Mask Market (Burke Series #16)

Mask Market (Burke Series #16)

4.1 6
by Andrew Vachss

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Burke, the relentless urban mercenary, returns in this riveting new thriller by bestselling author Andrew Vachss. Two decades ago, Burke "recovered" a teenage runaway from a pimp. Now she's on the run, again. After seeing the man who hired him to find her gunned down by a professional hunter-killer team, Burke realizes he could be next. The master urban survivalist…  See more details below


Burke, the relentless urban mercenary, returns in this riveting new thriller by bestselling author Andrew Vachss. Two decades ago, Burke "recovered" a teenage runaway from a pimp. Now she's on the run, again. After seeing the man who hired him to find her gunned down by a professional hunter-killer team, Burke realizes he could be next. The master urban survivalist knows he has to finish the job to learn the truth, only now he's looking for a predator, not a victim. The search will force Burke to walk down the one dark alley that has always terrified him -- his past.

From the Paperback edition.

Editorial Reviews

Publishers Weekly
Wirth's vocal interpretation of Burke, Vachss's famously driven defender of oppressed children and women, is an insightful mixture-tough, unruffled, pensive, dangerous and, considering the character's past hard-boiled appearances, surprisingly tender at times. The novel marks a sort of rebirth for the self-appointed sleuth, who is wearing a new face, thanks to an assassin's bullet and a skilled surgeon, and an outlook that is at least a shade less grim than in the past. This time, he's hunting for a woman he saved from a life of prostitution 20 years ago. She knows why his latest client was murdered and by whom. But she doesn't want to be found. Burke's detecting process is relatively straightforward, depending, as usual, on his "family" of colorful streetwise characters, each of whom is given his or her due via Wirth's dexterous delivery. Vachss also allows his protagonist a little more time than usual for self-reflection, as well as a prolonged romantic relationship that could, for once, end happily, and again Wirth rises to the challenge, softening Burke's hard edges during those sequences without turning him into a sentimental sap. Simultaneous release with the Pantheon hardcover (Reviews, June 5). (Sept.) Copyright 2006 Reed Business Information.
Library Journal
(See Prepub Mystery, LJ 4/1/06).--Ann Kim Copyright 2006 Reed Business Information.
Kirkus Reviews
After a one-book breather, Burke (Down Here, 2004, etc.), that relentless abuser of child-abusers, is back seeking measure for measure. It's his faith, after all: "My only religion is revenge," Burke likes to proclaim. In between quests for it, though, there's the ever-present matter of cash flow. To fatten the bank account-his and those belonging to his little band of brotherly vigilantes-he prepares to track someone for money. Burke's good at that, but before he can really get cracking, the person who wants the missing person becomes a defunct person, victim of a brisk gangland-style execution, Burke a witness. Burke doesn't like that. Not because he cared a whit for his almost-employer, but because he can't be absolutely sure he isn't the next target. A sit-down is scheduled at Mama's, the Chinese restaurant that serves as Burke's place of conclave. The Prof, the Mole, Max the Silent, Clarence the Gunman and most of the usuals show up to advise. The only way Burke can be safe, it's decided, is to find the missing person of the first part. So the game's afoot, and it will probably not surprise fans that the missing person was, some years back, an abused little person. What might surprise, however, is the identity of the abuser and the vengeance Burke exacts. Vachss (Two Trains Running, 2005, etc.) is pretty much in top form here-dark and violent, of course, but with a nice little sort-of love story as leavening.
From the Publisher
“Andrew Vachss is a contemporary master.”
The Atlanta JournalConstitution

“Many writers try to cover the same ground as Vachss. A handful are as good. None are better.”

“Vachss’s reverence for storytelling is evident in the blunt beauty of his language.”
Chicago SunTimes

“The books of Andrew Vachss are much more than great entertainment. They are a fierce crusade for all victims who can’t fight back, especially the imperiled children to whom Vachss has devoted his considerable talent and his life.”
—Carl Hiaasen

“Vachss is in the first rank of American crime writers.”
The Plain Dealer

“There’s no way to put a [Vachss book] down once you’ve begun . . . The plot hooks are engaging and the one–liners pierce like bullets.”
Detroit Free Press

“The best detective fiction being written . . . Add a stinging social commentary [and] a Celinesque journey into darkness, and we have an Andrew Vachss, one of our most important writers.”
—Martha Grimes

“The New York Burke inhabits is not borrowed from anybody and shimmers on the page as gaudily and scarily as it does on the streets.”
New York magazine

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Product Details

Knopf Doubleday Publishing Group
Publication date:
Burke Series , #16
Sold by:
Random House
Sales rank:
File size:
311 KB

Read an Excerpt

I’m not the client,” the ferret seated across from me said. He was as thin as a garrote, with a library-paste complexion, the facial skin surrounding his veined-quartz eyes as papery as dried flowers. He was always room temperature. “You know me, Burke. I only work the middle.”

