Max's Bunny Business [NOOK Book]

Overview

Bunny business? Funny business!

Max's sister, Ruby, and her best friend, Louise, are in business. They have big plans for the profits from their lemonade stand, and they definitely don't want Max to help or share. But trust Max to have plans of his own. He just might show ...

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Overview

Bunny business? Funny business!

Max's sister, Ruby, and her best friend, Louise, are in business. They have big plans for the profits from their lemonade stand, and they definitely don't want Max to help or share. But trust Max to have plans of his own. He just might show Ruby that he has a better way to run a bunny business.

Everyone's favorite bunnies, Max and Ruby, appear in a popular television series on Nickelodeon.



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Editorial Reviews

Publishers Weekly

Indomitable and clever Max once again outsmarts big sister Ruby in a reliably pleasing adventure. Yummy endpapers, overflowing with candy corn, peppermints and other vaguely recognizable sweets, foreshadow Max's triumph, while the efficient text eschews subtleties such as thoughts or transitions, and focuses on action. Wells wastes no words in telling her story: Ruby and her friend Louise set up a lemonade stand to raise money to complete their Fire Angel jewelry sets. Max tries to help, but is too little to do anything right. Dismissed by the girls, he sets up his own business, selling his Halloween candy. As usual, Grandma appears as the deus ex machina; she buys out his candy supply and takes him to the store with his profits to buy the ring the girls have set their sights on. The girls make their money, buy earrings instead and come home happy to drink Max and Grandma's lemonade. The swiftly moving story, enthusiastic characters and enticing candy are rendered in broad, colorful strokes that cannot fail to please the target audience. Ages 3-5. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Horn Book
[T]he dynamics between bunny siblings Ruby and . . . Max remain just the same . . . all will enjoy seeing the pair lock horns once again.
School Library Journal

PreS-Gr 1- Ever-industrious Ruby wants to buy two Fire Angel flashing rings, one for herself and one for her friend Louise. They decide to sell lemonade so that they can earn the necessary two dollars. Max wants to lend a hand, but Ruby does not want his help, so he sets up a competing business, selling old Halloween candy that he found in his closet. He manages to sell the lot to his grandmother, who drives him to the novelty store. After a successful day at the lemonade stand, the girls cycle to the same store, only to discover that the last Fire Angel flashing ring has been sold. It's no surprise who bought it. Wells is treading familiar ground here as Ruby is outfoxed yet again by her younger brother. It hardly seems fair, though, because Ruby is guilty of no more than trying to do a good job and earn her own treat. But fans of this rabbit duo will be happy. The illustrations are clean and bright, making liberal use of pastel backgrounds and shiny metallic detail to accent Ruby's jewelry, the chrome on Max's fire truck, and the dimes on the front cover. A pleasant, though uninspiring, addition to the series.-Kara Schaff Dean, Walpole Public Library, MA

Kirkus Reviews
Wells's Max and Ruby have been mainstays on the young-young reader/listener scene for many years now. So why hasn't Max grown up? Because he's Max, who has no growth hormones, but pure mischief coursing through his system. Here he is in fine form. Ruby and friend Louise are smitten with the newest Fire Angel Flashing Rings, but they need $2 to purchase them. They decide on a lemonade stand to earn the necessary amount. They won't, however, let Max get close; they expect, not without unwarrant, but a tad dismissively, that he'll just make a hash of everything. So Max sets up shop down the street, hawking his old Halloween candy. Grandma, tired of waiting in line for lemonade, visits Max's establishment, buys the lot and then heads into town with Max to buy him a treat. When Ruby and Louise finally get their two bucks, they find the rings have been sold-and one, of course, graces Max's hand. In a story full of sweet eats-not to mention candy-colored artwork-he supplies the palate cleanser of comeuppance. (Picture book. 2-5)
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Product Details

  • ISBN-13: 9781101496886
  • Publisher: Penguin Young Readers Group
  • Publication date: 5/15/2008
  • Series: Max and Ruby Series
  • Sold by: Penguin Group
  • Format: NOOK Kids
  • Pages: 32
  • Sales rank: 856,138
  • Age range: 3 - 5 Years
  • File size: 8 MB

