Medea and Other Plays

Medea and Other Plays

4.3 3
by Euripides

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Four plays by the Greek dramatist who started to interpret human behavior without reference to the wisdom of gods.


Four plays by the Greek dramatist who started to interpret human behavior without reference to the wisdom of gods.

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CreateSpace Publishing
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Product dimensions:
5.50(w) x 8.50(h) x 0.25(d)

Meet the Author

Euripides was an Athenian born in 484BC. A member of a family of considerable rank, he disliked performing the public duties expected of him, preferring a life of introspection. He was not a popular figure, and at some point (and for a reason unknown) he went into voluntary exile at the court of Archelaus, King of Macedon. He died c.407BC and is thought to have written around ninety-two plays, of which seventeen survive.

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Medea and Other Plays 4.3 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
Medea, for those who have not read it, is the living embodiment of a classic. This near-epic play by Euripedes captures the very essence of a Greek tragedy, including such classic elements as royalty, love lost, and murder. In this play, the mythical figure of Medea, an underdeveloped expatriate sorceress, is finally given an opportunity to be a central character. The actual text of the play, making only perfunctory reference to her history as a Colchan priestess, centers around her disillusionment with her husband, Jason. Jason, unfaithful to Medea, has sparked a fury within the woman that will not cease until retribution has been paid. There are several interesting elements about he book. First, the plot is revealed, more or less, through the eyes of a woman, a rarety in ancient Greek culture. This provides a unique opportunity to view the manner in whihc Greeks viewed females, even vastly powerful mythical females. Secondly, the author, Euripedes, makes Medea the heroine of the play, something seldom done to a conniving, murdering, trecherous character. Despite the obvious flaws that exist in Medea's character, the author saw fit to play down these traits, focusing instead on Medea's justification: her rage, her feelings of insecurity, her rightous anger. And somehow, Medea, for all her crimes, comes off without entirely being cast as the villan. I would highly recommend this play to anybody interested in classical works or Greek mythology. The play is not a long read; rather, the action (and there is a lot) is compressed into tightly charged bundles of literary insight, infusing readers with the tension and weighty drama of the piece. This play is too good of a read to pass up.