Media, Industry and Society (Encyclopedia of Popular Music of the World Series)

Overview


 

‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.'  Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North ...

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Overview


 

‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.'  Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill

The first comprehensive reference work on popular music of the world

Contributors are the world's leading popular music scholars

Includes extensive bibliographies, discographies, sheet music listings and filmographies.

Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

 
For more information visit the website at: www.continuumpopmusic.com

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Meet the Author

John Shepherd is Chancellor's Professor of music and sociology, and Dean, Faculty of Graduate Studies and Research at Carleton University, ON. He is a Fellow of the Royal Society of Canada.

David Horn was a founding editor of the journal Popular Music (Cambridge University Press, 1981+), and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Other recent publications include two edited volumes: The Cambridge Companion to Jazz (with Mervyn Cooke, 2002),and a special issue of Popular Music in honour of Paul Oliver (2006).

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry.

Paul Oliver is a Fellow of Oxford Brookes University.

Center for Popular Music Research, The Humboldt Univeristy, Berlin

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Table of Contents

Preface List of contributors List of abbreviations Arrangement of the Material Part I: Social and Cultural Dimensions Documentation Popular Music Studies Social Phenomena Stylistic and Textual Dimensions Venues Part II: The Industry General Terms Audio Technical Terms Broadcasting Copyright Deals and Contracts The Film Industry and Popular Music Instrument Manufacture Management and Marketing Publishing Recording: Record Corporations; Recording Studios; Record Labels/Companies Unions Index.

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