Frank Norris' graphic portrayal of the seamy side of survival in turn-of-the-century urban America remains shocking and powerful today -and its conclusion just as harrowing.
- Penguin Publishing Group
- Publication date:
- Sales rank:
- Product dimensions:
- 4.10(w) x 6.70(h) x 0.90(d)
- Age Range:
- 18 Years
Read an Excerpt
By Frank Norris
Dover Publications, Inc.Copyright © 2004 Dover Publications, Inc.
All rights reserved.
IT was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint on Polk Street. He had a thick gray soup; heavy, underdone meat, very hot, on a cold plate; two kinds of vegetables; and a sort of suet pudding, full of strong butter and sugar. On his way back to his office, one block above, he stopped at Joe Frenna's saloon and bought a pitcher of steam beer. It was his habit to leave the pitcher there on his way to dinner.
Once in his office, or, as he called it on his signboard, "Dental Parlors," he took off his coat and shoes, unbuttoned his vest, and, having crammed his little stove full of coke, lay back in his operating chair at the bay window, reading the paper, drinking his beer, and smoking his huge porcelain pipe while his food digested; crop-full, stupid, and .warm. By and by, gorged with steam beer, and overcome by the heat of the room, the cheap tobacco, and the effects of his heavy meal, he dropped off to sleep. Late in the afternoon his canary bird, in its gilt cage just over his head, began to sing. He woke slowly, finished the rest of his beer—very flat and stale by this time—and taking down his concertina from the book-case, where in week days it kept the company of seven volumes of "Allen's Practical Dentist," played upon it some half-dozen very mournful airs:
McTeague looked forward to these Sunday afternoons as a period of relaxation and enjoyment. He invariably spent them in the same fashion. These were his only pleasures—to eat, to smoke, to sleep, and to play upon his concertina.
The six lugubrious airs that he knew, always carried him back to the time when he was a car-boy at the Big Dipper Mine in Placer County, ten years before. He remembered the years he had spent there trundling the heavy cars of ore in and out of the tunnel under the direction of his father. For thirteen days of each fortnight his father was a steady, hard-working shift-boss of the mine. Every other Sunday he became an irresponsible animal, a beast, a brute, crazy with alcohol.
McTeague remembered his mother, too, who, with the help of the Chinaman, cooked for forty miners. She was an overworked drudge, fiery and energetic for all that, filled with the one idea of having her son rise in life and enter a profession. The chance had come at last when the father died, corroded with alcohol, collapsing in a few hours. Two or three years later a travelling dentist visited the mine and put up his tent near the bunk-house. He was more or less of a charlatan, but he fired Mrs. McTeague's ambition, and young McTeague went away with him to learn his profession. He had learnt it after a fashion, mostly by watching the charlatan operate. He had read many of the necessary books, but he was too hopelessly stupid to get much benefit from them.
Then one day at San Francisco had come the news of his mother's death; she had left him some money—not much, but enough to set him up in business; so he had cut loose from the charlatan and had opened his "Dental Parlors" on Polk Street, an "accommodation street" of small shops in the residence quarter of the town. Here he had slowly collected a clientele of butcher boys, shop girls, drug clerks, and car conductors. He made but few acquaintances. Polk Street called him the "Doctor" and spoke of his enormous strength. For McTeague was a young giant, carrying his huge shock of blond hair six feet three inches from the ground; moving his immense limbs, heavy with ropes of muscle, slowly, ponderously. His hands were enormous, red, and covered with a fell of stiff yellow hair; they were hard as wooden mallets, strong as vises, the hands of the old-time car-boy. Often he dispensed with forceps and extracted a refractory tooth with his thumb and finger. His head was square-cut, angular; the jaw salient, like that of the carnivora.
McTeague's mind was as his body, heavy, slow to act, sluggish. Yet there was nothing vicious about the man. Altogether he suggested the draught horse, immensely strong, stupid, docile, obedient.
