to John Grisham. Evers Wheeling is a judge living in the small town of Norton, N.C. His wife, Jo Miller, refuses to visit him there; she lives, instead, on a farm Evers bought her near Durham. Evers and his brother, Pascal, inherited a fortune, but Pascal dissipated his share rapidly because "you're only young once, but you can be immature forever." One hungover morning, Evers is confronted by enigmatic Ruth Esther English, a used-car saleswoman with an inexplicable peculiarity: she cries white alabaster tears ("small bright circles... like a row of marble dimes") when she offers Evers money to intervene in favor of her brother, Artis, who is up on a cocaine possession charge. Artis holds a clue that would allow Ruth Esther to locate $100,000 hidden after a robbery committed by Ruth, Artis and their late foster father. In a separate development, Evers, acting on a tip, discovers Jo Miller in flagrante with a local farmer. Egged on by Pascal's pot-smoking friends, Evers takes up with Ruth Esther and her lawyer, Pauletta Lightwren Qwai. Among Evers's less charming qualities are his bigotry and sexism, but Pauletta, a black activist, is attracted by some buried decency in the judge. As the couple lurch toward romance, Evers is mired in ever more shattering discoveries--the worst of which involves his wife and his brother. When Evers's vicious divorce trial is interrupted by violent death, Clark expertly causes Evers's own story and Ruth Esther's case to converge, delivering an enthralling mix of Southern gothic excess and legal procedure. BOMC and QPB alternate selection. (Apr.) Copyright 2000 Cahners Business Information.|
Library Journal
Judge Evers Wheeling is drifting indifferently through life when he is brought up short by one Ruth Esther English, who asks him to help her oddball brother escape a drug charge. Ruth Esther entices the bored judge with the promise of an adventure. During their wacky journey, Evers, Ruth Esther, and her screw-up brother, Artis, are joined by Ruth Esther's lawyer; Evers's brother, Pascal; and other fake trailer-park trash friends. The group manages to recover stolen money and a mysterious letter only to have them taken by a crooked cop. But this book really isn't about the effort to track down the missing cash; instead, it explores the characters first novelist Clark, a circuit court judge, has created. Evers becomes belligerent after learning of the affairs of his long-distance wife, while Pascal chooses to get drunk and smoke pot with his engaging entourage. By the end, the only character with much mystery is Ruth Esther, whom Evers believes to hold almost angelic properties. Clark brings intelligence and a sense of the sinister to the proceedings and leaves the reader wondering how this cast of characters will move on once these adventures roll past them. Highly enjoyable reading that is fast-moving and full of belly laughs.--Shannon Haddock, BellSouth Telecommunications, Birmingham, AL Copyright 2000 Cahners Business Information.\
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Product Details

  • ISBN-13: 9780375707094
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 3/27/2001
  • Series: Vintage Contemporaries Series
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 345
  • Sales rank: 540,390
  • Product dimensions: 5.18 (w) x 7.98 (h) x 0.75 (d)

Meet the Author

A circuit court judge, Martin Clark lives in Stuart, Virginia.
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Read an Excerpt

Chapter One

In 1969, when Evers Wheeling was a boy in Winston-Salem, North Carolina, men in filling-station uniforms still checked your car's oil, pumped high-test gas out of heavy silver nozzles and cleaned your windshield with a spray bottle and a blue, quilted wipe. There was a man named Herman Stovall who worked at the West End Shell, where Evers and his family would stop for fuel and air and little Cokes with peanuts poured into the bottle. Herman was a bent, thin, wispy man, a skeletal bumpkin with a crew cut and big red ears. He could hold an inch-long ash on his cigarette, and he didn't think that astronauts had touched down on the moon and he didn't believe in gorillas, even though they'd been on exhibit in various zoos for over half a century. Herman would give Sundrop caps out of the drink machine and tin Prince Albert cans to Evers and the other kids who visited the station, and he would lean over the greasy cash-register counter to show them cat's-cradle tricks with a loop of grimy brown twine. Evers would take the soda caps home in a paper sack and scratch off the cork on their undersides, trying to win a free pop or a five-dollar bill.

