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"Absorbing ... [Begley] tells this tale with all the archness — and yearning — of a voyeur looking in ... His evocations of glistening mahogany in New York’s club rooms, of summering in the Hamptons, of oysters and whiting at the Paris Savoy have the clear ring of truth. He has observed the relevant mannerisms, and he garnishes his scenes with all the glee of a name-dropping arriviste ... Begley proves he is a master dissector of the American character. Among contemporary novelists, he may be the wryest, most devastating critic of class in American society ... Begley delivers a literary stiletto to what Tiffany or Crate & Barrel might blithely call 'the Gatsby set' ... Read it and weep." —Marie Arana, The Washington Post
"[E]ngrossing ... Begley gives us a chance to see into two different, often obscured worlds. One is the most private recesses of another couple’s marriage. The other is high-WASP society — though most people don’t usually even know where that particular unmarked door is, let alone get a chance to have it quietly shut in their faces ... The pleasures of this novel reside not so much in where the 'truth' lies as in its context. The world of the highly entitled at play and at work — seen traveling the globe over the decades, installing themselves in European hotels and joining exclusive men’s clubs and marrying into families made up of 'very much our kind of people' — remains irresistible." —Meg Wolitzer, The New York Times Book Review
"[A] consummately constructed monument to human imperfection." —San Francisco Chronicle
"In this compact, voyeuristic novel, Begley creates his latest larger-than-life character in the beguiling but sharp-tongued socialite Lucy De Bourgh ... Begley’s effortless storytelling will have readers...fascinated by Lucy and Phillips’s complex, tangled relationship." —Publishers Weekly, starred review
"A fiendishly clever, Fitzgeraldesque tale about marriage, friendship, gossip, and self-justification ... Begley, marvelously droll and possessed of a rapier wit, revels in his mercurial characters, intricate psychological puzzles, unreliable memories, counterintuitive class divisions, and all the mysteries and miseries of lust and love."—Booklist
"Sharply observed and subtly nuanced ... It could pass as a novel from F. Scott Fitzgerald’s later decades, if Fitzgerald had lived so long."—Kirkus Reviews
Posted August 2, 2013
Unless one happens to be a particularly shrewish, nasty, haughty society type and can read this as a rather boring biography of oneself, i can't imagine the appeal of the book. With a lead character so imminently unlikeable, i had at least expected some insight into what shaped her shrieking behavior but, in the end, got nothing. Proof of the validity of the adage "can't judge a book by its cover."
words to live by.
this book's cover was actually sort of interesting.