The Mercy of Thin Air: A Novel

The Mercy of Thin Air: A Novel

by Ronlyn Domingue
The Mercy of Thin Air: A Novel

The Mercy of Thin Air: A Novel

by Ronlyn Domingue

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Overview

In 1920s New Orleans, Raziela Nolan's magnificent love affair is interrupted by her untimely and tragic death. Immediately after, she chooses to stay between -- a realm that exists after life and before whatever lies beyond it. From this remarkable vantage point, Razi narrates the story of her lost love as well as of the relationship of Amy and Scott, a young couple whose house she haunts seventy years later. It is their own troubled story that finally compels Razi to slowly unravel the mystery of what happened to her first and only passion, Andrew, and to confront a long-hidden secret.
The Mercy of Thin Air entwines two heartbreaking and redemptive love stories that echo across three generations and culminates in a finish that will leave readers breathless. It is a poignant and brilliant first novel that beautifully captures the nature of love and shows how it transcends all barriers -- even death.

Product Details

ISBN-13: 9781416524656
Publisher: Atria Books
Publication date: 09/13/2005
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 320
File size: 5 MB

About the Author

About The Author
Ronlyn Domingue is the author of The Chronicle of Secret Riven, The Mapmaker’s War, and The Mercy of Thin Air, which was published in ten languages. Her essays and short stories have appeared in several print and online publications, including New England Review, Shambhala Sun, and The Nervous Breakdown. Connect with her on RonlynDomingue.com, Facebook, and Twitter.

Read an Excerpt


Chapter One

Simon Beeker had been dead four months.

I did not know this when I approached his house for a belated visit. Because I was no longer in the habit of skimming obituaries, I missed the announcement.

The last time I had seen Simon, in early 1991, he was seventy-four. He sat in his crimson study, his elbows angled on the arms of a worn leather chair. I watched him turn the pages of a new biography -- the spine crepitated under his grip -- and noticed his eyes taking in each paragraph, quick and hungry. That quality had never changed about him. As a boy, he had been a collector of knowledge who sneaked into Andrew's room to read books a page at a time between odd jobs.

There in the study was Andrew's bookcase. The piece was an outdated Eastlake-inspired design when Andrew's aunt willed it to him, but he loved it because the shelves held books two rows deep. Before he left to go to law school, Andrew gave his mother permission to sell or give away what didn't go with him. He left dozens of books, several fine suits, and the bookcase. When Emmaline, their housekeeper, asked for the historical texts, Andrew insisted that she take everything. Emmaline gave it all to Simon, her long-boned, far-sighted grandson.

On the day of that visit, when Simon was seventy-four, I stayed only a few moments. I had not been near the bookcase in several decades. The smell I detected in the closed spaces made me anxious, lonesome. With barely a stir, I left. His wife asked him if he felt a draft as she stepped into the room to hand him a cup of coffee. He turned his dark face and sage eyes toward her and answered he had not.

Now, twelve years later, he was dead. The urge to see him again had come far too late.

I knew Simon was gone when I neared his little bungalow and saw the hand-lettered sign: Estate Sale. Cars parked on the banquettes on both sides of the street. Books, kitchen items, blankets, knickknacks, and furniture cluttered the tiny front yard. People made claim to Simon's possessions, holding them tightly in their arms.

There was the bookcase, in perfect condition, the only antique on the lawn. A small man in pince-nez glasses approached it with arms wide. He dropped to his knees reverently and opened the two drawers to inspect them. Like a billow of smoke from a snuffed flame, a scent I had not smelled in many years escaped the cool, dark hollows. This time, I did not avoid it. The little man began to shiver.

Andrew's essence drew outward, then stalled. The particles suspended in a dense concentration of cold, still air. I held the salty tinge within me for the length of a breath, before anything more could make an escape, before I could linger on the question, What happened to him?

As the air warmed, I noticed a rich, mature scent, one that had more strength but less power. That was Simon, whose hands had rubbed a chestnut patina into the glass doors as long as I'd been gone. He would have wanted the bookcase protected. I stood guard with cold drafts, waiting.

By late morning, a couple wandered through the remaining odds and ends at the sale. The young woman spotted the bookcase, shadowed by a redbud tree in new leaf. She opened the doors. As she reached inside to inspect the shelves, she breathed deeply. A comforting aroma, almost a blend of pipe smoke and cinnamon, surrounded her.