When he opened his "Dental Parlors," he felt that his life was a success, that he could hope for nothing better. In spite of the name, there was but one room. It was a corner room on the second floor over the branch post-office, and faced the street. McTeague made it do for a bedroom as well, sleeping on the big bed-lounge against the wall opposite the window. There was a washstand behind the screen in the corner where he manufactured his moulds. In the round bay window were his operating chair, his dental engine, and the movable rack on which he laid out his instruments. Three chairs, a bargain at the second-hand store, ranged themselves against the wall with military precision underneath a steel engraving of the court of Lorenzo de' Medici, which he had bought because there were a great many figures in it for the money. Over the bed-lounge hung a rifle manufacturer's advertisement calendar which he never used. The other ornaments were a small marble-topped centre table covered with back numbers of "The American System of Dentistry," a stone pug dog sitting before the little stove, and a thermometer. A stand of shelves occupied one corner, filled with the seven volumes of "Allen's Practical Dentist." On the top shelf McTeague kept his concertina and a bag of bird seed for the canary. The whole place exhaled a mingled odor of bedding, creosote, and ether.
But for one thing, McTeague would have been perfectly contented. Just outside his window was his signboard—a modest affair—that read: "Doctor McTeague. Dental Parlors. Gas Given"; but that was all. It was his ambition, his dream, to have projecting from that corner window a huge gilded tooth, a molar with enormous prongs, something gorgeous and attractive. He would have it some day, on that he was resolved; but as yet such a thing was far beyond his means.
When he had finished the last of his beer, McTeague slowly wiped his lips and huge yellow mustache with the side of his hand. Bull-like, he heaved himself laboriously up, and, going to the window, stood looking down into the street.
The street never failed to interest him. It was one of those cross streets peculiar to Western cities, situated in the heart of the residence quarter, but occupied by small tradespeople who lived in the rooms above their shops. There were corner drug stores with huge jars of red, yellow, and green liquids in their windows, very brave and gay; stationers' stores, where illustrated weeklies were tacked upon bulletin boards; barber shops with cigar stands in their vestibules; sad-looking plumbers' offices; cheap restaurants, in whose windows one saw piles of unopened oysters weighted down by cubes of ice, and china pigs and cows knee deep in layers of white beans. At one end of the street McTeague could see the huge power-house of the cable line. Immediately opposite him was a great market; while farther on, over the chimney stacks of the intervening houses, the glass roof of some huge public baths glittered like crystal in the afternoon sun. Underneath him the branch post-office was opening its doors, as was its custom between two and three o'clock on Sunday afternoons. An acrid odor of ink rose upward to him. Occasionally a cable car passed, trundling heavily, with a strident whirring of jostled glass windows.
On week days the street was very lively. It woke to its work about seven o'clock, at the time when the newsboys made their appearance together with the day laborers. The laborers went trudging past in a straggling file—plumbers' apprentices, their pockets stuffed with sections of lead pipe, tweezers, and pliers; carpenters, carrying nothing but their little pasteboard lunch baskets painted to imitate leather; gangs of street workers, their overalls soiled with yellow clay, their picks and long-handled shovels over their shoulders; plasterers, spotted with lime from head to foot. This little army of workers, tramping steadily in one direction, met and mingled with other toilers of a different description—conductors and "swing men" of the cable company going on duty; heavy-eyed night clerks from the drug stores on their way home to sleep; roundsmen returning to the precinct police station, to make their night report, and Chinese market gardeners teetering past under their heavy baskets. The cable cars began to fill up; all along the street could be seen the shop keepers taking down their shutters.
Between seven and eight the street breakfasted. Now and then a waiter from one of the cheap restaurants crossed from one sidewalk to the other, balancing on one palm a tray covered with a napkin. Everywhere was the smell of coffee and of frying steaks. A little later, following in the path of the day laborers, came the clerks and shop girls, dressed with a certain cheap smartness, always in a hurry, glancing apprehensively at the power-house clock. Their employers followed an hour or so later—on the cable cars for the most part—whiskered gentlemen with huge stomachs, reading the morning papers with great gravity; bank cashiers and insurance clerks with flowers in their buttonholes.
