Me Without You [Original Soundtrack]

Editorial Reviews

Barnes & Noble - Lydia Vanderloo
A successful soundtrack captures the pop-culture zeitgeist of a film's specific time and place -- a directive that's quite a challenge for this English coming-of-age story spanning the '70s and '80s. As the tug-of-war friendship between Marina (Broadway star Anna Friel) and Holly (Dawson's Creek's Michelle Williams) transforms these kissing cousins into venomous vixens, the music marks the passing of time, with special emphasis on the girls' discovery of new wave and punk. So early synth tracks (Depeche Mode's bouncy "Just Can't Get Enough," the Normal's darkly sexual "Warm Leatherette") mingle with a couple of cuts by the Clash (who figure in the story line) and ...
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Editorial Reviews

Barnes & Noble - Lydia Vanderloo
A successful soundtrack captures the pop-culture zeitgeist of a film's specific time and place -- a directive that's quite a challenge for this English coming-of-age story spanning the '70s and '80s. As the tug-of-war friendship between Marina (Broadway star Anna Friel) and Holly (Dawson's Creek's Michelle Williams) transforms these kissing cousins into venomous vixens, the music marks the passing of time, with special emphasis on the girls' discovery of new wave and punk. So early synth tracks (Depeche Mode's bouncy "Just Can't Get Enough," the Normal's darkly sexual "Warm Leatherette") mingle with a couple of cuts by the Clash (who figure in the story line) and rediscovered new wave gems including the Only Ones' "Another Girl, Another Planet" and Wreckless Eric's "Whole Wide World." To American listeners, the tracks' Brit slant will alternately strike just the right note (Nick Drake's "Cello Song," the Stranglers' "Skin Deep") or soar over their heads (Barbara Dickson's cheesy pop "January February," Lucy Street's fluffy new recording of "White Horses," the theme for a period U.K. TV series). But like the movie's central relationship, the disc is restless and rife with magnetic charm.
All Music Guide
One of the better soundtrack LPs of late is nonetheless undercut by two nagging blemishes. One: two-thirds of it is ace songs by strong and distinctive artists. However, unlike genuinely notable movie tie-in collections like Rushmore and The Royal Tenenbaums, it sticks to best-known hits and classics instead of exposing less-trodden-trail treats. So though anyone can thrill to the Clash's nasty "White Riot" and challenging "White Man in Hammersmith Palais," Echo & the Bunnymen's monstrous "The Cutter," Wreckless Eric's riotous "Whole Wide World," the Only Ones' ageless, ubiquitous "Another Girl, Another Planet," the rediscovered Nick Drake's salubrious "Cello Song," Tim Buckley's jazzy folk "Strange Feelin," Dillinger's U.K. pop-reggae "Cocaine in My Brian," or even the mid-period Stranglers' pulsing, soulful "Skin Deep," it's all a tad been-there-done-that for well-versed fans. If you're not one, though, great pleasures await, along with lesser ones from pirate-era Adam & the Ants, electro-poppers the Normal, and even newbies Super Furry Animals. And two: as for the other third of the disc, who thought numbing Depeche Mode, drekky Charlene and Barbara Dickson, banal Scritti Politti, dull Lucy Street, and moldy, cutesy-pie Sonny & Cher fit with the above? It's like an annoying series of telemarketer messages when you're finally making some time with someone you have a crush on. Until you finally unplug the phone program that skip button!, they kill the electric mood every time.~ Jack Rabid
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Product Details

  • Release Date: 7/16/2002
  • Label: Sony
  • UPC: 696998679429
  • Catalog Number: 86794

Tracks

Disc 1
  1. 1 White Horses - Lucy Street (2:52)
  2. 2 I Got You Babe (3:10)
  3. 3 (White Man) In Hammersmith Palais - The Clash (3:59)
  4. 4 Just Can't Get Enough (3:41)
  5. 5 Skin Deep (3:55)
  6. 6 The Cutter (3:51)
  7. 7 The Sweetest Girl (6:14)
  8. 8 Strange Feelin' - Tim Buckley (7:39)
  9. 9 Cocaine in My Brain - Dillinger (5:08)
  10. 10 January February (3:45)
  11. 11 I've Never Been to Me - Charlene (3:49)
  12. 12 Cello Song (4:45)
  13. 13 Warm Leatherette - The Normal (3:22)
  14. 14 Whole Wide World - Wreckless Eric (2:50)
  15. 15 White Riot - The Clash (1:57)
  16. 16 Kings of the Wild Frontier - Adam and the Ants (3:52)
  17. 17 Another Girl, Another Planet - The Only Ones (3:00)
  18. 18 (Drawing) Rings Around the World (2:26)
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Album Credits

Performance Credits
Nick Drake Track Performer
Depeche Mode Track Performer
Echo & the Bunnymen Track Performer
Scritti Politti Track Performer
The Stranglers Track Performer
Barbara Dickson Track Performer
Wreckless Eric Track Performer
Sonny & Cher Track Performer
Adam and the Ants Track Performer
Technical Credits
The Clash Producer
Depeche Mode Producer
Mick Jones Composer
The Stranglers Producer
Joe Boyd Producer
Ian Broudie Producer
Vince Clarke Composer
Micky Foote Producer
Green Gartside Composer
Martin Gore Composer
Chris Hughes Producer
Laurie Latham Producer
Nick Lowe Producer
Daniel Miller Producer
Christopher Shaw Producer
Alan Tarney Producer
Zal Yanovsky Producer
Jerry Yester Producer
Adam Kidron Producer
Super Furry Animals Producer
Ray Staff Remastering
Bob Whitney Remastering
James Doman Producer, Remixing
N. Lowe Composer
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