Meanwhile

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Meanwhile Pub. Date: 8/28/1999 Publisher: HarperCollins Publishers
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Meanwhile... (Turtleback School & Library Binding Edition) (Library Binding - THIS EDITION IS INTENDED FOR USE IN SCHO) Pub. Date: 8/28/1999 Publisher: Turtleback Books: A Division of Sanval

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Meanwhile Pub. Date: 9/28/1997 Publisher: HarperCollins Publishers

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Meanwhile Pub. Date: 9/5/1997 Publisher: HarperCollins Publishers

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Overview

“Raymond, I want you!” Just when Raymond is in the middle of a comic book, his mother calls him. Not once but five times. “It's not fair!” Raymond thinks. Then he thinks: “What if I had my own MEANWHILE...?” Comic books always use MEANWHILE... to change the scene. So Raymond tries writing it on the wall behind his bed.

To his astonishment, Raymond discovers that he can MEANWHILE...from one perilous adventure to another'from pirates on the high seas, to Martians in outer space, to a posse and a mountain lion out West. Then, at the worst possible moment, Raymond's MEANWHILE... fails him, leaving him in a spot that spells certain doom! Unless . . .

Using a "magical" word from his comic books, Raymond escapes his mother's calls into a series of dangerous adventures.

Editorial Reviews

Children's Literature

Raymond let his mother's words go through one ear and right out the other. He was too interested in his comic book to acknowledge his mother's calling. Hoping she would forget about him, he ignored her not once but five times. If only he could MEANWHILE... as in the comics. So Raymond scrawls MEANWHILE... on the wall behind his bed, and to his amazement, he discovers that he can MEANWHILE... Raymond flips from one adventure to another. He becomes a pirate, a Martian, and part of a posse. Just when he thinks everything will be fine, his MEANWHILE... leaves him in an uncertain predicament. Will it lead to certain disaster? Kids will enjoy the adventure and the delights that reading books can bring.

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From The Critics

K-Gr 3This nonsensical story gives new meaning to the phrase "absorbed in a book." When Raymond's mom calls him, he ignores her, engrossed in his comic book. As she becomes more insistent, the boy notices a boxed word in the middle of the page: MEANWHILE.... If comic books can use a word to change scenes, why can't he? Raymond writes the word on the wall and is instantly transported to a pirate ship where he is forced to walk the plank. Escaping by writing the magic word with a quill provided by the maiden he rescues, he appears in the old West, where he escapes from a posse and a ferocious mountain lion; and outer space, where he survives an attack by an evil, two-headed Martian. He begins switching back and forth among the three desperate situations, always finding it more difficult to escape. Finally, he is hurtling through space straight into his own roof. Readers will laugh at his inventive solution, not to mention his change of heart toward his still-irate mother. Repeated phrases add humor to the story and invite participation. The revolving plots lend energy and a kid-appealing pace and keep the art exciting. Each scene takes on a completely new palette, giving children the sense of being immersed in new environments along with Raymond. Bold boxes and dialogue balloons give the story the look of a comic book. Frantic action and the clever theme make this a great read-aloud.Lisa S. Murphy, formerly at Dauphin County Library System, Harrisburg, PA

Product Details

ISBN-13: 9780062059338
Publisher: HarperCollins Publishers
Publication date: 8/28/1999
Pages: 32
Sales rank: 83,210
Age range: 3 - 5 Years
Lexile: 0500L (what's this?)
Series: Michael di Capua Bks.
Product dimensions: 8.50 (w) x 11.00 (h) x 0.07 (d)

Meet the Author

Jules Feiffer

Beloved children’s book author Jules Feiffer didn’t start out with kid-friendly fare. After first gaining notoriety -- and a Pulitzer Prize -- for his stark, darkly comic political cartoons, he redrew himself as the creator of such charming kids’ tales as I’m Not Bobby! and The House Across the Street.