Herman also did not believe in viruses, whales, the Loch Ness monster or radar that could predict the weather; he warned Evers and everyone else who came onto his one-bay, nuts-and-bolts corner lot to be cautious of easy ruses, sleight of hand and men who wore vests with their suits. "I don't have no time for foolishness," Evers once heard Herman say to a woman with Texas plates while he was fitting a metal spout over a can of motor oil and telling her what he thought about rockets flying through space, traveling from planet to planet. The spout made a wet, slicing sound when it cut through the top of the can, and Herman used the noise to end his sentence.

Many years later, when Evers first got on the trail of the smiling white shrine, he had become a lot like Herman Stovall. Evers didn't believe in very much at the time, and he was socked in under a long horizon of bloodless indifference as thick as paste; he had the look and air of a cur mother suckling another gang of mongrel babies, her head and side lying flush on the ground, her fur clumped in a few spots, too weary to do much more than shift her eyes and half-ass growl if someone happened by. On the morning that Evers got his first glimpse of the albino mystery, he'd been walking into the sun, scraping down the sidewalk, burping up squalls of alcohol and two-in-the-morning microwave lasagna. He had just passed by a can of garbage spilled in an alley when he thought he heard someone say his name. Evers was dizzy, the sun was sharp and combative, and he was trying hard to get to his office, so he didn't stop moving right away.

"Judge Wheeling? Sir?"

Evers looked around for the voice, put up his hand to shade his eyes. "Huh?"

"Good morning."

Evers stopped and looked to his left. His balance wasn't all that good when he stood still.

"Would you come in here, please?" The woman speaking to Evers was a stranger -- beautiful, handsome, well dressed and tan -- and he had a muddled thought that perhaps she was talking to someone else, even though she had called him by name and was looking right at him, smiling. She was standing in front of a coffee shop not far from the courthouse where Evers worked.

"Me?" Evers looked over his shoulder, then down at his feet on the sidewalk. The woman was so pretty that he did not want to see her face for very long. He dropped and bobbed his head in choppy, pell-mell pecks, up and down and from side to side, like an old bird eating seed, and he put his hands in his pockets, took them out and put them back in again. A fat man with leather sandals and short pants walked past Evers and bumped him, brushed his back. "Are you talking to me?" Evers looked up for a moment and blinked and took his hands out of his pockets.

"Yes."

"Who in the world are you?" he asked.

"Would you come in here? I need to speak with you. Please?"

"What do you want? I don't think I know you. Is it about court, about a case?"

"No. But you are Judge Wheeling, aren't you? Judge Evers Wheeling?" The lady had taken a step and was standing right in front of Evers. "I'm Ruth Esther English. I go by Ruth Esther."

"Yes . . . nice to meet you." Evers turned and watched a tall man with a package walk past. He heard a car horn blow. "You really startled me or something -- not startled, I guess, just made me uneasy." Evers kicked the sidewalk with the toe of his shoe.

"I didn't mean to upset you. Sorry."

"That's all right. I don't know why I feel so odd. People stop me all the time and want to talk." Evers stepped back and looked at the woman. She had blond hair and her hands were clasped in front of her, her two index fingers pressed up into a point. She didn't move, didn't offer to shake hands, just pulled her hands closer to her chest.

"I would like to discuss somethin' important with you for a little while. I know that you're busy, but I'd be grateful. It won't take long."

Evers shuffled his feet on the sidewalk; he felt his soles catch on the cement. His head hurt. He looked out at the traffic driving by.

"Judge Wheeling?"

Evers didn't say anything. He noticed that Ruth Esther's pants were loose around her ankles, and that she wasn't wearing hose or socks.

"Sir?" Ruth Esther touched her lips with the tips of her fingers. "Would you let me talk to you?" She kept her fingers in front of her mouth and spoke through the spire.

