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The Metaphysical Touch

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A Los Angeles Times Best Book of the Year

In 1991 Emily Piper is a graduate student finishing her dissertation on metaphysics, when her home and work are destroyed in the Berkeley-Oakland fires. With her life's work in cinders, she retreats in shock to the small coastal town of Mendocino. It is here that Emily becomes hesitantly involved in the early days of Net chat rooms. Soon, Emily, dubbed Pi, wanders into the quixotic thoughts of JD, a mysterious figure living on America's ...

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Overview

A Los Angeles Times Best Book of the Year

In 1991 Emily Piper is a graduate student finishing her dissertation on metaphysics, when her home and work are destroyed in the Berkeley-Oakland fires. With her life's work in cinders, she retreats in shock to the small coastal town of Mendocino. It is here that Emily becomes hesitantly involved in the early days of Net chat rooms. Soon, Emily, dubbed Pi, wanders into the quixotic thoughts of JD, a mysterious figure living on America's opposite coast. What develops is a tentative, stimulating and perilous relationship. Who is JD, and furthermore, who, now, is Pi? This is the highly original, multilayered story of two lost souls whose charged connection gives new meaning to the "mind/body problem."

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Editorial Reviews

From the Publisher
"A brainy and ingenious story . . . Ms. Brownrigg's novel is vital, provocative and written with wit and wenturesomeness . . . Captivating."—Richard Eder, The New York Times

"Witty and smart . . . The Metaphysical Touch is a serious and intelligently wrought piece of fiction."—Geoff Nicholson, The New York Times Book Review

"This sweet, smart, sexy first novel humanizes cyberspace." —Newsweek

"A convincing meditation on the thorny neither/nor-ness of the Web."—Los Angeles Times Book Review

New Yorker
Brownrigg explores our ideas about knowledge and certainty with a light and rewarding touch.
Publishers Weekly
In an appealingly loose and intelligent style, first novelist and short story writer Brownrigg (Ten Women Who Shook the World) charts a very modern romance, with rounded characters tentatively making their way to love and enlightenment via the Internet. In 1992, when the Internet is a novelty, Emily Piper (Pi) is a graduate student in philosophy who retreats to Mendocino, Calif., after an earthquake-related fire destroys her Berkeley apartment, her dissertation-in-progress and her cat. Hoping to get her bearings, she moves into a summer house with Abbie, an acquaintance in the middle of a divorce, and her young daughter. Meanwhile, in Manhattan, computer technician JD Levin is writing his so-called dieryan account of his suicidal depression in the wake of losing his joband posting it on a discussion group, where it soon attracts a flurry of comments. Full of mordant quips and neurotic observations (plus endearing references to his dog), the voice of the diery is so distinctive its almost animate. Eventually, Pi plugs into the Internet and gets so involved in the diery that she starts corresponding with JD. At first Pi is wary and cool, and JD is seemingly asexual, but their correspondence becomes increasingly intimate. But Pi, who has what she calls sapphic undercurrents, has an affair with Abbie, and JD departs the East Coast for L.A. When Pi realizes that she cant locate him on screen, she decides to search for him, but the timing couldnt be worse: the Rodney King verdict has just been announced and the city is in flames. Brownrigg has Nora Ephrons ability to make romance seem a complex affair of both the heart and the head, and she adds a dimension of adroit philosophizing about the purpose of life and the possibilities of love in a world where emotional isolation seems sensible and self-protective. Her grip on her characters psychologies and flair for breezy, seductive narrative will have readers as magnetically addicted to this book as its characters are to their e-mail, and her rich atmospheric detail about Northern California could cause a small tourist boomlet there.
Library Journal
This first novel from the author of Ten Women Who Shook the World (Bks. Britain, 1997) was released in Britain last year. Pi, a graduate student in philosophy, loses everything--including her nearly completed dissertation--in the 1991 Berkeley fire. Devastated, she quits school and moves to Mendocino to live with Abbie, the aunt of a friend, and take care of Abbie's daughter, Martha. She starts cruising the then-new Internet on a loaned computer and discovers a document termed a "Diery," the suicidal ramblings of someone named JD. Eventually, she corresponds with JD directly, and their E-mail conversations seem to cheer him while helping Pi reconnect emotionally with the world. Along the way we learn more than we need to about JD's pets and friends and Pi's bisexual love life. But Brownrigg's ambitious story doesn't really hang together, and JD's suicidal bent never seems real, either--he's too glib and has too many resources. Readers looking for a cohesive narrative will be frustrated by the pages of chatty E-mail messages that pass for plot development. For larger fiction collections. [Previewed in Prepub Alert, LJ 2/15/99.]--Reba Leiding, James Madison Univ., Harrisonburg, VA Copyright 1999 Cahners Business Information.
Geoff Nicholson
...[A] philosophical investigation into the nature of being....Sylvia Brownrigg's literary virtues are many. She's witty and smart, and she observes the world with a skeptical though not irredeemably jaundiced eye....The Metaphysical Touch is a serious and intelligently wrought piece of fiction. It is perhaps old-fashioned, or at least unfashionable, in being a novel of ideas, but that is a large part of its appeal and a reason for its success.
The New York Times Book Review
Kirkus Reviews
An overlong first novel about several thwarted quests for self-understanding, by the author of a forthcoming story collection (Ten Women Who Shook the World).
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Product Details