Meet the Author

Born in New York City, Rosemary Wells grew up in a house "filled with books, dogs, and nineteenth-century music." Her childhood years were spent between her parents' home near Red Bank, New Jersey, and her grandmother's rambling stucco house on the Jersey Shore. Most of her sentimental memories, both good and bad, stem from that place and time. Her mother was a dancer in the Russian Ballet, and her father a playwright and actor. Mrs. Wells says, "Both my parents flooded me with books and stories. My grandmother took me on special trips to the theater and museums in New York.



When I was two years old I began to draw and they saw right away the career that lay ahead of me and encouraged me every day of my life. As far back as I can remember, I did nothing but draw."



A self-proclaimed "poor student," Wells attended the Museum School in Boston after finishing high school. It was, she recalls, "a bastion of abstract expressionism an art form that brought to my mind things I don't like to eat, fabrics that itch against the skin, divorce, paper cuts, and metallic noises."



Without her degree, she left school at 19, married, and began a fledgling career as a book designer with a Boston textbook publisher. When her husband, Tom, applied to the Columbia School of Architecture two years later, the couple moved to New York, where she began her career in children's books working as a designer at Macmillan. It was there that she published her first book, an illustrated edition of Gilbert&Sullivan's I Have a Song to Sing-O.



Rosemary Wells's career as an author and illustrator spans more than 30 years and 60 books. She has won numerous awards, and has given readers such unforgettable characters as Max and Ruby, Noisy Nora, and Yoko. She has also given Mother Goose new life in two enormous, definitive editions, published by Candlewick. Wells wrote and illustrated Unfortunately Harriet, her first book with Dial, in 1972. One year later she wrote the popular Noisy Nora. "The children and our home life have inspired, in part, many of my books. Our West Highland white terrier, Angus, had the shape and expressions to become Benjamin and Tulip, Timothy, and all the other animals I have made up for my stories." Her daughters Victoria and Beezoo were constant inspirations, especially for the now famous "Max" board book series. "Simple incidents from childhood are universal," Wells says. "The dynamics between older and younger siblings are common to all families."



But not all of Wells' ideas come from within the family circle. Many times when speaking, Mrs. Wells is asked where her ideas come from. She usually answers, "It's a writer's job to have ideas." Sometimes an idea comes from something she reads or hears about, as in the case of her recent book, Mary on Horseback, a story based on the life of Mary Breckenridge, who founded the Frontier Nursing Service. Timothy Goes to School was based on an incident in which her daughter was teased for wearing the wrong clothes to a Christmas concert. Her dogs, west highland terriers, Lucy and Snowy, work their way into her drawings in expression and body position. She admits, "I put into my books all of the things I remember. I am an accomplished eavesdropper in restaurants, trains, and gatherings of any kind. These remembrances are jumbled up and changed because fiction is always more palatable than truth. Memories become more true as they are honed and whittled into characters and stories."



Mrs. Wells says, "Most of my books use animals rather than children as characters. People always ask why. There are many reasons. First, I draw animals more easily and amusingly than I do children. Animals are broader in range--age, time, and place--than children are. They also can do things in pictures that children cannot. They can be slapstick and still real, rough and still funny, maudlin and still touching.



In Benjamin and Tulip, Tulip falls out of a tree and mashes Benjamin in the mud. If these pictures were of children, they would be too close to violent reality for comfort, and all the humor would be lost."



Her writing career has been a "pure delight," she says. "I regret only that I cannot live other lives parallel to my own. Writing is a lonely profession and I am a gregarious sort of person. I would like someday to work for the FBI. A part of me was never satisfied with years of tennis. I still yearned to play basketball."

















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Sort by: Showing 1 Customer Reviews
  • Posted January 29, 2011

    more from this reviewer

    max wants to sell too

    max and ruby are back and they are ready to earn money. of course ruby and loise don't let max help, so he does his own business. very cute story.

    0 out of 1 people found this review helpful.

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