"Scott. It's perfect for the room, don't you think? And it's not musty or mildewed inside. I like the scent," she said.

He pulled a tape measure from his pocket. "Good fit. We haven't seen a nicer one anywhere. Great condition."

"I see something in a crack." She stretched deep over the last shelf. As small as she was, she could have crawled inside. When she withdrew, there was a copy of Family Limitation in her hand, which she eagerly began to skim. She grabbed Scott's arm and made him read a passage about unsatisfied women and nervous conditions.

"I must have this," she said. "It would complement my mementos from our Condom Sense Days in college. Remember?" Her eyes flickered.

"Oh, I remember." He flipped through the fragile pages. "You're lucky those Bible thumpers didn't whip themselves into a bigger frenzy and beat the crap out of all of you." Scott read several paragraphs. "Hey, Amy -- women used to douche with Lysol?"

"Lysol? Let me see that."

I liked her because she reminded me of myself. I liked him because her brazen little nature didn't scare him. They were darling together. She slipped the pamphlet back into its place and began to inspect the exterior wood.

"Interested?" One of Simon's granddaughters had his quiet look in her eyes. "Mamma," she shouted, "what are you asking for the bookcase?"

A woman poked her head around a porch column. "Five hundred."

Amy suppressed a grin and reached into her large, cluttered purse. Scott jumped to catch a small notebook as it fell. "I don't think we have enough cash. Would you take an out-of-town check?" she asked.

"Not usually. But you two look honest enough." Simon's granddaughter put a money box on the ground and pushed the sleeves of her baggy Tulane sweatshirt to her elbows. "You're

going to give it a good home, right? I don't want my grandfather rolling over in his grave."

Amy looked at her. "You don't want to keep it?"

"No one in the family likes Victorian. It's time for it to belong to someone else."

Scott told the young woman that they would have to arrange a delivery to their home in Baton Rouge. She pulled a pen and paper from the money box. "Sarah Washington, that's my mom. You can make the check out to her. This is her cell phone number. Call her and set up a date. She'll make sure someone is here."

In block print, Amy wrote several phone numbers next to their names -- Amy Richmond and Scott Duncan. "Here are ours, too, just in case."

The young woman took the check, and they wished each other a good day.

Scott wrapped his arm around Amy's shoulders. She briefly laid her auburn head against his chest. "What a bargain," she said.

"With a free turn-of-the-century sex manual."

"Birth control guide."

"What do we need that for?" He patted her at the navel once before she pulled away.

Copyright © 2005 by Ronlyn Domingue

Reading Group Guide


Topics for Discussion

1. The narrative structure of The Mercy of Thin Air alternates between the past and the present. How does this structure build suspense and pique a reader's curiosity about what will happen next? What insight do you get into the lives of Razi and the other characters because of the way the story is told?

2. How did Razi defy the conventions of society in the 1920s? If she had lived, do you think she would have fulfilled her dream of becoming a doctor, or set aside that ambition for marriage and motherhood? Given the time period, would it have been realistic for her to have done both?

3. Although she doesn't know it until after his death, Amy shares a pivotal experience with her grandfather. How did Amy reevaluate her life after she learned what happened to Poppa Fin? Does Amy come to better understand her grandfather after what she discovers about him?

4. Razi tells us, "Most of the ones who stayed between opted for the unknown -- what was beyond -- within weeks after their deaths." Why has Razi chosen to stay between decades after her death? What makes her decide it's finally time to go beyond?

5. Discuss Razi's friendship with Twolly. What is significant about the novel's ending, when Razi is at Twolly's bedside?

6. For years, Razi followed the life of a man she assumed to be her Andrew O'Connell. On some level, did she know he was the wrong person? She says, "I had never questioned whether I tracked the right person because -- in name, action, and deed -- the man had led the life I expected my Andrew to have, the life he had planned." Razi assumes that Andrew would carry along with the plans he had made before she died. Did she underestimate the impact her death would have on Andrew?

7. How have relationships between men and women changed in the last hundred years, as illustrated in this book? Is it startling to see how limiting women's roles really were less than a century ago? Why do you suppose the author chose to set the earlier part of the story in the 1920s instead of in another time period?

8. When Andrew asks Razi if she would consider becoming a nurse instead of a doctor, is he in a sense stifling the very qualities that attracted him to her in the first place? If they had married, how do you think their relationship would have changed?

