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Melting the Venusberg: A Feminist Theology of Music
     

Melting the Venusberg: A Feminist Theology of Music

by Heidi Epstein
 

ISBN-10: 0826416489

ISBN-13: 9780826416483

Pub. Date: 10/20/2004

Publisher: Bloomsbury Academic

This book begins with a pointed critique of the foundations of the understanding of Western music: that music from Pythagoras to the Renaissance has been viewed as the source and model of order in the universe and in society. Unfortunately that order was rigidly hierarchical, so that over the centuries music reinforced established social prejudices,

Overview

This book begins with a pointed critique of the foundations of the understanding of Western music: that music from Pythagoras to the Renaissance has been viewed as the source and model of order in the universe and in society. Unfortunately that order was rigidly hierarchical, so that over the centuries music reinforced established social prejudices, particularly those against women. Nowhere was this more evident than in religious music that was regarded by male ecclesiastics and scholars as the instrument of choice for taming hysterical female eruptions.

Through her mordant commentary on a rich selection of texts by major thinkers from two millennia of Christian theology, Heidi Epstein shows in the first part of Melting the Venusberg that music as the erotic embodiment of human engenderment has been ignored or suppressed, while music as the expression of transcendent harmony, order, and restraint has been extolled.

The second re-constructive part of Melting the Venusberg draws on ignored sources and lost tropes from the Christian tradition as well as on insights from the music and thought of historical and contemporary woman composers and performers from Hildegard of Bingen and Lucrezia Vizzana to Rosetta Tharpe and Diamanda Galas. Through this recuperative synthesis, music's theological significance changes keys, as it moves beyond its symbolic function as divinely ordained, harmonious microcosm into more dissonant metaphorical registers. Those who have ears to hear will be delighted.

Product Details

ISBN-13:
9780826416483
Publisher:
Bloomsbury Academic
Publication date:
10/20/2004
Edition description:
New Edition
Pages:
300
Product dimensions:
6.00(w) x 9.00(h) x 0.46(d)

Table of Contents

Prefaceix
Acknowledgementsxi
Introduction: "Musing the Obscure": The Problem of Music and Meaning1
Part 1Critique of Masculinist Theologies of Music
Chapter 1Phallic Rage for Order: Traditional Theologies of Music11
Chapter 2Sexing the Semitone: Music's Historical Engendering32
Chapter 3"Inebriate Bewitchment": Harmony's Eternal Return70
Part 2Feminist Reconstruction
Chapter 4Critical Counterpoint: Arpeggiating a Feminist Theology of Music119
Chapter 5Twisted Sisters' Theological Grist: Music as Redemptive Transgression140
Chapter 6"Foul Ooze": New Icons of Abjection160
Da Capo: "Sing for Our Time Too": Future Theologies of Attunement185
Works Cited188
Index197

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