Mason and Dixon

( 15 )

Overview

Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary betweed Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. We follow the mismatch'd pair--one rollicking, the other depressive; one Gothic, the other pre-Romantic--from their first ...
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Overview

Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary betweed Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. We follow the mismatch'd pair--one rollicking, the other depressive; one Gothic, the other pre-Romantic--from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.

Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that has come to be known as the Mason-Dixon Line. Here the "National Book Award"-winning author of "Gravity's Rainbow" imagines their story in an updated 18th-century novel featuring Native Americans, frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, and major caffeine abuse.

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Editorial Reviews

John Fowles
As a fellow-novelist I could only envy it and the culture that permits the creation and success of such intricate masterpieces. -- John Fowles, The Spectator
C. Boyle
This the old Pynchon, the true Pynchon, the best Pynchon of all. Mason & Dixon is a ground-breaking book, a book of heart and fire and humor, and there is nothing quite like it in our literature, except maybe V., in Gravity's Rainbow. -- The New York Times Book Review
Coraghessan T. Boyle
This is the old Pynchon, the true Pynchon, the best Pynchon of all. "Mason & Dixon" is a groundbreaking book, a book of heart and fire and genius, and there is nothing quite like it in our literature, except Maybe "V." and "Gravity's Rainbow." -- T. Coraghessan Boyle, The New York Times Book Review
Michiko Kakutani
A novel that is as moving as it is cerebral, as poignant as it is daring...a book that testifies to Pynchon's remarkable powers of invention and the sheer power of storytelling. -- The New York Times
John Fowles
As a fellow-novelist I could only envy it and the culture that permits the creation and success of such intricate masterpieces. This almost feels like the last great fiction of our dying era. -- John Fowles
From the Publisher
"A novel that is as moving as it is cerebral, as poignant as it is daring...a book that testifies to Pynchon's remarkable powers of invention and his sheer power as a storyteller." ——Michiko Kakutani, The New York Times

"The coast-to-coast #1 national best-seller is now in paperback Splendid...Mason & Dixon—like Huckleberry Finn, like Ulysses—is one of the great novels about friendship in anybody's literature."—John Leonard, The Nation

"An astonishing and wonderful book."——The New York Review of Books

From Barnes & Noble
The novelist who brought us The Crying of Lot 49 and Gravity's Rainbow reimagines the 18th-century lives of Charles Mason and Jeremiah Dixon, featuring Native Americans, frontier folk, ripped bodices, naval warfare, conspiracies, and major caffeine abuse.
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Product Details

  • ISBN-13: 9780312423209
  • Publisher: Picador
  • Publication date: 2/28/2004
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 784
  • Sales rank: 286,648
  • Product dimensions: 5.50 (w) x 8.22 (h) x 1.30 (d)

Meet the Author

Thomas Pynchon

Thomas Pynchon is the author of V., The Crying of Lot 49, Gravity’s Rainbow, Slow Learner, a collection of stories, and Vineland. He received the National Book Award for Gravity’s Rainbow in 1974.

Biography

Thomas Pynchon was born in 1937. His books include The Crying of Lot 49, Gravity's Rainbow, Vineland, and Mason & Dixon.

Author biography courtesy of HarperCollins.

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    1. Also Known As:
      Thomas Ruggles Pynchon Jr. (full name)
    2. Hometown:
      New York, New York
    1. Date of Birth:
      May 8, 1937
    2. Place of Birth:
      Glen Cove, Long Island, New York
    1. Education:
      B. A., Cornell University, 1958