It was May in Winston-Salem, already warm, and Evers was wearing a suit coat, tie, long sleeves and a T-shirt. "What do you want to talk about? I have to be in court in just a few minutes." Evers began to think he was still drunk from the night before. He saw the corner of a building start to wash out; the hard brick edge turned into a lazy, aimless blur.

"I would like to speak to you in private about a personal matter."

Ruth Esther was younger than he, probably twenty-four or twenty-five, Evers decided. He felt his heart beating in his head, and his back and chest were starting to sweat. When he tried to look at Ruth Esther, he could see only her face and a jumble of swirls and streaks. He squinted and strained, struggled to get things to quit fading. The people behind her were blots and noise, and the sidewalk next to the restaurant was full of currents and eddies and erratic hues, breaking around him like a dappled creek. Evers' hands started to shake, and he rubbed them together. He rolled his head, squeezed his eyes shut, then opened them and focused on the lady in front of him: she looked more like a painting than a person, boxed in by the doorway, full of grace and goodness, like a perfect Renaissance child, all eyes and face and cheeks. "I guess I could. For a moment. I need to clear my head. I don't feel right. It's like watercolors or . . ."

Ruth Esther held out her hand, but Evers didn't move, so she touched his arm and they walked into the restaurant. The White Spot Grill and Coffee Shop was about three minutes away from the Forsyth County Courthouse. Evers rarely ate at the "Spot" -- it was small and too crowded. He stepped inside the door, just ahead of Ruth Esther, into the smell of bacon and cigarette smoke and Ruth Esther's perfume, a sweet, quiet scent he'd never run across before.

"I'd like to talk somewhere private," Ruth Esther said.

"How about right here, ma'am?" Evers felt some of his balance returning. It was cooler in the restaurant than on the street, and the colors were darker and didn't seem as skittish.

"Do you think that it would be possible for us to step into one of the restrooms? I know that sounds strange, but I don't want other people listenin' to our conversation."

"Are you serious? Here? The toilet?" Evers' tongue was so dry that it didn't come off the roof of his mouth when he said the last word.

"Yes."

"Did I understand you . . . hear you right?"

"I think so."

"Are you a hooker or something? Is this some state police scam to test my integrity? You think that I'm going to walk into the toilet with a woman I don't know seven blocks away from the courthouse where I punish people for minuscule moral lapses and running red lights at three in the morning when nobody else is there? Are you -- "

"If you run a red light at three in the morning and no one sees it, does it make a sound?"

"You mean like an alarm or some sort of device. . . ." Evers stopped.

Ruth Esther unfolded her hands and laughed. It occurred to Evers that she had kept her fingers in front of her, still and steepled, almost the whole time they were talking. "And someone would have to see it for it to end up in court."

"Thank you, Descartes." Evers' mouth was a thin, ill line.

"I wasn't trying to be smart. You seem pretty uncomfortable, and I was just trying to make you laugh, break the ice, that sort of thing."

"It's a pretty somber morning for me, ma'am."

"Well, why don't you go in to the men's room first? I'll follow you in. That way, if things go wrong, it would be easier for you to explain. And I'll leave my purse here on the counter, in case that's somethin' you're worried about . . . you know, that I might shoot you or stab you or try to hurt you."

"Miss, I appreciate the intrigue and your good looks, I like your sense of drama, I like the way your suit fits and how you try to look me in the eye when we talk even though we're strangers. But I'm going to go to work, get a couple of Cokes from the vending machine, put on my polyester robe and spin the wheels of justice." Evers' legs felt heavy, and the crowd and smoke in the cramped grill were making him queasy.

Evers and Ruth Esther stood beside each other in the restaurant entrance and didn't say anything else. Evers wanted to leave, to get out, to finish this encounter as best he could, but three men and a woman in a sundress had pressed in behind him, all of them smoking and craning their necks to look for a booth. A waitress with a stack of dirty plates and glasses told Evers and Ruth Esther to sit wherever they wanted to; a fork fell off one of the plates when she turned her back and pushed open the door to the kitchen.