At the same time the school children invaded the street, filling the air with a clamor of shrill voices, stopping at the stationers' shops, or idling a moment in the doorways of the candy stores. For over half an hour they held possession of the sidewalks, then suddenly disappeared, leaving behind one or two stragglers who hurried along with great strides of their little thin legs, very anxious and preoccupied.
Towards eleven o'clock the ladies from the great avenue a block above Polk Street made their appearance, promenading the sidewalks leisurely, deliberately. They were at their morning's marketing. They were handsome women, beautifully dressed. They knew by name their butchers and grocers and vegetable men. From his window McTeague saw them in front of the stalls, gloved and veiled and daintily shod, the subservient provision-men at their elbows, scribbling hastily in the order books. They all seemed to know one another, these grand ladies from the fashionable avenue. Meetings took place here and there; a conversation was begun; others arrived; groups were formed; little impromptu receptions were held before the chopping blocks of butchers' stalls, or on the sidewalk, around boxes of berries and fruit.
From noon to evening the population of the street was of a mixed character. The street was busiest at that time; a vast and prolonged murmur arose—the mingled shuffling of feet, the rattle of wheels, the heavy trundling of cable cars. At four o'clock the school children once more swarmed the sidewalks, again disappearing with surprising suddenness. At six the great homeward march commenced; the cars were crowded, the laborers thronged the sidewalks, the newsboys chanted the evening papers. Then all at once the street fell quiet; hardly a soul was in sight; the sidewalks were deserted. It was supper hour. Evening began; and one by one a multitude of lights, from the demoniac glare of the druggists' windows to the dazzling blue whiteness of the electric globes, grew thick from street corner to street corner. Once more the street was crowded. Now there was no thought but for amusement. The cable cars were loaded with theatre-goers—men in high hats and young girls in furred opera cloaks. On the sidewalks were groups and couples—the plumbers' apprentices, the girls of the ribbon counters, the little families that lived on the second stories over their shops, the dressmakers, the small doctors, the harness makers—all the various inhabitants of the street were abroad, strolling idly from shop window to shop window, taking the air after the day's work. Groups of girls collected on the corners, talking and laughing very loud, making remarks upon the young men that passed them. The tamale men appeared. A band of Salvationists began to sing before a saloon.
Then, little by little, Polk Street dropped back to solitude. Eleven o'clock struck from the power-house clock. Lights were extinguished. At one o'clock the cable stopped, leaving an abrupt silence in the air. All at once it seemed very still. The only noises were the occasional footfalls of a policeman and the persistent calling of ducks and geese in the closed market. The street was asleep.
Day after day, McTeague saw the same panorama unroll itself. The bay window of his "Dental Parlors" was for him a point of vantage from which he watched the world go past.
On Sundays, however, all was changed. As he stood in the bay window, after finishing his beer, wiping his lips, and looking out into the street, McTeague was conscious of the difference. Nearly all the stores were closed. No wagons passed. A few people hurried up and down the sidewalks, dressed in cheap Sunday finery. A cable car went by; on the outside seats were a party of returning picnickers. The mother, the father, a young man, and a young girl, and three children. The two older people held empty lunch baskets in their laps, while the bands of the children's hats were stuck full of oak leaves. The girl carried a huge bunch of wilting poppies and wild flowers.
As the car approached McTeague's window the young man got up and swung himself off the platform, waving good-by to the party. Suddenly McTeague recognized him.
"There's Marcus Schouler," he muttered behind his mustache.
Marcus Schouler was the dentist's one intimate friend. The acquaintance had begun at the car conductors' coffee-joint, where the two occupied the same table and met at every meal. Then they made the discovery that they both lived in the same flat, Marcus occupying a room on the floor above McTeague. On different occasions McTeague had treated Marcus for an ulcerated tooth and had refused to accept payment. Soon it came to be an understood thing between them. They were "pals."
McTeague, listening, heard Marcus go up-stairs to his room above. In a few minutes his door opened again. McTeague knew that he had come out into the hall and was leaning over the banisters.
"Oh, Mac!" he called. McTeague came to his door.
"Hullo! 'sthat you, Mark?"
"Sure," answered Marcus. "Come on up."
"You come on down."
"No, come on up."
"Oh, you come on down."
