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"At last in Kirschenbaum's Mechanisms we have our tactical plan for thinking inside the black box of digital media, for moving past 'screen studies' to a new take on electronic media informed by deep understanding of technological practices of inscription and storage. Kirschenbaum introduces a fresh and enlightening dichotomy, that of the interplay of formal and forensic inscription.
This dichotomy becomes the raw material for cutting the key to a new critical apparatus for unlocking studies of digital media."--Henry Lowood, Curator for History of Science & Technology Collections, Germanic Collections, and Film
& Media Collections, Stanford University Libraries