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Reinventing Your Home
It Takes an Open Mind and an Adventurous Heart
If I were asked to say what is at once the most important production of Art
and the thing most to be longed for, I should answer, "a beautiful house."
One of my favorite teachers in college, Ed Rossbach, taught me the single most important lesson I've ever learned about design. "Cultivate the mind of a three-year-old," he commanded. To a three-year-old, everything is new, and every day is an adventure. Young children don't spend a lot of time thinking about what other people expect of them; they don't enter into situations with preformed ideas of what's going on and what should happen. They have open minds and adventurous hearts. And they know how to have fun! Ever since that day many years ago, I have tried to wake up every morning as a three-year-old. I encourage you to try it yourself.
An open mind is essential to good home design. Yet I often find that people come to the project of designing or redecorating their homes with their minds full of ideas about what they should do or not do. When I have persuaded them to clear their minds of these preconceptions, my clients begin to find our work together much more creative and fulfilling. So I would ask every reader of this book—as a favor to yourself—to reject the common myths about interior design.
For instance, many people believe that no one but a design professional can decorate a house. They feel that they must either copyschemes they see in magazines or hire an interior designer to make their homes look "tasteful." The truth is, just as no two people are alike, no two houses are alike. If you point to a picture in a magazine and say, "I want this for my home," you have skipped over the most important phase of the design process. You must go beyond how your room looks and begin to analyze who you are and how you use that room. Only when you've figured out how to be comfortable doing the things you do in that space can you move on to the question of how it should look.
Similarly, I have often encountered the notion that interior design consists of essentially casting out what you have and buying everything new. In fact, some of my most satisfying projects have not involved the purchase of any additional furnishings. I always begin by editing what is already in place. I help people discard the items that don't work and organize the ones that remain so that everything comes together and makes sense—functionally, visually, and financially. Sometimes that's all that's necessary.
Many people also believe that you must always keep resale value in mind when remodeling or furnishing your home. (No wonder they approach the task full of insecurity and dread!) If you arrange your space for someone else—a nameless, faceless prospective buyer—you are cheating yourself out of the comfort of a home that meets your needs now. You may also be creating something that is bland and boring. Consider the difference between appointing a space that won't offend anyone and composing a room as a reflection of who you are and what you love. I think the latter is more exciting.
Another common mistake is to think of a house or apartment as only an interior space. I believe in stepping back and starting with what leads up to a home. If you have a house, then you need to look at not only the interior space, but also the trees and shrubbery, and your neighbor's property. If you have an apartment or a flat, you need to start with the hallway outside your front door: What do you want it do and how do you want it to look, as an approach to your home? If you have a garden, how are you going to bring the outside in? Your home is your shelter, and that protection begins with the transition from the outside world.
Finally, people often come to me with the expectation that we will "do" their homes together and then the job will be "done." But who you are and what you want to say about yourself is continually changing. How you live and what you can afford also changes over time: You start a family, or your children grow up and leave to live on their own; you take up a new hobby or develop a new collecting interest. A good home changes and evolves with you—a good home is never done.
I was fortunate to grow up with parents who were masters at the arts of living well and entertaining generously. When my family built a new house, my room—which I helped to plan—became a popular meeting place for my high school circle. The joy of entertaining friends in my own space at an early age inspired me to observe my parents closely and discern the secrets of a good life. In every place I've lived since then, it has been my deep delight to re-create the generosity and grace of my boyhood home.
Once I began to study design as a college student, my passion was nurtured by a number of gifted teachers, especially Hope Foote at the University of Washington. Since then, I have owned my own interior design firm and shop in San Francisco for more than thirty years, and I still love the challenge of making spaces work for the people who live in them. Over the years, I've distilled what I've learned into twenty-one simple principles that you can use, whatever size house and budget you have. Fortunately, imagination and daring don't cost anything, and these principles can guide you in creating a beautiful home that reflects who you are—no matter where you live.
In this book you will find pictures of beautiful rooms—from my home and from homes my firm has designed. David Wakely, who has been photographing my work for ten years, has a knack for framing the image that captures the essence of a room, or a moment, or a scene. I have also included a number of David's nature photographs. Let them inspire you to open up to the wonders of the world outside your door and to reproduce that beauty in your home.
Your home is your corner of the world. It should both enrich your life and enable you to share your gifts with others. Designing your space is all about who you are and what you enjoy. My hope, in writing this book, is to inspire you to use home design—something we all must do in one fashion or another—as a means of creative self-expression.
Be bold. Think like a three-year-old. Enjoy, have fun.
|Reinventing Your Home||9|
|1 Edit what you have||17|
|2 Rearrange things||23|
|3 Make the most of limitations||26|
|Bringing the Outside In|
|4 Invite nature inside||31|
|5 Let nature and travel inspire the colors in your home||37|
|6 Collect shadows, textures, and reflections||44|
|7 Find a light for every purpose||48|
|8 Build a room outdoors||57|
|Memory and the Things You Love|
|9 Display the things you love||64|
|10 Invest in quality||71|
|11 Realize that something special is often very simple||76|
|12 Look at the space around an object||78|
|13 Discover new ways to store things||82|
|The Poetics of Home|
|14 Create focal points for each room||88|
|15 Buy furniture that is flexible||93|
|16 Work with illusion and scale to alter your space||99|
|17 Pay attention to transitions||104|
|18 Plan a kitchen that helps you cook||109|
|19 Design children's rooms to expand with their|
|20 Set aside a place in which to be happy alone||116|
|21 Learn theart of sharing your home||120|
|A Good Room Is Never Done||125|