First Chapter



CHAPTER ONE

Latitudes and Departures

I

Snow-Balls have flown their Arcs, starr'd the Sides of Outbuildings, as of Cousins, carried Hats away into the brisk Wind off Delaware,--the Sleds are brought in and their Runners carefully dried and greased, shoes deposited in the back Hall, a stocking'd-foot Descent made upon the great Kitchen, in a purposeful Dither since Morning, punctuated by the ringing Lids of various Boilers and Stewing-Pots, fragrant with Pie-Spices, peel'd Fruits, Suet, heated Sugar,--the Children, having all upon the Fly, among rhythmic slaps of Batter and Spoon, coax'd and stolen what they might, proceed, as upon each afternoon all this snowy Advent, to a comfortable Room at the rear of the House, years since given over to their carefree Assaults. Here have come to rest a long scarr'd sawbuck table, with two mismatch'd side-benches, from the Lancaster County branch of the family,--some Second-Street Chippendale, including an interpretation of the fam'd Chinese Sofa, with a high canopy of yards of purple Stuff that might be drawn all 'round to make a snug, dim tent,--a few odd Chairs sent from England before the War,--mostly Pine and Cherry about, nor much Mahogany, excepting a sinister and wonderful Card Table which exhibits the cheaper Wave-like Grain known in the Trade as Wand'ring Heart, causing an illusion of Depth into which for years children have gaz'd as into the illustrated Pages of Books...along with so many hinges, sliding Mortises, hidden catches, and secret compartments that neither the Twins nor their Sister can say they have been to the end of it. Upon the Wall, banish'd to this Den of Parlor Apes for its Remembrance of a Time better forgotten, reflecting most of the Room,--the Carpet and Drapes a little fray'd, Whiskers the Cat stalking beneath the furniture, looking out with eyes finely reflexive to anything suggesting Food,--hangs a Mirror in an inscrib'd Frame, commemorating the "Mischianza," that memorable farewell Ball stag'd in '77 by the British who'd been Occupying the City, just before their Withdrawal from Philadelphia.

This Christmastide of 1786, with the War settl'd and the Nation bickering itself into Fragments, wounds bodily and ghostly, great and small, go aching on, not ev'ry one commemorated,--nor, too often, even recounted. Snow lies upon all Philadelphia, from River to River, whose further shores have so vanish'd behind curtains of ice-fog that the City today might be an Isle upon an Ocean. Ponds and Creeks are frozen over, and the Trees a-glare to the last slightest Twig,--Nerve-Lines of concentrated Light. Hammers and Saws have fallen still, bricks lie in snowcover'd Heaps, City-Sparrows, in speckl'd Outbursts, hop in and out of what Shelter there may be,--the nightward Sky, Clouds blown to Chalksmears, stretches above the Northern Liberties, Spring Garden and Germantown, its early moon pale as the Snow-Drifts,--smoke ascends from Chimney-Pots, Sledging-Parties adjourn indoors, Taverns bustle,--freshly infus'd Coffee flows ev'ryplace, borne about thro' Rooms front and back, whilst Madeira, which has ever fuel'd Association in these Parts, is deploy'd nowadays like an ancient Elixir upon the seething Pot of Politics,--for the Times are as impossible to calculate, this Advent, as the Distance to a Star.

It has become an afternoon habit for the Twins and their Sister, and what Friends old and young may find their way here, to gather for another Tale from their far-travel'd Uncle, the [Rev.sup.d] Wicks Cherrycoke, who arriv'd here back in October for the funeral of a Friend of years ago,--too late for the Burial, as it prov'd,--and has linger'd as a Guest in the Home of his sister Elizabeth, the Wife, for many years, of Mr. J. Wade LeSpark. a respected Merchant active in Town Affairs, whilst in his home vet Sultan enough to convey to the [Rev.sup.d], tho' without ever so stipulating, that, for as long as he can keep the children amus'd, he may remain,--too much evidence of Juvenile Rampage at the wrong moment, however' and Boppo! 'twill be Out the Door with him, where waits the Winter's Block and Blade.

Thus, they have heard the Escape from Hottentot-Land, the Accursed Ruby of Mogok, the Ship-wrecks in Indies East and West,--an Herodotic Web of Adventures and Curiosities selected, the [Rev.sup.d] implies, for their moral usefulness, whilst avoiding others not as suitable in the Hearing of Youth. The Youth, as usual, not being consulted in this.

