Marilyn Monroe: The Complete Last Sitting

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Overview

Bert Stern, the famous commercial and fashion photographer of the 60s, was the last to be granted a sitting by Marilyn Monroe six weeks before her tragic death. The three-day session yielded nearly 2,600 pictures-fashion, portrait, and nude studies-of indescribable sensual and human vibrancy, of which no more than 20 were published. And yet these few photographs ineradicably shaped our image of Marilyn Monroe.

This book presents the complete set of 2,571 photos. The monumental ...

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Hardcover Very Good 3823854836 Copyright 1992/2000. A Schirmer Art Book, distributed by teNeues. VG/VG. Large heavy book. Binding is a touch loose at top edge due to weight, ... pages have dropped slightly at fore edge. No overseas shipping for this item, thanks. Read more Show Less

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2000-10-01 Hardcover Very Good A clean copy, the pages inside are bright, the binding tight.

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Overview

Bert Stern, the famous commercial and fashion photographer of the 60s, was the last to be granted a sitting by Marilyn Monroe six weeks before her tragic death. The three-day session yielded nearly 2,600 pictures-fashion, portrait, and nude studies-of indescribable sensual and human vibrancy, of which no more than 20 were published. And yet these few photographs ineradicably shaped our image of Marilyn Monroe.

This book presents the complete set of 2,571 photos. The monumental body of work by the master photographer and the Hollywood actress marks a climax in the history of star photography, both in quantity and quality. It is a unique affirmation of the erotic dimension of photography and the eroticism of taking photos, and it is the world’s finest and largest tribute to Marilyn Monroe.

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Editorial Reviews

Library Journal
Stern was the last fashion photographer to put Monroe through her paces just weeks before her untimely demise. This book collects the entire shoot, a whopping 2,571 color and monochrome pix, although many are presented in reproductions of 120mm and 35mm contact sheets. Stern must have worked Monroe hard, because the actress runs the gamut from appearing as her usual sex-bomb movie persona to looking like a hausfrau fresh out of bed and in dire need of coffee and a shower (note: there is quite a bit of nudity throughout). Copyright 2006 Reed Business Information.
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Product Details

  • ISBN-13: 9783823854838
  • Publisher: teNeues Publishing Company
  • Publication date: 10/1/1900
  • Pages: 464
  • Product dimensions: 11.27 (w) x 12.92 (h) x 1.78 (d)

Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted June 2, 2001

    excellent collection

    excellent collection of rare photographs of Marilyn Monroe. This book has some of her most vulnerable and desperate pistures of her career. The text is insightful in how the sitting came about, and Stern does explain the themes of the pictures. The interesting thing about this book, is that Stern seems to either poke fun at the 'Marilyn Monroe' or completely ignore it. THere are several pictures of Monroe lampooning her iconic 'Diamond's Are a Girl's Best Friend' number. There are also pics in which Monroe wears little-to no make-up, and the early onsets of middle-age are very apparent--don't fret though, because on Marilyn Monroe, even wrinkles look fabulous. There is also two good sets of photos in which Monroe is dressed in a quasi-Jackie Kennedy costume--the first one has Monroe in a black wig, and the second set has the actress in a Oleg Cassini-type dress. Marilyn Monroe lost a lot of weight, so she is not as voluptuous as people will remember her as, but that adds to the fragile beauty of the pictures. There is an aura of fear and desperation in the pictures, and while some of the photos are meant to be light-hearted, they all end up being sad, and oddly testimonic. The best set in the book is an interesting collection of Monroe dressed in a large black back-less dress, with her hair combed back--at first glimpse this doesn't even look Marilyn Monroe, but the photographs reveal a pensive Marilyn. The pictures also reflect an intelligence that no other photographer was able to pull out. One cannot help but remeber Milton Greene's Ballerina Marilyn set when looking at these photos. There is a difference, however. In Greene's, the Marilyn that is presented is lucious, and sexy, and startingly innocent. Stern's Marilyn is intelligent, beautiful, but irreversably damaged. All in all, a beautiful collection that not only does Stern proud as an artist, but also presents Marilyn Monroe as an artist.

    1 out of 1 people found this review helpful.

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