Evers was sick from drinking, and he had walked into this woman who wanted to talk to him in a bathroom, and she was probably crazy or working for the police or full of spit and ire because of some quirk or hiccup or imagined slight. "I'm sorry that I'm no more helpful. I'm not trying to be rude, but I need to get to work." He shrugged and turned his palms up.

"What I need to speak with you about is very important. I've approached you, and I'm asking you to go with me, not the other way around. I understand that you need to be careful about things. I understand. I'm not crazy or mean or trying to make any kind of sexual offer or -- what's the word -- entrap you, set you up. I just need a private moment."

"You can't talk to me on the phone or come by my office?"

"I'd rather not wait."

"Why?"

"There's a lot at stake. For me and for you. For both of us."

"For me?" Evers was still avoiding Ruth Esther's face. He saw that the fork had not been picked up.

"Please."

"This involves me?"

"Yes."

"And it's not connected to my work?"

"No," Ruth Esther answered.

"You're certain?" He took a brief look at Ruth Esther's eyes.

"Yes."

"Why not, then? Let's have a peek at the prize behind the curtain," Evers said, and he turned and started toward the rear of the grill. "I guess if you're a lunatic, at least the story will be fun to hear. If you're worried about people reading our thoughts through satellites or TV screens, you can stop them by wearing a tinfoil hat. If that's the problem, we don't have to go into the bathroom. Any kind of thought snatching, a tinfoil hat will stop it. I run into the problem two or three times a year, so I know the solution. Just Reynolds Wrap your head -- they can't get past the foil."

"I'll remember that. I'm sure the spies and aliens are hard at work on new tricks, though, ideas to get around the hats."

Evers opened the door to the restroom, and Ruth Esther walked in behind him. The room was clean and the walls mostly white, and drops of water had turned the sink bowl green around the drain opening. There was no stopper in the sink, and a bar of orange soap with brown, dry webs and bubbles was on top of the basin. The floor was dark, made from eight-sided tiles.

"I would be grateful to you if you would let Artis English go free when his case comes up in your court," Ruth Esther said as soon as she closed the door to the restroom.

Evers walked to the sink and saw his reflection in a small mirror with a cardboard frame. The mirror was hung on a short, black nail. He turned on the cold water. "Ma'am, if he's innocent, I will let him go. If he's guilty, I will find him guilty. That's the way it works." Evers was washing his hands and didn't look at Ruth Esther when he spoke. "And sometimes, guilty people are not punished because of constitutional problems or technical concerns."

"I don't know much about the facts in his case." Ruth Esther was leaning against the door.

Evers had finished his last drink about five hours earlier, and he felt the red wine in his stomach surge toward his throat. He imagined a cartoon thermometer, red mercury rising up the scale and exploding out the top. He stepped back from the sink and bent down, so his head was over the bowl. "It would seem that you lied to me. I thought that you didn't want to talk about a case or my work."

"You look sick, Judge Wheeling."

"Stomach flu."

"I'm sorry."

Ruth Esther sounded so earnest that Evers turned and looked at her over his shoulder. "Have we ever met before?"

"No."

"Do you know my wife? Are you a friend of hers?" He ran some water into his hands and splashed his face.

"No. I mean, your wife and I are not friends. We've never met or spoken. I just wanted to speak with you about Artis' case. It's important to me. Artis English. He's charged with cocaine possession."

"Are you a relative or something?"

"Sister. I'm his sister, although we don't look alike." Ruth Esther walked to the sink, and Evers straightened up.

"Well, it's good of you to be so supportive. I'll be fair to your brother."

"I know you will. You have that reputation. He may need more than that, though."

Evers turned toward Ruth Esther. She was solidly in front of him now; the spinning and whirling had stopped. Everything stayed inside its outline. Ruth Esther's top and pants were white, and she wasn't wearing any jewelry. He heard the water dripping in the sink, and silverware dragging across a plate out in the restaurant. "Then he is going to be shit out of luck, Miss English."