Tenebrae has seated herself and taken up her Needlework, a piece whose size and difficulty are already subjects of Discussion in the House, the Embroidress herself keeping silence,--upon this Topick, at least. Announc'd by Nasal Telegraph, in come the Twins, bearing the old Pewter Coffee-Machine venting its Puffs of Vapor, and a large Basket dedicated to Saccharomanic Appetites, piled to the Brim with fresh-fried Dough-Nuts roll'd in Sugar, glaz'd Chestnuts, Buns, Fritters, Crullers, Tarts. "What is this? Why, Lads, you read my mind."

"The Coffee's for you, Nunk,--" "--last Time, you were talking in your sleep," the Pair explain, placing the Sweets nearer themselves, all in this Room being left to seize and pour as they may. As none could agree which had been born first, the Twins were nam'd Pitt and Pliny, so that each might be term'd "the Elder" or "the Younger," as might day-today please one, or annoy his Brother.

"Why haven't we heard a Tale about America?" Pitt licking Gobbets of Philadelphia Pudding from his best Jabot.

"With Indians in it, and Frenchmen," adds Pliny, whose least gesture sends Cookie-crumbs ev'rywhere.

"French Women, come to that," mutters Pitt.

"It's not easy being pious for both of us, you know," Pliny advises.

"It's twenty years," recalls the [Rev.sup.d], "since we all topped the Allegheny Ridge together, and stood looking out at the Ohio Country,--so fair, a Revelation, meadow'd to the Horizon--Mason and Dixon, and all the McCleans, Darby and Cope, no, Darby wouldn't've been there in 'sixty-six,--howbeit, old Mr. Barnes and young Tom Hynes, the rascal...don't know where they all went,--some fought in the war, some chose peace come what might, some profited, some lost everything. Some are gone to Kentucky, and some,--as now poor Mason,--to Dust.

"'Twas not too many years before the War,--what we were doing out in that Country together was brave, scientifick beyond my understanding, and ultimately meaningless,--we were putting a line straight through the heart of the Wilderness, eight yards wide and due west, in order to separate two Proprietorships, granted when the World was yet feudal and but eight years later to be nullified by the War for Independence."

And now Mason's gone, and the [Rev.sup.d] Cherrycoke, who came to town only to pay his Respects, has linger'd, thro' the first descent of cold, the first drawings-in to the Hearth-Side, the first Harvest-Season meals appearing upon the next-best Dishes. He had intended to be gone weeks ago, but finds he cannot detach. Each day among his Devoirs is a visit, however brief, to Mason's grave. The Verger has taken to nodding at him. In the middle of the night recently he awoke convinc'd that 'twas he who had been haunting Mason,--that like a shade with a grievance, he expected Mason, but newly arriv'd at Death, to help him with something.

"After years wasted," the [Rev.sup.d] commences, "at perfecting a parsonical Disguise,--grown old in the service of an Impersonation that never took more than a Handful of actor's tricks,--past remembering those Yearnings for Danger, past all that ought to have been, but never had a Hope of becoming, have I beach'd upon these Republican Shores,--stoven, dismasted, imbecile with age,--an untrustworthy Remembrancer for whom the few events yet rattling within a broken memory must provide the only comfort now remaining to him,--"

"Uncle," Tenebrae pretends to gasp, "--and but this Morning, you look'd so much younger,--why I'd no idea."

"Kindly Brae. That is from my Secret Relation, of course. Don't know that I'd phrase it quite like that in the present Company."

"Then...?" Tenebrae replying to her Uncle's Twinkling with the usual play of Eye-lashes.

"It begins with a Hanging."

"Excellent!" cry the Twins.