Biography

Born the Bronx in 1929, Jules Feiffer got his first taste of the artistic accolades that were to come his way in the form of a gold medal awarded to him at the age of five in a school art contest. His love of art persisted throughout his childhood -- and after forging a career as a Pulitzer Prize-winning political cartoonist, he would find success writing and illustrating books for children himself.

After high school, Feiffer’s talent for drawing led him to the Art Students League of New York and later earned him admittance to Brooklyn’s renowned Pratt Institute. His first paying job as a cartoonist was under the tutelage of idol Will Eisner, the famous father of the classic 1940s cartoon, “The Spirit.” Feiffer’s apprenticeship and fledgling comic strip career were interrupted, however, when he was drafted into the Army. There, he spent what little free time he was allowed doodling sketches with a decidedly anti-military bent, and his famous “Munro” character -- a four-year-old boy drafted into the Army by mistake -- was born.

After serving his time in the Army, Feiffer developed the comic strip Sick, Sick, Sick: A Guide to Non-confident Munro, which was later renamed, simply, Feiffer. The strip appeared regularly in publications from The Village Voice to The New York Times from 1956 to 1997, and Feiffer’s trademark style -- stark, scribbled figures emoting against a white background -- was promptly adopted by political cartoonists around the world. In April of 1958, an animated rendition of Sick, Sick, Sick won an Academy Award in the Short-Subject Cartoon category, and in 1996, Feiffer was awarded the Pulitzer for his biting editorial cartoons.

Feiffer's knack for capturing the turmoil of his times carried over from cartoons into other media. His play Little Murders -- a wry exploration of violence in urban life -- garnered several accolades when it was presented in 1967, among them the London Theatre Critics, Outer Circle Critics and Obie Awards. As New York Times theater reviewer Clive Barnes commented, "[Feiffer] muses on urban man, the cesspool of urban man's mind, the beauty of his neurosis, and the inevitability of his wilting disappointment." Feiffer's other plays include White House Murder Case (1970) and Anthony Rose (1990). In addition, Feiffer wrote the screenplays for several feature films, most notably Carnal Knowledge (1971) and Popeye (1980).

Feiffer’s motivation to write his first children’s book, according to legend, came from good old-fashioned spite. The story goes that a longtime friend of Feiffer's (who he won’t name) came up with a concept for a children's book based on their shared love of the movies. Feiffer agreed to hand over the illustrating duties to his friend and give writing it a shot, and toughed out every line. When he called the friend to report on his progress, Feiffer found out -- to his fury -- that his friend had decided to write it himself. Although his friend later apologized, Feiffer decided that in the end, they should each do their own books. He changed the subject of his work in progress from the movies to comic books, and The Man in the Ceiling -- a semi-autobiographical tale bout a boy and his love for drawing -- was born.

Selected by Publishers Weekly as one of the best children's books of 1993, the book was a runaway hit with kids and parents. Feiffer continued writing for his new, less jaded audience, offering up A Barrel of Laughs, A Vale of Tears (1998), I Lost My Bear (1998), Meanwhile… (1999), Bark, George (1999), I’m Not Bobby!, (2000) By the Side of the Road (2001), and The House Across the Street (2002). Far from the stark stencils that are his political cartoons, his children’s illustrations wriggle with life, their curvier lines in no way softening the lessons within.

Good To Know

Feiffer is the only cartoonist to have a comic strip published by The New York Times.

A fan of comic strips from an early age, Feiffer started to draw at the age of six. His favorites were Flash Gordon, Popeye, and Terry and the Pirates.

Feiffer didn't want Jack Nicholson cast for the lead in the 1971 film Carnal Knowledge, for which he wrote the screenplay. Director Mike Nichols fought Feiffer on the casting and finally convinced him to approve the up-and-coming actor.

1. Hometown:
  
  New York, New York
1. Date of Birth:
  
  January 26, 1929
2. Place of Birth:
  
  New York, New York
1. Education:
  
  The Pratt Institute, 1951

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Meanwhile

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Overview

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From The Critics

Product Details

Meet the Author

Jules Feiffer

Biography

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