Memphis Slim U.S.A. [Compilation]

Editorial Reviews

All Music Guide - Michael G. Nastos
Memphis Slim's classic United label sessions from 1954 comprise this exceptional document of the master pianists work: 19 of the some 30 tracks he waxed during four sessions, and very well-produced, considering the time frame. A 24-year-old Matt "Guitar" Murphy contributes mightily, tenor saxophonists Neil Green and Jimmy Conley smoothly fill in the cracks, and bassist Henry Taylor and drummer Otto Allen keep thing nicely swinging along. As a blues pianist, Slim is in a class by himself. His tinklings, jazzy affectations, and distinct chordal punctuations are the mark of a true master. His singing is equally robust, occasionally wailin', but mostly in a storytellers' ...
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Editorial Reviews

All Music Guide - Michael G. Nastos
Memphis Slim's classic United label sessions from 1954 comprise this exceptional document of the master pianists work: 19 of the some 30 tracks he waxed during four sessions, and very well-produced, considering the time frame. A 24-year-old Matt "Guitar" Murphy contributes mightily, tenor saxophonists Neil Green and Jimmy Conley smoothly fill in the cracks, and bassist Henry Taylor and drummer Otto Allen keep thing nicely swinging along. As a blues pianist, Slim is in a class by himself. His tinklings, jazzy affectations, and distinct chordal punctuations are the mark of a true master. His singing is equally robust, occasionally wailin', but mostly in a storytellers' mode. Many of the tunes are old warhorses: "Blues All Around My Head" has two takes, one with unedited studio banter; "Blue and Lonesome" has more squawking before the slow melody line, while "Wish Me Well" is a patient boogie, if there is such a thing. Slim excels on loping, half-shuffles with horn complement, as on "Sassy Mae," "Two of a Kind," and the killer "Four Years of Torment." He plays celeste on another three, the hard swinging "Got to Find My Baby," and twelve-bar on "She's Alright" in the second take. At their roughest on "Slim Was Just Kiddin'," they can't decide what to do, settling on "Shake, Rattle & Roll." The T-Bone Walker influence definitely comes out for Murphy's instrumental features on the easygoing "Jive Time Bounce," and the out-and-out "Backbone Boogie." The calypso-informed "Banana Oil" is somewhat of an anomaly, but a delightful aside. This recording shows the complete prowess of Slim and his ability to lead a band. Murphy's spice makes it all that much tastier. A highly recommended CD, and an important historical bookmark in the career of an enduring legend of blues piano.
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Product Details

  • Release Date: 9/22/1998
  • Label: Delmark
  • UPC: 038153071028
  • Catalog Number: 710
  • Sales rank: 107,651

Album Credits

Performance Credits
Memphis Slim & His House Rockers Primary Artist
Memphis Slim Indexed Contributor, Piano, Vocals, Track Performer
Matt "Guitar" Murphy Guitar
Arbee Stidham Guitar, Vocals
Jazz Gillum Harmonica, Vocals
Neil Green Tenor Saxophone
Henry Taylor Bass
Technical Credits
Nat Hentoff Liner Notes
Muddy Waters Composer
Jim O'Neal Liner Notes
Bill Putnam Engineer
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