The [Rev.sup.d], producing a scarr'd old Note-book, cover'd in cheap Leather, begins to read. "Had I been the first churchman of modern times to be swung from Tyburn Tree,--had I been then taken for dead, whilst in fact but spending an Intermission among the eventless corridors of Syncope, due to the final Bowl of Ale,--had a riotous throng of medical students taken what they deem'd to be my Cadaver back beneath the somber groins of their College,--had I then been 'resurrected' into an entirely new Knowledge of the terms of being, in which Our Savior,--strange to say in that era of Wesley and Whitefield,--though present, would not have figur'd as pre-eminently as with most Sectarians,--howbeit,--I should closely resemble the nomadic Parson you behold today... "

"Mother says you're the Family outcast," Pitt remarks.

"They pay you money to keep away," says Pliny.

"Your Grandsire Cherrycoke, Lads, has ever kept his promise to remit to me, by way of certain Charter'd Companies, a sum precise to the farthing and punctual as the Moon,--to any address in the World, save one in Britain. Britain is his World, and he will persist, even now, in standing sham'd before it for certain Crimes of my distant Youth."

"Crimes!" exclaim the Boys together.

"Why, so did wicked men declare 'em...before God, another Tale...."

"What'd they nail you on?" Uncle Ives wishes to know, "strictly professional interest, of course." Green Brief-bag over one shoulder, but lately return'd from a Coffee-House Meeting, he is bound later this evening for a slightly more formal version of the same thing,--feeling, here with the children, much as might a Coaching Passenger let off at Nightfall among an unknown Populace, to wait for a connecting Coach, alone, pedestrian, desiring to pass the time to some Revenue, if not Profit.

"Along with some lesser Counts," the [Rev.sup.d] is replying, "'twas one of the least tolerable of Offenses in that era, the worst of Dick Turpin seeming but the Carelessness of Youth beside it,--the Crime they styl'd `Anonymity.' That is, I left messages posted publicly, but did not sign them. I knew some night-running lads in the district who let me use their Printing-Press,--somehow, what I got into printing up, were Accounts of certain Crimes I had observ'd, committed by the Stronger against the Weaker,--enclosures, evictions, Assize verdicts, Activities of the Military,--giving the Names of as many of the Perpetrators as I was sure of, yet keeping back what I foolishly imagin'd my own. till the Night I was tipp'd and brought in to London, in Chains, and clapp'd in the Tower.

"The Tower!"

"Oh, do not tease them so," Tenebrae prays him.

"Ludgate, then? whichever, 'twas Gaol. It took me till I was lying among the Rats and Vermin, upon the freezing edge of a Future invisible, to understand that my name had never been my own,--rather belonging, all this time, to the Authorities, who forbade me to change it, or withhold it, as 'twere a Ring upon the Collar of a Beast, ever waiting for the Lead to be fasten'd on.... One of those moments Hindoos and Chinamen are ever said to be having, entire loss of Self, perfect union with All, sort of thing. Strange Lights, Fires, Voices indecipherable,--indeed, Children, this is the part of the Tale where your old Uncle gets to go insane,--or so, then, each in his Interest, did it please ev'ryone to style me. Sea voyages in those days being the standard Treatment for Insanity, my Exile should commence for the best of Medical reasons."

Tho' my Inclination had been to go out aboard an East Indiaman (the [Rev.sup.d] continues), as that route East travers'd notoriously a lively and youthful World of shipboard Dalliance, Gale-force Assemblies, and Duels ashore, with the French Fleet a constant,--for some, Romantic,--danger, "Like Pirates, yet more polite," as the Ladies often assur'd me,--alas, those who controll'd my Fate, getting wind of my preference at the last moment, swiftly arrang'd to have me transferr'd into a small British Frigate sailing alone, upon a long voyage, in a time of War,--the Seahorse, twenty-four guns, Captain Smith. I hasten'd in to Leadenhall Street to inquire.

"Can this be Objection we hear?" I was greeted. "Are you saying that a sixth-rate is beneath you? Would you prefer to remain ashore, and take up quarters in Bedlam? It has made a man of many in your Situation. Some have come to enjoy fairly meaningful lives there. Or if it's some need for the Exotic, we might arrange for a stay in one of the French Hospitals...."

"Would one of my Condition even know how to object, my Lord? I owe you everything."

