Marlene: Marlene Dietrich, A Personal Biographyby Charlotte Chandler
(Applause Books). In Marlene , Hollywood legend Marlene Dietrich is vividly brought to life. In the mid-1970s Charlotte Chandler interviewed the reclusive actress in Dietrich's Paris apartment. The star's career was all but over, but she agreed to meet because Chandler hadn't known her earlier, "when Dietrich was young and very beautiful." Marlene is further enriched by Chandler's interviews with others who knew Dietrich well, including Douglas Fairbanks, Jr., and Burt Bacharach. Chandler relates how Dietrich began her career in her native Berlin as a model, then a stage and screen actress during the silent era, becoming a star with The Blue Angel , then moving on to become one of the brightest lights in Hollywood. Prior to World War II, the fiercely anti-Nazi Dietrich resisted Hitler's flattering invitations to return to Germany and became an American citizen instead, later entertaining Allied troops on the front lines. After the war, she embarked on a new, outstanding second career as a stage performer. Dietrich had a strict Prussian upbringing, but she refused to be constrained by society's expectations. She spoke candidly with Chandler about her unconventional marriage; she and her husband both had affairs, each with the other's consent. She even expressed warm feelings toward her husband's mistress. Marlene Dietrich lived an extraordinary life, and Marlene relies extensively on the star's own words to reveal how intriguing and fascinating that life really was.
—Kevin Thomas, Los Angeles Times
Prolific biographer Chandler (I Know Where I'm Going: Katharine Hepburn, a Personal Biography, 2010, etc.) delivers an evocative portrait of film icon Marlene Dietrich (1901–1992), perhaps cinema's ultimate manifestation of the mysterious, dangerous, unknowable woman.
The author covers the actress' career but foregoesin-depth analysis of the star's films and technique, focusing instead on Dietrich's enduring persona. Chandler is greatly aided in this by the inclusion of copious reminiscences by Dietrich herself, who recounts the triumphs and tragedies of her life in her inimitable grand manner, full of rueful irony and Olympian hauteur. Dietrich is candid about her various affairs, which included the likes of James Stewart, Yul Brynner and Douglas Fairbanks Jr., whose own recollections reveal a supremely witty and urbane man clearly still in erotic thrall to the legend years after the conclusion of their physical relationship. Among the narrative's most delightful surprises are Dietrich's wartime plan to seduce and murder Adolph Hitler—she would consistently denounce the Nazis and maintain a troubled relationship with her homeland throughout her life—and her many-years-removed trysts with Joseph and Jack Kennedy, the latter dismissed with a withering report of his abbreviated performance. One time accompanist Burt Bacharach waxes appreciatively about Dietrich's courage and tenacity, and various family members weigh in on the star's conflicted filial relationships, but the heart of the book remains Dietrich's account of herself as simultaneously an earthy, maternal woman, who was happiest cooking and cleaning for friends and loved ones, and an impossibly glamorous camera subject who retired into near total seclusion when her looks began to fade. At the end of her life, Dietrich, holed up in her Parisian apartment, eccentrically answered the phone in the guise of her own nonexistent maid in a gambit to preserve her dignity and ward off unwanted visitors.
A poetic and indelible portrait of the great star.
- Applause Theatre Book Publishers
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Read an Excerpt
M arlene Dietrich was on her farewell tour and she was going to be at the Ahmanson Theatre in Los Angeles for two weeks, in 1968,” publicist Dale Olson told me. “I received a call from the Ahmanson, and they were worried. They had heard that she would be a terror, that she would be unreasonably demanding, and they wouldn’t be able to work with her. They said they wanted to hire me for the two weeks because they knew I had a good relationship with her, and they wanted me to look after her. I think what they really meant was they wanted me to look after them.
“I said yes.
“When she arrived, I told her what they had said, that they were afraid of her.
“She laughed. ‘They are right,’ she said. ‘They are right to be afraid of me.’ She was laughing as she spoke.
“She said there was one thing she wanted. She had to have an extremely large refrigerator for her dressing room. I said they had one which was large enough for champagne bottles, smoked salmon, and caviar, which doesn’t take up much room, the usual for the dressing room of a star.
“She said, ‘No. That isn’t what I want. I want the largest refrigerator.’
“So I went back with her request. They didn’t understand and weren’t pleased. They wanted to know why she wanted such a large refrigerator. I certainly didn’t know. I wondered if she was going to cook her famous goulash for everyone. She loved to cook for people, and her goulash was delicious, but I didn’t think that was likely. Anyway, she got her huge refrigerator.
“On opening night, I was in the dressing room. When she went out, I couldn’t resist. I was curious about what she had in the refrigerator. I opened the door and looked in.
“She had removed the shelves. It was completely empty.
“She was wonderfully received. After her opening night performance, there was tremendous applause, a standing ovation, and people in the aisles with bouquets of flowers, and single flowers, rushing up to throw their flowers on the stage.
“After absolutely everyone had left the theater, she went out on the stage, all by herself. She had changed from stiletto-heeled shoes to perfectly flat ballerina-type slippers. She began picking up the bouquets. She brought them back to her dressing room. She didn’t stop until she had picked up the last single rose and carried it back to her dressing room. Then, she began carefully arranging them in the refrigerator.
“We hadn’t seen the last of those flowers. The next night, the ushers had them ready for the end of her performance. The flowers were all thrown on the stage. The next night the same. And so on.
“At the end of the two weeks, on the night of the last performance, there they were. The flowers were performing for the last time. They were pretty wilted, but the audience didn’t know. From where they were sitting, the flowers looked fine.
“She was quite a showman.”
© 2011 Charlotte Chandler
Meet the Author
Charlotte Chandler is the author of several biographies of actors and directors, including Groucho Marx, Federico Fellini, Billy Wilder, Alfred Hitchcock, Bette Davis, Ingrid Bergman, Joan Crawford, and Mae West, all of whom she interviewed extensively. She is a member of the board of the Film Society of Lincoln Center and lives in New York City.
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Biographer seems to have made a close contact with Marlene before she died. Just started but is enjoyable already.