9. Neither Amy nor Scott "attempted to find the humility, or courage, to make amends. The silence, more than their physical separation, grew in its power to keep them apart for good." Would Amy and Scott have reconciled if not for Razi's intervention?

10. Once Razi had "learned to maneuver through the world without a body," she felt it was her duty "to help others adjust to our translucent realm." What motivates her to assist others in making the transition? Is it a continuation of how she acted in her previous life?

11.How do the five senses factor into the story, particularly smell and touch?

12. At the estate sale at Simon Beeker's home, Razi is drawn to Andrew's bookcase, which leads her to follow Amy and Scott to their home. Was it really Amy to whom Razi felt connected? In what ways are Razi and Amy alike?

13. Emmaline, Simon, and Andrew had unique relationships with one another. Why did Andrew show such concern for Emmaline and Simon? What motivated Simon to keep in touch with Andrew? What issues of race and class were revealed through these characters?

14. What stood out the most for you in this story? What, if anything, did you find yourself remembering days after you finished reading the book?

15. What are your thoughts on whether there is a between realm, a place where a spirit lingers after the body has died? Have you had experiences with paranormal phenomena?

16. The Mercy of Thin Air is Ronlyn Domingue's first novel. What makes you interested in reading her future work? Does this book remind you of other novels you've read? In what ways?

Introduction

Topics for Discussion

1. The narrative structure of The Mercy of Thin Air alternates between the past and the present. How does this structure build suspense and pique a reader's curiosity about what will happen next? What insight do you get into the lives of Razi and the other characters because of the way the story is told?

2. How did Razi defy the conventions of society in the 1920s? If she had lived, do you think she would have fulfilled her dream of becoming a doctor, or set aside that ambition for marriage and motherhood? Given the time period, would it have been realistic for her to have done both?

3. Although she doesn't know it until after his death, Amy shares a pivotal experience with her grandfather. How did Amy reevaluate her life after she learned what happened to Poppa Fin? Does Amy come to better understand her grandfather after what she discovers about him?

4. Razi tells us, "Most of the ones who stayed between opted for the unknown — what was beyond — within weeks after their deaths." Why has Razi chosen to stay between decades after her death? What makes her decide it's finally time to go beyond?

5. Discuss Razi's friendship with Twolly. What is significant about the novel's ending, when Razi is at Twolly's bedside?

6. For years, Razi followed the life of a man she assumed to be her Andrew O'Connell. On some level, did she know he was the wrong person? She says, "I had never questioned whether I tracked the right person because — in name, action, and deed — the man had led the life I expected my Andrew to have, the life he had planned." Razi assumes that Andrew would carry along with the plans he had made before shedied. Did she underestimate the impact her death would have on Andrew?

7. How have relationships between men and women changed in the last hundred years, as illustrated in this book? Is it startling to see how limiting women's roles really were less than a century ago? Why do you suppose the author chose to set the earlier part of the story in the 1920s instead of in another time period?

8. When Andrew asks Razi if she would consider becoming a nurse instead of a doctor, is he in a sense stifling the very qualities that attracted him to her in the first place? If they had married, how do you think their relationship would have changed?

9. Neither Amy nor Scott "attempted to find the humility, or courage, to make amends. The silence, more than their physical separation, grew in its power to keep them apart for good." Would Amy and Scott have reconciled if not for Razi's intervention?

10. Once Razi had "learned to maneuver through the world without a body," she felt it was her duty "to help others adjust to our translucent realm." What motivates her to assist others in making the transition? Is it a continuation of how she acted in her previous life?

11.How do the five senses factor into the story, particularly smell and touch?

12. At the estate sale at Simon Beeker's home, Razi is drawn to Andrew's bookcase, which leads her to follow Amy and Scott to their home. Was it really Amy to whom Razi felt connected? In what ways are Razi and Amy alike?

13. Emmaline, Simon, and Andrew had unique relationships with one another. Why did Andrew show such concern for Emmaline and Simon? What motivated Simon to keep in touch with Andrew? What issues of race and class were revealed through these characters?

14. What stood out the most for you in this story? What, if anything, did you find yourself remembering days after you finished reading the book?

15. What are your thoughts on whether there is a between realm, a place where a spirit lingers after the body has died? Have you had experiences with paranormal phenomena?

16. The Mercy of Thin Air is Ronlyn Domingue's first novel. What makes you interested in reading her future work? Does this book remind you of other novels you've read? In what ways?

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