Medicine for Melancholy and Other Stories

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Overview

Ray Bradbury is a painter who uses words rather than brushes—for he created lasting visual images that, once observed, are impossible to forget. Sinister mushrooms growing in a dank cellar. A family's first glimpse at Martians. A wonderful white vanilla ice-cream summer suit that changes everyone who wears it. A great artist drawing in the sand on the beach. A clunky contraption made out of household implements to help some kids play a game called Invasion. The most marvelous Christmas display a little boy ever saw. All those images and many more are inside this book, a new trade edition of thirty-one of Bradbury's most arresting tales—timeless short fiction that ranges from the farthest ...

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More About This Book

Overview

Ray Bradbury is a painter who uses words rather than brushes—for he created lasting visual images that, once observed, are impossible to forget. Sinister mushrooms growing in a dank cellar. A family's first glimpse at Martians. A wonderful white vanilla ice-cream summer suit that changes everyone who wears it. A great artist drawing in the sand on the beach. A clunky contraption made out of household implements to help some kids play a game called Invasion. The most marvelous Christmas display a little boy ever saw. All those images and many more are inside this book, a new trade edition of thirty-one of Bradbury's most arresting tales—timeless short fiction that ranges from the farthest reaches of space to the innermost stirrings of the heart. Ray Bradbury is known worldwide as one of the century's great men of imagination. Here are thirty-one reasons why.Ray Bradbury is a painter who uses words rather than brushes—for he created lasting visual images that, once observed, are impossible to forget. Sinister mushrooms growing in a dank cellar. A family's first glimpse at Martians. A wonderful white vanilla ice-cream summer suit that changes everyone who wears it. A great artist drawing in the sand on the beach. A clunky contraption made out of household implements to help some kids play a game called Invasion. The most marvelous Christmas display a little boy ever saw. All those images and many more are inside this book, a new trade edition of thirty-one of Bradbury's most arresting tales—timeless short fiction that ranges from the farthest reaches of space to the innermost stirrings of the heart. Ray Bradbury is known worldwide as one of the century's great men of imagination. Here are thirty-one reasons why.

Product Details

  • ISBN-13: 9780380730865
  • Publisher: HarperCollins Publishers
  • Publication date: 2/28/1998
  • Edition description: Reprint
  • Pages: 320
  • Sales rank: 584,786
  • Series: Harper Perennial
  • Product dimensions: 5.25 (w) x 8.00 (h) x 0.72 (d)

Meet the Author

Ray Bradbury
Ray Bradbury

Ray Bradbury is the author of dozens of books and hundreds of stories. Among his best-known works are Fahrenheit 451, Dandelion Wine, and Something Wicked This Way Comes. An Emmy Award winner for his teleplay The Halloween Tree and an Academy Award nominee, Mr. Bradbury was also honored by the National Book Foundation with a medal for Distinguished Contribution to American Letters. Winner of a National Medal of Arts and a Pulitzer Prize Special Citation and named a Commander of the Order of Arts and Letters, France's highest cultural award, he lives in Los Angeles.

Biography

Ray Bradbury is one of those rare individuals whose writing has changed the way people think. His more than 500 published works -- short stories, novels, plays, screenplays, television scripts, and verse -- exemplify the American imagination at its most creative.

Once read, his words are never forgotten. His best-known and most beloved books -- The Martian Chronicles, The Illustrated Man, Fahrenheit 451, and Something Wicked This Way Comes -- are masterworks that readers carry with them over a lifetime. His timeless, constant appeal to audiences young and old has proven him to be one of the truly classic authors of the 20th Century -- and the 21st.

Ray Bradbury's work has been included in several Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, the Grand Master Award from the Science Fiction Writers of America, and the PEN Center USA West Lifetime Achievement Award, among others. In recognition of his stature in the world of literature and the impact he has had on so many for so many years, Bradbury was awarded the National Book Foundation's 2000 Medal for Distinguished Contribution to American Letters and the National Medal of Arts in 2004.

On the occasion of his 80th birthday in August 2000, Bradbury said, "The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me. The feeling I have every day is very much the same as it was when I was twelve. In any event, here I am, eighty years old, feeling no different, full of a great sense of joy, and glad for the long life that has been allowed me. I have good plans for the next ten or twenty years, and I hope you'll come along."

Good To Know

In our exclusive interview with Bradbury, he shared some fascinating facts with us:

"I spent three years standing on a street corner, selling newspapers, making ten dollars a week. I did that job every day for three hours and the rest of the time I wrote because I was in love with writing. The answer to all writing, to any career for that matter, is love."

"I have been inspired by libraries and the magic they contain and the people that they represent."

"I hate all politics. I don't like either political party. One should not belong to them -- one should be an individual, standing in the middle. Anyone that belongs to a party stops thinking."

    1. Also Known As:
      Leonard Douglas, William Elliott, Douglas Spaulding, Leonard Spaulding
      Ray Bradbury
    2. Hometown:
      Los Angeles, California
    1. Date of Birth:
      August 22, 1920
    2. Place of Birth:
      Waukegan, Illinois
    1. Education:
      Attended schools in Waukegan, Illinois, and Los Angeles, California
    2. Website:
      http://www.raybradbury.com

Read an Excerpt

Chapter One

In a Season of Calm Weather

George and Alice Smith detrained at Biarritz one summer noon and in an hour had run through their hotel onto the beach into the ocean and back out to bake upon the sand.

