Marabou Stork Nightmares

by Irvine Welsh

Overview

"For anyone who gets high on language, this book is a fantastic trip...a real tour de force."—Madison Smartt Bell, Spin

The acclaimed author of the cult classics Trainspotting and The Acid House, Irvine Welsh has been hailed as "the best thing that has happened to British writing in a decade" (London Sunday Times). This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil predator/scavenger marabou stork keeps being interrupted by grisly memories of the social and family dysfunction that brought him to this state. It is the sort of lethally funny cocktail of pathos, violence, and outrageous hilarity that only Irvine Welsh can pull off.

Product Details

ISBN-13:	9780393285215
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	04/25/2025
Sold by:	Barnes & Noble
Format:	eBook
Pages:	284
File size:	2 MB

About the Author

Irvine Welsh is the best-selling author of Trainspotting, Ecstasy, Glue, Porno, Filth, Marabou Stork Nightmares, The Acid House, Skagboys, and, most recently, Dead Men's Trousers.

Editorial Reviews

Fantasies and dream-states have been literary staples from the days of Gilgamesh to the twentieth century hallucinationsof Huxley, Castaneda and Burroughs. In his intermittently dazzling new novel, Irvine Welsh, the young Scottish-born author of last year's highly-praised The Acid House, introduces yet another wild, almost shamanistic state of consciousness: the coma.

Maribou Stork Nightmares unspools the tale of a club-hopping soccer thug from a very unlikely vantage point: its hero's unconsciousness. Roy Strang, a failed suicide, can hear everything going on around him in his hospital room as he recounts his ghastly upbringing in the grim council estates of suburban Edinburgh. He intersperses these memories with a lucid nightmare about an imaginary hunting expedition in Africa to catch a monstrous predator, the Maribou Stork. "The world we live in is not run by cuddly, strong bears, graceful sleek cats or loyal friendly dogs," Welsh writes about these odd beasts. "Maribou Stork run this place, and they are known to be nasty bastards. Yes, even the vulture does not get such a bad local press."

As the novel's multiple layers of reality develop, they come to feel almost like multimedia: Strang's reminiscences -- often wrenching in their emotional complexity -- and his allegorical nightmares are occasionally interspersed with the voices of nurses, doctors and family members as they try to talk him back to consciousness. It's a device that works well, offsetting some of the novel's more predictable elements: the ferociously gritty depiction of working-class life in Thatcher's England, and a surprisingly politically correct feminist denouement. When all of its realities come into play, however, Welsh's Maribou Stork Nightmares attains an eye-opening synergy, casting an idiosyncratic light on the surreal states in between life and death. --Salon

Baldinger

"Extremely funny...as clever as Alasdair Gray, as elegant as Jeff Torrington, as passionate as James Kelman, Welsh has got it all."

Tibor Fischer

"In a brief time, [Irvine Welsh] has emerged as a writer of scope, imagination, and a savage brand of compassion. Long may he rave."

Boston Phoenix - John Purim

A wonderful success: a funny, cleverly composed, genuinely exciting and assured leap of a novel.”
—New Statesman

From the Publisher