"Oh . . . "

"What else can I say?" Evers closed his eyes a little longer than he usually would, like heavy blinds lowered and lifted, and then he raised his eyebrows.

Ruth Esther's expression changed; her face crumbled, filled up with creases and puckers, and her features came undone, fell apart. She put the point of her chapel fingers under her chin, bowed her head, and then she turned and hurried into the commode stall, almost ran. The heels on her shoes beat and slid on the floor, made spastic taps that came and quit and rolled along like frantic jig steps. She banged the stall door shut, but the lock's clasp bounced against the frame, and the door swung open about a foot or so. From where he was standing, though, Evers couldn't see very far into the stall. He saw Ruth Esther's hand and some of her sleeve flash forward, heard her shove and rattle the small deadbolt into the metal loop that kept the door in place. He looked up at the ceiling, thought about cameras and peepholes, and reached toward the door to the restaurant even though he was still near the sink, too far away to get to the knob. "What are you doing?" he asked. "What's going on?"

Ruth Esther didn't answer. Evers heard the last part of a sob, sniffling and some muffled, blunt gulps. It sounded like she was trying not to cry.

There was a gap between the bottom of the stall door and the floor -- the opening private eyes and psychopaths always check to see if someone's hiding in the john -- and Evers could see that Ruth Esther's pants were bunched around her ankles, and that her underwear was pulled across above the pants, stretched tight, connecting leg to leg. The front partitions of the stall were bolted to the floor with silver brackets; the brackets and screws were nicked and pitted and spotted with rust, and a thick piece of cotton mop string was caught underneath the edge of one of the brackets. "What are you doing?" Evers asked again. "Are you okay? Are you crying?"

"I'm sorry. I'm okay. I'm comin' right out. Don't leave. I'll be right there. I'm embarrassed . . . I'm just upset some. Nervous."

"I can't be late for work. What else do you want, anyway?" Evers frowned. "This is a crazy confrontation. So far, I know you want me to let your brother go. I've told you that I'll follow the law and be fair. If two fat-ass police officers are out there eating McMuffins and thinking about bowling uniforms while they're recording this, I'm telling them the same thing. I'm sorry. If you're offering me sex, then I am declining. I don't want money, either. There's nothing that you can do or say that's going to change my sentiments. I didn't mean to upset you, but I can't help."

"Please don't leave yet."

Evers waited another minute or so, didn't say anything more to Ruth Esther. He heard someone shout for a waitress out in the restaurant, and a man's voice ask for more coffee. "Ma'am, I really am going to go," Evers said. "I have to. You're okay, aren't you?"

Ruth Esther opened the stall door and bumped it toward Evers with her shoulder. She was disheveled when Evers saw her, not all the way dressed, stuffing the tail of her blouse into the top of her pants, and after a couple of jabs and tucks, she gave up and left several uneven folds hanging out of her waistband. She put her hand inside her pocket, and Evers' mouth opened and he took in his breath -- a hard suck that the tiles trapped and echoed, the sound circling the room two or three times. He stepped away from Ruth Esther until he felt the edge of the sink hit him in the back. "This is my business card," she said before she took her hand out of her pocket. "I'm going to leave it on the windowsill for you. Please give some thought to freeing my brother. He has information I need to help me locate property that belongs to me. I can't get my property unless he's out of jail."

"That's all very interesting, but I cannot and will not help you. I'll decide your brother's case on its merits."

Ruth Esther nodded. "I'll leave my card. Please just keep an open mind." She worked on her shirt a little more, pushed it into her pants, and she touched the corner of her eye where some makeup had dried into a tiny, blue-black ball. "Just think about it."

After Ruth Esther left, Evers leaned against the restroom wall and patted his pockets, looking for his cigarettes. Ruth Esther had walked right past him on her way out, and was face to face with him when she opened the door to go back into the restaurant. Evers locked the door. He lit a cigarette and smoked part of it while he was resting on the wall; after a few minutes, he slid and slumped down until he felt the floor underneath him, and he sat there looking at his knees and at his hand holding the cigarette. He finished the cigarette, put it out in the sink and walked across the room to pick up Ruth Esther's card.