"Oh, you lazy duck!" retorted Marcus, coming down the stairs.
"Been out to the Cliff House on a picnic," he explained as he sat down on the bed-lounge, "with my uncle and his people—the Sieppes, you know. By damn! it was hot," he suddenly vociferated. "Just look at that! Just look at that!" he cried, dragging at his limp collar. "That's the third one since morning; it is—it is, for a fact—and you got your stove going." He began to tell about the picnic, talking very loud and fast, gesturing furiously, very excited over trivial details. Marcus could not talk without getting excited.
"You ought t'have seen, y'ought t'have seen. I tell you, it was outa sight. It was; it was, for a fact."
"Yes, yes," answered McTeague, bewildered, trying to follow. "Yes, that's so."
In recounting a certain dispute with an awkward bicyclist, in which it appeared he had become involved, Marcus quivered with rage. '"Say that again,' says I to um. 'Just say that once more, and'"—here a rolling explosion of oaths—"'you'll go back to the city in the Morgue wagon. Ain't I got a right to cross a street even, I'd like to know, without being run down—what?' I say it's outrageous. I'd a knifed him in another minute. It was an outrage. I say it was an outrage."
"Sure it was," McTeague hastened to reply. "Sure, sure."
"Oh, and we had an accident," shouted the other, suddenly off on another tack. "It was awful. Trina was in the swing there—that's my cousin Trina, you know who I mean—and she fell out. By damn! I thought she'd killed herself; struck her face on a rock and knocked out a front tooth. It's a wonder she didn't kill herself. It is a wonder; it is, for a fact. Ain't it, now? Huh? Ain't it? Y'ought t'have seen."
McTeague had a vague idea that Marcus Schouler was stuck on his cousin Trina. They "kept company" a good deal; Marcus took dinner with the Sieppes every Saturday evening at their home at B Street station, across the bay, and Sunday afternoons he and the family usually made little excursions into the suburbs. McTeague began to wonder dimly how it was that on this occasion Marcus had not gone home with his cousin. As sometimes happens, Marcus furnished the explanation upon the instant.
"I promised a duck up here on the avenue I'd call for his dog at four this afternoon."
Excerpted from McTeague by Frank Norris. Copyright © 2004 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
Alfred Kazin (1915–1998) was one of the most distinguished literary critics of the twentieth century. His numerous books include the highly acclaimed On Native Ground: An Interpretation of Modern American Prose Literature.
Most Helpful Customer Reviews
See all customer reviews
I had to read this book for a class. It starts out as a nice story, but it takes you to a place that is so unexpected! When I think about the beginning and the end of this book, no one could guess that it would end up like it did. I loved the shock of where the book leads the story. I hated what happened, but because of where it went, it will forever be in my mind. I really enjoyed reading this book.
If you're looking for a book that epitomizes the Naturalist movement at the turn of the 20th century, then this is the book for you. Rich with symbolism, this novel is a great contrast to the reform novel
I read this novel over 20 years ago and it still comes to mind. The characterizations of the young couple in new urban life was very compelling and memorable. In addition, the film adaptation by Silent Film Director Von Stronheim (acted in Sunset Boulevard - Max) will be showing at LACMA on January 22nd.
We had to move here! The results were all messed up at werk! And i was in the hospital, so im srry i havent answered!
HAD to read this book and was amazed at the writing, the big difference from romanticism, and a new way of thinking. The book I read had a lot of dicussion pages after the end of the book. That was very important because I did not know they were there and was "guaging" where the ending was based on the number of pages there seemed to be left. Pow the ending came. I was thinking there would be more. I was so startled that I had to ask my Professor Baker, "What makes an ending of a book?" I think she did not hear my question so I have pondered that question for decades. Suprise ending. Not getting a cut and dry finality. Where is the "happy" ending. Etc.,etc.,. Then I realised that the "suprise" ending IS A REALISM TECHNIQUE? No Agatha Christie finality. Wham it just comes. I think that this is a great book. I would encourage people to read this genre and then try out the Naturalism genre. God bless Dr. B. Baker for the literature world to which she took me.
i liked this book. i had to read it for english, and it was really good.