To see George Smith sprawled burning there, you'd think him only a tourist flown fresh as iced lettuce to Europe and soon to be transshipped home. But here was a man who loved art more than life itself.

"There . George Smith sighed. Another ounce of perspiration trickled down his chest. Boil out the Ohio tap water, he thought, then drink down the best Bordeaux. Silt your blood with rich French sediment so you'll see with native eyes!

Why? Why eat, breathe, drink everything French? So that, given time, he might really begin to understand the genius of one man.

His mouth moved, forming a name.

"George?" His wife loomed over him. "I know what you've been thinking. I can read your lips."

He lay perfectly still, waiting.

"And?"

"Picasso," she said.

He winced. Someday she would learn to pronounce that name.

"Please," she said. "Relax. I know you heard the rumor this morning, but you should see your eyes-your tic is back. All right, Picasso's here, down the coast a few miles away, visiting friends in some small fishing town. But you must forget it or our vacation's ruined."

"I wish I'd never heard the rumor," he said honestly.

"If only," she said, "you liked other painters."

Others? Yes, there were others. He could breakfast most congenially on Caravaggio still lifes of autumn pears and midnight plums. For lunch: those fire-squirting, thick-wormed Van Goghsunflowers, those blooms a blind man might read with one rush of scorched fingers down fiery canvas. But the great feast? The paintings he saved his palate for? There, filling the horizon like Neptune risen, crowned with limeweed, alabaster, coral, paintbrushes clenched like tridents in horn-nailed fists, and with fishtail vast enough to fluke summer showers out over all Gibraltar-who else but the creator of Girl Before a Mirror and Guernica?

"Alice," he said patiently, "how can I explain? Coming down on the train, I thought, Good lord, it's all Picasso country!"

But was it really? he wondered. The sky, the land, the people, the flushed pink bricks here, scrolled electric-blue ironwork balconies there, a mandolin ripe as a fruit in some man's thousand fingerprinting hands, billboard tatters blowing like confetti in night winds-how much was Picasso, how much George Smith staring round the world with wild Picasso eyes? He despaired of answering. That old man had distilled turpentines and linseed oil so thoroughly through George Smith that they shaped his being, all Blue Period at twilight, all Rose Period at dawn.

"I keep thinking," he said aloud, "if we saved our money .

"We'll never have five thousand dollars."

"I know," he said quietly. "But it's nice thinking we might bring it off someday. Wouldn't it be great to just step up to him, say 'Pablo, here's five thousand! Give us the sea, the sand, that sky, or any old thing you want, we'll be happy . . .

After a moment his wife touched his arm.

"I think you'd better go in the water now," she said.

"Yes," he said. "I'd better do just that."

White fire showered up when he cut the water.

During the afternoon George Smith came out and went into the ocean with the vast spilling motions of now warm, now cool people who at last, with the sun's decline, their bodies all lobster colors and colors of broiled squab and guinea hen, trudged for their wedding-cake hotels.

The beach lay deserted for endless mile on mile save for two people. One was George Smith, towel over shoulder, out for a last devotional.

Far along the shore another shorter, square-cut man walked alone in the tranquil weather. He was deeper-tanned, his closeshaven head dyed almost mahogany by the sun, and his eyes were clear and bright as water in his face.

So the shore-line stage was set, and in a few minutes the two men would meet. And once again Fate fixed the scales for shocks and surprises, arrivals and departures. And all the while these two solitary strollers did not for a moment think on coincidence. that unswum stream which lingers at man's elbow with every crowd in every town. Nor did they ponder the fact that if man dares dip into that stream he grabs a wonder in each hand. Like most, they shrugged at such folly and stayed well up the bank lest Fate should shove them in.

The stranger stood alone. Glancing about, he saw his aloneness, saw the waters of the lovely bay, saw the sun sliding down the late colors of the day, and then, half turning, spied a small wooden object on the sand. It was no more than the slender stick from a lime ice cream delicacy long since melted away. Smiling, he picked the stick up. With another glance around to reinsure his solitude, the man stooped again and, holding the stick gently, with light sweeps of his hand began to do the one thing in all the world he knew best how to do.

He began to draw incredible figures along the sand.

He sketched one figure and then moved over and, still looking down, completely focused on his work now, drew a second and a third figure, and after that a fourth and a fifth and a sixth.

George Smith, printing the shore line with his feet, gazed here, gazed there, and then saw the man ahead. George Smith, drawing nearer, saw that the man, deeply tanned, was bending down. Nearer yet, and it was obvious what the man was up to, George Smith chuckled. Of course . . . Alone on the beach this manhow old? Sixty-five? Seventy? -- was scribbling and doodling away. How the sand flew! How the wild portraits flung themselves out there on the shore! How ...

George Smith took one more step and stopped, very still.

The stranger was drawing and drawing and did not seem to sense that anyone stood immediately behind him and the world of his drawings in the sand. By now he was so deeply enchanted with his solitudinous creation that depth bombs set off in the bay might not have stopped his flying hand nor turned him round...

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