“I don’t know you,” I lied. “You knew—you say you knew—my brother. But if you did—”

“Yeah, I know he’s gone,” the ferret said, meeting my eyes, the way you do when you’ve got nothing to hide. With him, it was an invitation to search an empty room. “But you’ve got the same name, right? He never had any first name that I knew; so what would I call you, I meet you for the first time?”

It’s impossible to actually look into my eyes, because you have to do it one at a time. One eye is a lot lighter than the other, and they don’t track together anymore.

A few years ago, I was tricked into an ambush. The crossfire cost me my looks, and my partner her life. I mourn her every day—the hollow blue heart tattooed between the last two knuckles of my right hand is Pansy’s tombstone—but I don’t miss my face. True, it was a lot more anonymous than the one I’ve got now. Back then, I was a walking John Doe: average height, average weight . . . generic lineup filler. But a lot of different people had seen that face in a lot of different places. And the State had a lot of photographs of it, too—they don’t throw out old mug shots.

I’d come into the ER without a trace of ID, dropped at the door by the Prof and Clarence—they knew I was way past risking the do-it-yourself kit we kept around for gunshot wounds.

Since the government doesn’t pay the freight for cosmetic surgery on derelicts, the hospital went into financial triage, no extras. So the neat, round keloid scar on my right cheek is still there, and the top of my left ear is still as flat as if it had been snipped off. And when the student surgeons repaired the cheekbone on the right side of my face, they pulled the skin so tight that it looked like one of the bullets I took had been loaded with Botox. My once-black hair is steel-gray now—it turned that shade while I was in a coma from the slugs, and never went back.

The night man sitting across from me calls himself Charlie Jones—the kind of motel-register name you hear a lot down where I live. A long time ago, I’d done a few jobs he’d brought to me. The way Charlie works it; he makes his living from finder’s fees. Kind of a felonious matchmaker—you tell him the problem you need solved, he finds you a pro that specializes in it.

Charlie pointedly looked down at my hands. I kept them flat on the chipped blue Formica tabletop, palms down. He placed his own hands in the same position, showing me his ID.

The backs of his frail-looking hands were incongruously cabled with thick veins. The skin around his fingernails was beta-carotene orange. The tip of the little finger on his right hand was missing. I nodded my confirmation. Yeah, he was the man I remembered.

Charlie looked at my own hands for a minute, then up at me. The Burke he knew never had a tattoo, but he nodded, just as I had. Charlie was a tightrope dancer—perfect balance was his survival tool. His nod told me not to worry about whether he believed the story that I was Burke’s brother. By him, it was true enough. Where we live, that’s the same as good enough.

“It’s a nice story,” I said, watching as he lit his third cigarette of the meet. Burke was a heavy smoker. Me, I don’t smoke . . . except when I need to convince someone out of my past that I’m still me.

“It’s not my story,” Charlie reminded me. “Your brother, he was an ace at finding people. Best tracker in the city. I figure he must have taught you some things.”

Charlie never invested himself emotionally in any matches he made. He was way past indifferent, as colorless as the ice storm that grayed the window of the no-name diner where we were meeting. But Charlie had something besides balance going for him. He was a pure specialist, a middleman who never got middled. What that means is, Charlie wouldn’t do anything except make his matches.

Everyone in our world knows this. And for extra insurance, Charlie made sure he never knew the whole story. So, if he got swept up in a net, he wouldn’t have anything to trade, even if he wanted to make a deal. Sure, he could say a man told him about a problem. And he might have given the man a number to call. He had liked the guy, even if he’d only met him that one time. Felt sorry for him. In Charlie’s vast experience, drunks who babbled about hiring a hit man were just blowing off steam. You give them a number to call—any number at all, even one you remembered from a bathroom wall—it helps them play out the fantasy, that’s all. “What!? You mean, his wife’s really dead? Damn! I guess you just never know, huh, officer?”

“This guy, he must not be in a hurry,” I said.

“I wouldn’t know,” Charlie replied. His mantra.

“It’s been three weeks since you reached out.”

“Yeah, it took you a long time to get back to me. I figured, with the phone number being the same and all . . .”

“Most of those calls are people looking for my brother. I can’t do a lot of the things he used to do.”

“Yeah,” he said, an unspoken I don’t want to know woven through his voice like the anchor thread in a tapestry.

“But, still, three weeks,” I reminded him. “I mean, how do you know the guy still wants . . . whatever he wants?”

Charlie shrugged.

“You get paid whether I ever call him or not?”

Charlie lit another cigarette. “He knows these things take time. You don’t call, someone else will.”

I waited a few seconds. Then said, “You want to write down his number for me?”