"Madness has not impair'd your memory. Good. Keep away from harmful Substances, in particular Coffee. Tobacco and Indian Hemp. If you must use the latter, do not inhale. Keep your memory working, young man! Have a safe Voyage."

So, with this no doubt well-meant advice finding its way into the mid-watch sounds of waves past my sleeping-place, I set sail upon an Engine of Destruction, in the hope that Eastward yet might dwell something of Peace and Godhead, which British Civilization, in venturing Westward, had left behind,--and thus was consternation the least of my feelings when, instead of supernatural Guidance from Lamas old as time, here came Jean Crapaud a-looming,--thirty-four guns' worth of Disaster, and only one Lesson.

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Customer Reviews

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Sort by: Showing all of 15 Customer Reviews
  • Anonymous

    Posted October 26, 2001

    Only one of the best novels ever written

    The limit of 'Mason & Dixon' as a work of art may be equal to the ignorance and stubborness of its audience - America glutted with thought-free TV, film, commericals, music... everything down to & including the plastic flowers. This ain't Grisham, ain't King -- King only dreams of being this good (as do much lesser talents & wanna-be's [such as myself]). If you read for a linear plot, characters pre-written for their film adaptations, and a total lapse of ways to use your noodle, please don't bother. Put the book down & reach for the remote. This is not your brain on 'Friends'. 'Mason & Dixon' is for lovers of the English language, of conundrums, of labyrinths & mazes, of sipping instead of gulping, of friendship, of life's sadness and fun, of a world that doesn't quite make sense no matter how hard one tries. This is the one Pynchon will be remembered for. 'Gravity's Rainbow' won't last the century (it's too hard to read now!). All of the others are minor works. This is a genuine story written by a man who must wait for the culture to catch up with him. No, it's not perfect. The first third drags -- needed an editor. But the last two-thirds are marvelous, and the final section of all, 'Last Transit', almost without peer. Sometimes we are lucky enough to read a book that makes the act of reading worthwhile. That makes us glad to have spent the hours inside a tome rather than in front of a Tube. This book is one of those. Thanks, Mr. P.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted July 13, 2006

    America's next Nobel Prize Laureate?

    The genius resident in this mighty and 'prolifick' work is off the charts, lacking borders, bounds and limits. 'Mason & Dixon' is a picaresque Iliad by a supremely gifted and inventive storyteller. The 'electrick' writing on each of the 773 pages is luminous beyond belief. The characters are deeply human 'comick' and 'mystick' figures who consistently extend the wit of their banter well beyond the first or second brilliant repartee of each stretch of dialogue. The 'vistos' of wild American colonial landscape in both city and countryside, on land and 'oceanick', in royal and humble society in Pynchon's Great Chain of Being are breathtaking. The dialogue is intelligent and witty and often hilarious. Meet Franklin, Washington, Penn, Calvert, Boswell and Dr. Johnson -- all in the mileux of their day -- in adventures high and low. 'Mason & Dixon' is an American Human Comedy written in the style of Fielding in 'Tom Jones' or Sterne in 'Tristram Shandy' or Barth in 'The Sotweed Factor.' An intricate and elegantly woven story line awaits those who must have one. High science and political intrigue of the day abound for those who love reading 18th century American history. Most of all, the writing quality is so evenly elegant throughout this opus maximus that its supreme and sustained intelligence is the signature of a writer of Nobel Prize stature. Pynchon's body of work, including 'V.' 'M&D' and 'Gravity's Rainbow,' are sufficient evidence of the breadth of his literary gifts. Only a handful of writers in this era are capable of writing metafiction at this lofty level -- Gaddis, Gass, Theroux, Barth, Donleavy and Bellow. Is Pynchon as brilliant as Nobel Laureate, Bellow? Pynchon is, at least, equally worthy. Few novels have so much going for them on so many levels. 'Carpe carpum.' Do yourself a favor and seize this brilliant, carping novel: someday its cover shall bear the seal of the Nobel Prize for it is a 'magnetick' American Iliad -- a shimmering and timeless Flower of Light.