When Evers walked by the stall, he glanced inside, and he saw -- he stuck right where he was, didn't go any farther, reeled and spun and herky-jerked to get a better look -- there was a perfect white curve lying on the floor in front of the toilet, five flat alabaster drops, this albino arc that looked like a row of marble dimes laid down into a big grin, small bright circles, a vivid Morse code smile: dot dot dot dot dot. The circles were all the same size, and Evers stepped closer and crouched down. Light from outside was coming into the bathroom through a window, and occasionally a moment's worth of brightness would reflect off the water in the commode and settle on his jacket or the crease in his pants. Evers stood above the smiling drops until he heard someone out in the restaurant knocking on the door. He rubbed the white circles with the toe of his shoe until they disappeared, picked up the card from the sill and put it into his pocket without reading it.

From the Hardcover edition.

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Customer Reviews

Average Rating 4
( 16 )
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Sort by: Showing all of 16 Customer Reviews
  • Anonymous

    Posted March 6, 2013

    Where is the story?

    If you like people drinking and smoking weed all day-this is your book. Otherwise, very little happens: The story line is weak (the 'murder' happens at page 172), the characters unidimensional and that is putting it nicely, and there is no twist or turn that is refreshing or new or wants you to read along. There are two mysteries (the albino tears and the letter) but these are never solved. Don't waste your time on this book unless you like to hear about drinking and pot smoking.

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  • Anonymous

    Posted July 1, 2002

    Don't miss it!

    The Many Aspects of Mobile Home Living by Martin Clark is a complex, clever, and hilarious tale that I just couldn¿t put down! The more I read, the more the plot picked up speed, and when it was over my only complaint was that it left me wanting more. You definitely won¿t be disappointed with this fascinating read. I hope the astute social commentator Martin Clark follows his first novel up with a new release very soon!

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  • Anonymous

    Posted October 25, 2001

    Real Characters, Great Plot

    The strength of this book is its accessible characters, people who are interesting and flawed, sometimes wild and strange, but always believable. I know people like Evers and Pascal and their gang. I also appreciated the author's emphasis on developing a good, entertaining plot. The story really keeps the reader going. Probably could have been ten or fifteen pages shorter, but that's a small complaint for a truly fine read.

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  • Anonymous

    Posted April 27, 2001

    A Thought-Provoking Romp

    This is a novel that breaks a lot of rules but makes it all work. A liked the tour through the legal system, and I laughed out loud at some of Evers's antics. But this story goes a lot deeper than a few laughs, and it makes you think about something important--marriage, friendship, the law, religion--on just about every page. Bottom line: Silly title, wonderful novel.

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  • Anonymous

    Posted February 8, 2001

    A Trip Worth Taking

    Full of twists and turns and oddly likeable characters, The Many Aspects of Mobile Home Living rolls along like a battered old jalopy, unconscious of itself and not looking for anything but the road ahead. The dialogue is clever, often hilarious, and the situations Mr. Clark cooks up for his characters are unique and believable. My favorite line in the book is spoken by Pascal Wheeling, the main character's perpetually stoned and drunk co-conspirator: 'No expectations, no disappointments.'

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  • Anonymous

    Posted December 16, 2000

    Fun and Unpredictable

    Great writing, great characters (especially Pascal and Pauletta), entertaining story. Mr. Clark's got a fine way with language, and the book keeps you rolling along until the last page. I thought the courtroom scenes could have been somewhat shorter, but that's a small complaint. This is one of my top five for 2000.

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  • Anonymous

    Posted August 30, 2000

    What a Hoot!

    After reading my share of novels geared to women, it was nice to 'cross over to the other side' and read this book. Evers Wheeling and his gang are a hoot! I laughed out loud several times. I will definitely read another book by Martin Clark.