“I’ll say the number,” the ferret told me. “You want it on paper, you do the writing.”

City people call winter the Hawk. Not because of the way it swoops down, but because it hunts. Gets cold enough in this town, people die. Some freeze to death waiting for the landlord to get heat back into their building. Some use their ovens for warmth, and wake up in flames. Some don’t have buildings to die in.

I pulled out a prepaid cell phone, bought in a South Bronx bodega from a guy who had a dozen of them in a gym bag, and punched in the number Charlie had given me. A 718 area code—could be anywhere in the city except Manhattan, but a landline, for sure.

“Hello?” White male, somewhere in his forties.

“You were expecting my call,” I said.

“Who are—? Oh, okay, yeah.”

“I might be able to help you. But I can’t know unless we talk.”

“Just tell me—”

“You know the city?”

“If you mean Manhattan, sure.”

“You got transportation?”

“A car?”

“That’ll do,” I said. I gave him the information I wanted him to have, walked to the end of the alley I’d been using as an office, and put the cell phone on top of a garbage can. Whoever found it would see there were plenty of minutes left. Probably use it to call his parole officer.

I pulled the glove off my left hand, fished a Metrocard out of my side pocket, and dropped below the sidewalk.

Charlie,” said the little black man with the ageless, aristocratic face. “That boy’s one diesel of a weasel. He might slouch, but he’d never vouch.”

“I know, Prof. But no matter who this guys turns out to be, there’s no way that it’s me he’s looking for. If anyone asked Charlie to put him in touch with a specific guy, it would have spooked him right out of the play.”

The only father I’d ever known closed his eyes, looking into the past. The ambush that had almost taken me off the count years ago had been set up by a middleman, too. Only, that time, I was told the client wanted me for the job. Me and only me.

“How much green just to make the scene?” he asked.

“Two to meet. For me to listen. That’s as far as it’s gone.”

“It’s a good number,” the little man mused. “That’s serious money, not crazy money.”

“The job is finding someone, Prof.”

“Charlie don’t find people,” the little man said. “He finds even one, he’s all done.”

“I did meet him, though.”


“Yeah. And I called the spot.”

“So, if he was fingering you . . .”

“Right. That diner, it’s down by the waterfront. All kinds of bums hanging around. And, in this weather, you could put a dozen men on the street in body armor, and nobody’d even look twice.”

“There’s something else about Charlie,” the Prof said, nodding to himself.


“Maybe he’s going along with you being your own brother, maybe he’s not.” The little man’s voice dropped and hardened at the same time. “But he knows what number he called to get you to show up. You be Burke, you be his brother, don’t make no difference. Because Charlie, he knows you not by yourself. You got family. He can’t snap no trap on all of us. He double-crosses you, he’s out of the middle. For as long as he lives. No way our boy bets that number.”

From the Hardcover edition.

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Mask Market (Burke Series #16) 4.2 out of 5 based on 0 ratings. 6 reviews.
Anonymous More than 1 year ago
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Guest More than 1 year ago
Vachss is your ticket to that screwed up world that exists hidden amongst us. You see glimpses, hear the news reports, but you'll never be able to see it from the inside without a guide. Vachss has provided our man Burke as that guide and as narrator, vigilante, hunter, preacher, warrior, protector, and killer. The great news for first-timers is that 'Mask Market' is the most accessible Burke novel yet. You can start with this book! Vachss put so much of Burke's background into the story that you don't need to have read any other Burke novel to get on the ride now. If you like 'Mask Market', then you have a reservoir of great reading waiting for you in paperback. For those of you who made the effort to keep up with Burke from the start, you won't be disappointed either. As another reviewer already wrote, Burke is back! Back in New York, back with his old crew, back to his old habits, and back in the action.
harstan More than 1 year ago
In New York City, private investigator Burke still mentally recovers from being shot in his face by posing as his brother. However, Charlie the Fixer knows the avenging vigilante is pulling a masquerade of sorts so confronts him with a client seeking a missing woman Beryl Preston. Burke accepts the job, but when the client goes to his car to get the fee, he is killed. ------------------ Burke is angrier over being a witness rather than over his losing a paying customer when he can use the money. He knows these professionals will leave no witnesses so they will come after him. Burke meets with his peers at Mamas. They agree with his assessment that the pros will come for him and ergo figure he needs to go after them first with their assistance, which means finding Beryl, the link to the killers.---------------- This is a typical Burke tale filled with violence and the vigilante¿s code of justice the twists this time are Burke is vulnerable including emotionally and that he rescued Beryl from abuse two decades ago and apparently will need to do so again. The story line is fast-paced and action-packed as no one takes Manhattan like Burke does. Fans of the series will agree he is back doing what he does best, killing his adversaries.-------------------- Harriet Klausner