Media, Culture and Society: An Introductionby Paul Hodkinson, Cornel Sandvoss
Pub. Date: 11/15/2010
Publisher: SAGE Publications
Clearly organized, systematic, and combining a critical survey of the field with a finely judged assessment of cutting edge developments, this book provides a 'must have' contribution to media and communication studies. Ideally pitched for students it explores the media saturation of everyday life while carefully emphasizing the complex relationships which exist… See more details below
Clearly organized, systematic, and combining a critical survey of the field with a finely judged assessment of cutting edge developments, this book provides a 'must have' contribution to media and communication studies. Ideally pitched for students it explores the media saturation of everyday life while carefully emphasizing the complex relationships which exist between media, culture, and society. The text is organized into three distinctive parts which fall neatly into research and teaching requirements: Elements of the Media; Media, Power and Control; and Media, Identity and Culture.
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Table of Contents
Media, Culture, Society
Starting Points: Shaping, Mirroring and Re-Presenting
The Communication Process
Transmitters, Receivers and Noise
'Who Says What...?' and Other Questions
Linear and One-Dimensional
Elements of Media in Sociocultural Context
Media, Power and Control
Media, Identity and Culture
PART ONE: ELEMENTS OF MEDIA
2. Media Technologies
Contrasting Medium Theories
Mc Luhan: The Medium Is the Message
Kill Your Television
Hot, Cool or Both?
Generalization and Reification
Technologies and Social Contexts
Capacities and Constraints
Into the Digital Age
The Internet: A Cure for Social Ills?
Conclusion: Technologies in Context
3. Media Industry
Concentration of Ownership = Concentration of Ideas?
The Bottom Line: Sources of Revenue
Direct Audience Payments
Payments between Media Companies
The Role of Sponsors
Governments and Regulation
Supporting the Industry: Copyright
Conclusion: Economic Determinism?
4. Media Content
Media Texts as Arrangements of Signs
Signs as Arbitrary?
Levels of Meaning
Signs as Relational
Limitations of Semiology
Narrative, Genre and Discourse Analysis
From Quality to Quantity: Content Analysis
'Systematic, Objective and Quantitative'
Categories and Coding
Population and Sample
Case Study: Gerbner and Television Violence
Limitations of Content Analysis
Conclusion: Putting Texts into Context
5. Media Users
U S Empirical Traditions of Audience Research
Limited Effects and Two-Step Flow
Uses and Gratifications
Functionalist and Complacent?
Cultural Studies: Dominant and Oppositional Readings
Encoding, Decoding and Preferred Meanings
Social Context and Differential Readings
Audiences as Cultural Producers
Ethnographies of Audiences, Fans and Users
Conclusion: An Uncritical Celebration?
PART TWO: MEDIA, POWER AND CONTROL
6. Media as Manipulation? Marxism and Ideology
Marxism and Ideology: Basics
The Culture Industry as Mass Deception
Beyond Marx's Materialism
Case Study: Consumerist Myths
Political Economy and Ideology
Cultural Imperialism as Globalization of Ideology
Arguments and Criticisms
Political Economic versus Cultural Approaches
Complex Communication Flows and Consumer Resistance
Conclusion: Avoiding Easy Dismissals
7. The Construction of News
Selection, Gatekeeping and Agenda-Setting
Case Study: September 11th 2001
Differences between News Providers
Style and Market Position
Similarities: Back to Bias and Ideology?
Infotainment and Depoliticization
Conclusion: Bad News?
8. Public Service or Personal Entertainment? Controlling Media Orientation
Public Service Broadcasting (PSB)
Reith and the BBC
Differing PSB Arrangements
Developing PSB Principles
Enabling or Imposing?
Censorship: Preventing Harm and Offence
Avoiding Majority (and Minority) Offence
Preventing Harm or Inhibiting Freedom?
Commercial Competition and Consumer Choice
US Broadcasting: A Free Market Model
A Toaster with Pictures: The Decline of Regulation
Conclusion: A Rosy Commercial Future?
9. Decline of the National Public: Commercialization, Fragmentation and Globalization
Media and the Public Sphere
Habermas' Public Sphere
Media and Public Engagement
Nation as 'Imagined Community'
Decline of the Public Sphere
From Facilitators to Shapers
Commercially Driven Content
Digital Dilution of the Nation
The Internet: Interactive but Fragmented
Conclusion: National Public - Good Riddance?
PART THREE: MEDIA, IDENTITY AND CULTURE
10. Media, Ethnicity and Diaspora
Racism and Exclusion
The Reproduction of Subordination
Promoting 'Positive' Images
Reversing Stereotypes of Passivity
Successful, Well Adjusted, Integrated
The Burden of Representation
New Ethnicities and Diaspora
Newspapers, Video and Global Bollywood
Conclusion: Empowerment or Ghettoization?
11. Media, Gender and Sexuality
Constructions of Femininity
The Male Gaze
Patriarchal Romance and Domesticity
The Enduring Gaze
Reading the Romance
From Consumers to Producers
Media and Masculinities
Masculinity or Masculinities?
Lads' Mags and Contradictory Representations
Conclusion: A Balanced Approach
12. Media Communities: Subcultures, Fans and Identity Groups
Media versus Community
Homogenization and Atomization
Resisting Mass Culture (and Media): Youth Subcultures
Moral Panic and Mass Media Stigmatization
Niche Magazines and Consumer Groupings
Niche Digital Media
DIY Media and Internet Communication
Communities or Individuals?
Conclusion: All about Definitions
13. Saturation, Fluidity and Loss of Meaning
Saturation as Loss of Meaning
Consumerism: Expansion and Speed-up
Media = Reality
From Truth, to Ideology, to Simulacra
Celebrity Culture as Hyperreal
Identity: Fragmentation and Fluidity
Recycling and Pastiche
The Internet as Virtual Playground
Internet as Extension of Everyday Life
Case Study: Social Networking Sites
Conclusion: Saturated but Real?
and post it to your social network
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