Marie Nimier: Le Sujet et ses écritures / The Self in the Web of Language
«The collection of well-written essays offers creative and compelling readings of Nimier’s work that can serve to introduce readers to the author’s contributions to the field of autofiction, gender, and memory, to name only a few themes, or prompt new areas of inquiry for established researchers of her work. What is more, the inclusion of creative works not only allows readers to discover Nimier’s newest texts, but also reflects the creative energies of an author whose writing project includes song, theatre, and dance.» (Lisa Connell, H-France Review 22.41, March 2022)

«This volume constitutes a landmark in the study of one of France’s foremost contemporary writers. The diversity and originality of its critical approaches and the scholarship and creativity in evidence on every page make it essential reading for anybody interested in Marie Nimier, or in 'self and subject' in contemporary writing.» (Professor Shirley Jordan, Newcastle University)

«This diverse collection casts much-needed light on Marie Nimier’s corpus and does full justice to the complexity and richness of Nimier’s writing. It excavates with skill and sensitivity the multiple palimpsestic layers of the narrative self – whether historical, familial, sensorial or linguistic – and illuminates the relational resonances Nimier’s texts provoke, both readerly and literary.» (Professor Siobhán McIlvanney, King’s College London)

In the postwar literary culture of France, under the influence of Structuralism and its aftermath, deference to «the text in itself» meant that literary studies eschewed discussing narrators or characters as subjects and deriving social or political commentary from specific texts. In reaction to this trend, which also influenced the writing of novels, a new generation of authors have sought instead to focus on developing innovative ways of conceptualizing subjecthood, identity and agency.

Marie Nimier’s writing abundantly exemplifies this «return of the subject» in the rich diversity of the fifteen novels she has published since Sirène in 1985, blending fiction and life-writing. Her narrators/protagonists typically strive to achieve forms of agency which are made possible, yet also threatened, by the ostensible «givens»: heritage, memory, gender, relationships, desire, social environment and, not least, language itself. This volume explores central aspects of self and subject in her oeuvre to date and includes two short stories which Nimier formally publishes here for the first time, one with an English translation.

1144207768
Marie Nimier: Le Sujet et ses écritures / The Self in the Web of Language
«The collection of well-written essays offers creative and compelling readings of Nimier’s work that can serve to introduce readers to the author’s contributions to the field of autofiction, gender, and memory, to name only a few themes, or prompt new areas of inquiry for established researchers of her work. What is more, the inclusion of creative works not only allows readers to discover Nimier’s newest texts, but also reflects the creative energies of an author whose writing project includes song, theatre, and dance.» (Lisa Connell, H-France Review 22.41, March 2022)

«This volume constitutes a landmark in the study of one of France’s foremost contemporary writers. The diversity and originality of its critical approaches and the scholarship and creativity in evidence on every page make it essential reading for anybody interested in Marie Nimier, or in 'self and subject' in contemporary writing.» (Professor Shirley Jordan, Newcastle University)

«This diverse collection casts much-needed light on Marie Nimier’s corpus and does full justice to the complexity and richness of Nimier’s writing. It excavates with skill and sensitivity the multiple palimpsestic layers of the narrative self – whether historical, familial, sensorial or linguistic – and illuminates the relational resonances Nimier’s texts provoke, both readerly and literary.» (Professor Siobhán McIlvanney, King’s College London)

In the postwar literary culture of France, under the influence of Structuralism and its aftermath, deference to «the text in itself» meant that literary studies eschewed discussing narrators or characters as subjects and deriving social or political commentary from specific texts. In reaction to this trend, which also influenced the writing of novels, a new generation of authors have sought instead to focus on developing innovative ways of conceptualizing subjecthood, identity and agency.

Marie Nimier’s writing abundantly exemplifies this «return of the subject» in the rich diversity of the fifteen novels she has published since Sirène in 1985, blending fiction and life-writing. Her narrators/protagonists typically strive to achieve forms of agency which are made possible, yet also threatened, by the ostensible «givens»: heritage, memory, gender, relationships, desire, social environment and, not least, language itself. This volume explores central aspects of self and subject in her oeuvre to date and includes two short stories which Nimier formally publishes here for the first time, one with an English translation.

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Marie Nimier: Le Sujet et ses écritures / The Self in the Web of Language

Marie Nimier: Le Sujet et ses écritures / The Self in the Web of Language

Marie Nimier: Le Sujet et ses écritures / The Self in the Web of Language

Marie Nimier: Le Sujet et ses écritures / The Self in the Web of Language

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Overview

«The collection of well-written essays offers creative and compelling readings of Nimier’s work that can serve to introduce readers to the author’s contributions to the field of autofiction, gender, and memory, to name only a few themes, or prompt new areas of inquiry for established researchers of her work. What is more, the inclusion of creative works not only allows readers to discover Nimier’s newest texts, but also reflects the creative energies of an author whose writing project includes song, theatre, and dance.» (Lisa Connell, H-France Review 22.41, March 2022)