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  • Anonymous

    Posted July 29, 2000

    Just Plain Fun

    This is a fun, smart, madcap journey from North Carolina to Salt lake City and back again. The book has great characters and great dialouge. Pauletta L. Qwai is the strongest and most dynamic thing to come down the pike in years. A great book. Hats off to Mr. Clark

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  • Anonymous

    Posted June 30, 2000

    Trailer Trash With Class

    Meet Evers Wheeling, his brother Pascal and their two other friends who like to hang out for extended periods of time in Pascal's modest trailer home, the one with the boarded up window. Hold this book at arm's length when you read it as the alcohol fumes emanating from its pages are sure to induce a stage of virtual intoxication. The good life is truly being doped and drugged throughout the day. Now please don't get the wrong idea about all of this. Author Clark loves these guys. He can't bear to make them ordinary rednecks. No indeed. One is a judge, and one a doctor -an emergency room physician no less- and they all seem to be college graduates, one from Princeton, one from William and Mary. They speak in an ornate language that would impress an Oxford don. They are generally very polite folks, who would not think of making a pass at the beautiful lady who decides to stay overnight at the trailer home. They have a code of honor that places loyalty above honesty. Pascal, the philosophical one who drinks for a living, states that while you cannot remain a child, you can sure spend your life perpetually immature. What else goes on besides the serious drinking? Well, the guys get involved in helping an attractive woman retrieve some stolen money, and a strange murder infringes on their imbibing rituals. Judge Wheeling also decides to punish his wife for a marital no-no by chaining her naked to the freeway exit sign at Climax, North Carolina. The judge also has some strange mental lapses that suggest some sort of organic brain syndrome. And what about that yellowed letter with the strange stamps? The dialogue in this novel is great fun, although its baroque quality varies from time to time. The conversations between judge Wheeling and his black girlfriend are particularly amusing. This book is about a couple of ne'er-do-well brothers who ultimately seem on the road to mediocre-do-well. It's different; it's fun.

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  • Anonymous

    Posted June 25, 2000

    Moble Home is Slow Moving - Going No Where!

    Great title and not much more. I kept hoping there would be a story but never found one.

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  • Anonymous

    Posted June 18, 2000

    Outstanding

    Judge Evers Wheeling is a unique, compelling character, and this book is the most original novel I've ever read. When I began reading it, I wondered exactly what kind of work this would turn out to be, where the story was going. In the end, it's about all sorts of things: race, relgion, the justice system, marriage, faith, murder and mystery. It's a little Grisham, a little Hunter S. Thompson, a little Elmore Leonard, and a little John Updike all tossed together. And yet Mr. Clark is like none of these writers--he's truly funny and original. The plotting was also a delight, all the twists and turns that leave you amazed--and thinking--at the end. A fun, fresh, thoughtful effort. As an aside, if you get a chance to see this guy in person, don't miss him. I just heard him in Charlottesville, Va., and he's as funny in person as he is in the book.

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  • Anonymous

    Posted June 16, 2000

    Just Perfect

    This is a novel that has it all. It's full of real characters, smart dialouge, and wonderful writing. It's provides a great peek behind the curtain into the legal system, takes the reader on a journey both spiritual and literal, and closes with some great plot twists and turns. An excellent read that will prove to be a classic.

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  • Anonymous

    Posted June 2, 2000

    A Perfect Read

    So many times, books fail to live up to the buzz and publicity. This novel has gotten a lot of attention (NY Times, Publisher's Weekly)and I have to admit that I was a little skeptical when I ordered it. However, this is without a doubt the flat-out best thing I have picked up in years. The story is funny and compelling, the ending catches you completely off-guard, and the author throws in some great romance, courtroom drama, and social insight. This book is as good as the hype.

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  • Anonymous

    Posted May 19, 2000

    Excellent Breakthrough

    Certainly the best book I've read in a long, long time...

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  • Anonymous

    Posted March 30, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 30, 2010

    No text was provided for this review.

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