Memoirs of a Basque Cow

by Bernardo Atxaga, Margaret Jull Costa (Translator)

Overview

One dark and stormy night, Mo hears her Inner Voice urging her to begin writing her memoirs. Having ignored her Inner Voice's advice once before, with near-fatal consequences, she decides, this time, to do as she is told. Mo looks back on her life, beginning with the crucial moment when she met another cow, who introduced herself as La Vache qui Rit, and assured Mo that there was nothing more stupid in this world than a stupid cow. Mo spends her life trying to prove to her friend that, despite being a cow, she is not at all stupid. Besides, she has her Inner Voice and a great desire to live! Set in the aftermath of the Spanish Civil War, in which defeated Republican supporters are still being persecuted by victorious Nationalists.
It paints a funny, touching portrait of friendship and freedom and the sometimes-difficult process of finding oneself,

Product Details

ISBN-13:	9781912868018
Publisher:	Dedalus, Limited
Publication date:	04/01/2020
Series:	Young Dedalus , #1
Pages:	224
Product dimensions:	5.25(w) x 7.75(h) x 1.00(d)
Age Range:	12 - 18 Years

About the Author

Bernardo Atxaga (born 1950) is considered to be the finest Basque writer of his generation. He has written novels, short stories, song lyrics, plays and children's literature. His books have been translated into more than twenty languages, and his work in euskera (Basque) and in translation has brought him many prizes, including the Premio Nacional de Narrativa, the Premio Euskadi, the Premio de la Crítica, the Prix Millepages, the Premio Valle-Inclan, and the Marsh Award for Children's Literature in Translation.

Margaret Jull Costa has translated many books for Dedalus.

Editorial Reviews

"In all his work, Atxaga delves into the impact of the political on individual lives." — Nick Caistor, The Guardian

"A master storyteller has become a fabulous chronicler of reality.." — La Vanguardia

From the Publisher

2020-04-08
A philosophical cow recounts her life and ponders its meaning.

Mo looks back on her long life: her unceremonious birth, dismay at the realization that she’s a cow, humans she befriended or fought, a tumultuous friendship with a fellow cow called La Vache qui Rit, and her dotage with a plucky French nun. Mo’s narration is monopolized by philosophical conversations with The Pest, Mo’s inner voice, an all-knowing, formally prissy conscience. Serenity, danger, and cruelty are all present in Mo’s account. The story is translated from Basque, and the author’s preface provides brief historical context about the Spanish Civil War and the anti-fascist Basque rebels who fought against Franco’s dictatorship after the war. Unfortunately, the text fails to explore these sociopolitical issues. It is also a shame that the translator and publisher did not opt to remove problematically dated terms. Mo shares a saying from “a wise oriental,” and the story’s villain is referred to as “a foreigner”; as Mo cannot understand the latter’s (unidentified) language, it is, regrettably, represented throughout with just one nonsensical word: “Karral.” Human characters seem to be default white. The meandering narrative bounces between past and present, with many digressions in between, punctuated by pithy cow sayings. There’s a monotonous lack of urgency between bits of action and the occasional fight scene.

Dated language and slow pacing make a muddle of this tedious title. (Fantasy. 10-14)

Kirkus Reviews