«This volume constitutes a landmark in the study of one of France’s foremost contemporary writers. The diversity and originality of its critical approaches and the scholarship and creativity in evidence on every page make it essential reading for anybody interested in Marie Nimier, or in 'self and subject' in contemporary writing.» (Professor Shirley Jordan, Newcastle University)

«This diverse collection casts much-needed light on Marie Nimier’s corpus and does full justice to the complexity and richness of Nimier’s writing. It excavates with skill and sensitivity the multiple palimpsestic layers of the narrative self – whether historical, familial, sensorial or linguistic – and illuminates the relational resonances Nimier’s texts provoke, both readerly and literary.» (Professor Siobhán McIlvanney, King’s College London)

In the postwar literary culture of France, under the influence of Structuralism and its aftermath, deference to «the text in itself» meant that literary studies eschewed discussing narrators or characters as subjects and deriving social or political commentary from specific texts. In reaction to this trend, which also influenced the writing of novels, a new generation of authors have sought instead to focus on developing innovative ways of conceptualizing subjecthood, identity and agency.

Marie Nimier’s writing abundantly exemplifies this «return of the subject» in the rich diversity of the fifteen novels she has published since Sirène in 1985, blending fiction and life-writing. Her narrators/protagonists typically strive to achieve forms of agency which are made possible, yet also threatened, by the ostensible «givens»: heritage, memory, gender, relationships, desire, social environment and, not least, language itself. This volume explores central aspects of self and subject in her oeuvre to date and includes two short stories which Nimier formally publishes here for the first time, one with an English translation.


Product Details

ISBN-13: 9781800791954
Publisher: Peter Lang Ltd, International Academic Publishers
Publication date: 06/29/2021
Series: Modern French Identities , #142
Pages: 300
Product dimensions: 5.98(w) x 9.02(h) x 0.00(d)

About the Author

David Gascoigne is Honorary Senior Lecturer in French at the University of St Andrews, Scotland. His publications have largely focused on French narrative of the late twentieth and twenty-first centuries, including books on Michel Tournier, and on Georges Perec and ludic fiction. After excursions into Oulipian paratext, Dadaist poetry and the writings of Pascal Bruckner, he has more recently been preoccupied with the writing of Marie Nimier: his contribution here is the fifth article he has published on her work.

Ana Maria Sousa Aguiar de Medeiros is Director of the Modern Language Centre at King’s College London. She has published a number of volumes focusing on the writing of Francophone authors including Assia Djebar, Marie Nimier, Amélie Nothomb and Marguerite Yourcenar. Since 2016, she has been a co-investigator working with Language Acts and Worldmaking and a consultant for Memoirs, a Horizon 2020-funded project.

Table of Contents

Acknowledgements xi

Introduction: Marie Nimier: The Self in the Web of Language/Le Sujet et ses écritures David Gascoigne Ana De Medeiros 1

Un virgule six mètres carrés Marie Nimier 11

La Filiation et ses complexes - Problematic Heritages 25

The Other Nimier: Paternal Hauntology and Queer Politics in Marie Nimier's Works Adina Stroia 25

À la recherche du père perdu : écriture du deuil et quête identitaire dans La Place d'Annie Ernaux et La Reine du silence de Marie Nimier Marzia Caporale 39

Récits de filiation ou comment défaire les næuds et renouer le fil: La Reine du silence de Marie Nimier et Rien ne s'oppose à la nuit de Delphine de Vigan Sylvie Vignes 55

Je suis un homme ou l'édification du sujet Thierry Illouz 67

Écrire le moi sensible, sensuel - Writing Sentience and Sensuality 75

Marie-Marie : l'optique kaléidoscopique dans Photo-Photo Carol J. Murphy 77

L'Odeur en papier : Anatomie d'un sens chez Marie Nimier Marinella Termite 89

La Partition du désir Christian Uwe 107

Le Sujet et la littérarityé - The Subject in the Web of Literature 121

Generic Ambiguity in Les Inséparables Patricia Hodges 123

'Le roi assis' and 'la Reine du silence': 'Silent' Intra-Intertexts in Je suis un homme Lorna Milne 137

La Plage de Marie Nimier, un nouveau T. Beach? Floriane Blanchot 167

Un sujet qui se cherche : l'exemple de La Plage - La Plage and the Search for Selfhood 181

Reparative Revisions: Writing and Self-Creation in La Plage Adrienne Angelo 183

L'Histoire en partage dans La Plage de Marie Nimier Jeanne-Sarah De Larquier 201

La Plage: l'abstrait, l'élémentaire, le charnel David Gascoigne 219

Nimier : dialogue et mises en scène - Nimier in Dialogue and Performance 237

Confession as Theatre: Marie Nimier's Les Confidences Ana De Medeiros 239

Enquête#Bifurcations3 Florence Jou 253

Le Compas - The Compass Marie Nimier John Fletcher 263

Bibliography 269

Notes on Contributors 277

Index 283

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