    1 out of 1 people found this review helpful.

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  • Posted March 24, 2010

    more from this reviewer

    I Also Recommend:

    Not his best...not by a long shot

    Wow...what can I say....I really didn't like this book at all. I was really looking forward to this piece of historical fiction crafted by one of the greatest writers of our or any time but to my surprise after 380 + pages I grew so bored I didn't care.

    There's no doubt that Thomas Pynchon is one of the greatest authors of all time. V & Gravity's Rainbow are masterpieces plain and simple. I might even be in the minority by liking V over GR (but I do have a tattoo of the opening sentence of GR across my back). But when I comes to Mason & Dixon I just don't get that same feeling.

    The book starts out interesting enough but after the Transit of Venus the book goes down hill. When they reach America it was more like the "Great 18th Century American Pub Crawl" then actual writing about the famous line. Even the Pynchon weirdness in this book seems generic (oh wow a talking dog and a robotic duck....gee how clever [sarcasm])

    I've seen a lot of people complain about the 18th century language. For me it wasn't a big deal but after a while I kinda felt like Pynchon was trying to show off (look at me...look at me). Get over yourself dude...we get it....you're smart.

    If you want to read all of Pynchon's books then I say have fun. It's bland and lifeless. Cheat and re-read V instead. You'll have more fun and get more out of it. Mason & Dixon was a waste of 2 weeks. If you want good historical fiction read Drood by Dan Simmions or any of his other books.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 13, 2006

    Joyce?Boswell?Dickens?Twain?-Bah!!!

    Having more meaning in each morsel of prose than one finds in the most touted passage of Shakespeare, this book is a treasure trove of humor, a temporal as well as geographical travelogue, a verbal painting of exquisite characterizations, interspersed with accurate scientific reckoning and an occasional reference to the adventures of Baron von Munchhaeusen, who would have delighted in every page of this madcap, yet wise literary gem.

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  • Anonymous

    Posted April 30, 2001

    Draw the line already!

    I was brought to this book from a song by Mark Knopfler - and the song is great. Taking phrases/names from our everyday usage and digging into how they became part of the language is something that appeals to me. But the 'period' writing is really too, too much. I'm glad that Pynchon can perform this arcane art. But the work involved is more suited for an undergraduate English class. I've been through all kinds of literature that I appreciated but didn't like during college, and was rewarded with (often) passing grades. I don't need all i's dotted and t's crossed - Melville brings a lot of pleasure to me as a reader. Comparisons to Ulysses are more than a little extreme. Try it if you want, but there are thousands of better ways to spend LOTS of your time.

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  • Anonymous

    Posted March 12, 2001

    Now that's what I'm talkin' about

    M&D is wonderful. Not perfect, but dazzling nonetheless. His characterization of the two men is brilliant and they play off each other nicely. I'm not a big Pynchon fan, personally I find his fiction overwrought and a little masturbatory, but M&D is an exception. His humorous style in in full effect here, and once you work into the prose style, it takes you. I found myself laughing out loud. I respect his writerly abilities, over all, though not his manner of hooking the reader. But M&D is a book I cannot not recommend. It's niot an easy read, but for the first time, I can say that the effort he asks the reader to put in is fully deserved.

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  • Anonymous

    Posted June 30, 2000

    style over narrative = fine moments, slow going

    Yes, the sentences are dazzling, and many individual moments shine. But after several hundred pages, the book's obvious gifts may seem less impressive, and one can easily bog down. Maybe best to read it in bits and pieces to appreciate the craftsmanship instead of trying to put one's head down and truly plow through the narrative.

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  • Anonymous

    Posted February 18, 2000

    A yummy book

    for those who love the English language, past and present. If your idea of fun is enjoying the adventures of a mismatched pair whose names are forever linked in our minds, while occasionally taking a break to look up an obscure word, this is for you. I found it delightful and wished it were even longer (though I'd have needed a hernia truss if that were the case.)

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