  • ISBN-13: 9780312263577
  • Publisher: Picador
  • Publication date: 6/3/2000
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 400
  • Product dimensions: 6.28 (w) x 9.32 (h) x 1.05 (d)

Meet the Author

Sylvia Brownrigg is the author of a collection of stories, Ten Women Who Shook the World, and most recently the novel Pages for You—both published by Picador. She lives in Berkeley, California.

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Read an Excerpt



Chapter One

Martha crept by to see what she was up to.

    At first Pi didn't see her. She was concentrating on the rough black challenge in her hands. In a small white room with no memories, Pi sliced an avocado clean. It sent its soapy green scent into the air, the smell of guacamole and picnics and oily good sandwiches.

    "What are you doing?" Martha asked from the doorway.

    "Oh! Shit."

    A fold of red appeared on Pi's thumb, staining the avocado brown. Pi brought her thumb to her mouth to suck it clean, but the smell of blood unnerved her stomach and she wiped the cut on her jeans instead.

    "You scared me. I didn't see you there." Pi tried to drain her voice of annoyance.

    "Sorry," the little brown-haired girl chirped, and skittered back to the kitchen before Pi could readjust and be nice and remember how to talk to kids. Slowly, she figured—with patience and a big smile.

    Another missed chance. You had to seize your moments with Martha, which Pi had so far failed to do. It worried her. Martha might be a small person, dimensionally speaking, but she was a big part of this compact household.

    The free and full answer to the child's question would have been, Trying to generate an appetite. And, to the implicit part of what Martha asked, that is why was Pi making a sandwich in her bedroom instead of in the kitchen, Because I thought it might be easier if I didn't have anyone watching me. Pi's elusive appetite: maybe, like sex or philosophy, it neededprivacy to flourish.

    Her appetite had wandered aimlessly since the fire, much the way Pi had herself. For the first couple of weeks afterwards, Pi's stomach had been bottomless. She'd pushed pizza and salads and french fries and beer into it and nothing ever happened, nothing made it feel better or full. One night she'd gone out for Indian food with her old friend Jen and Pi had eaten an entire livid orange Tandoori chicken. She felt its hot body clucking around in her for days afterwards, but it didn't do anything to satisfy her monstrous appetite.

    Up here, though, in post-apocalypse January—her nuclear winter, as Pi thought of it—the distress had sunk deep into the pit of her gut and it seemed reluctant to let any food in there with it. That's the way it goes with distress. It's a greedy guest, hoarding the space in your stomach and in your mind, the places you usually fill with food and companionship and interesting ideas and hunger.

    Anyway, her appetite was gone again. The avocado might have coaxed it out; there was something so normal and Californian about avocados, they made Pi think of herself at Martha's age placing the smooth brown egg from inside them in a glass of water, watching over days as it sprouted wormy pale roots as if you could really grow a real tree from such a thing. Her own attempts had never gotten further than the thin straggle of roots.

    But that was it for this effort at eating. Pi put the food away. A blood-smudged avocado and ominous, sweaty cheese; sliced bread that was called Whole Wheat Sourdough Farmhouse, which seemed like a lot to call one little loaf of bread—it was all too much for Pi's stomach, which shrank from the task, and for her dry mouth, which filled with a sour refusal.

    "Pi?"

    It was Martha again, fluttering out of the kitchen.

    "Some mail came. Harry needs to talk to you."

    "To me?"

    This was ridiculous and impossible. Hardly anyone knew her address here in Mendocino. Pi'd tried to cut herself off from everyone back in the Bay Area for all but the most legal purposes. She had told people—Fran, Jen, Ryan—not to get in touch with her for a while. She claimed the traditional Western need for personal space. In fact Pi had been altogether stubborn and stoical about everything, but as she went to talk to Harry now she was secretly thrilled that someone had penetrated her northern fog of mystery.

    "Hey, Harry."

    A cheerful Japanese man, light blue and eagle-patched, stood on the porch. At the kitchen table Abbie was dealing with the damage of what he had already delivered. Over a sheaf of freshly opened official documents she flapped in indignation.

    "Something from Abe?" Pi asked Harry, nodding towards Abbie.

    "The lawyers." Harry grimaced. "Doesn't sound good."

    Pi left the divorce behind her to see what the mailman had for her. It seemed to be a package. A whole, sweet, unknown package.

    "You've got to sign for it. It's registered."

    She signed, noticing the zip of the sender. 94720: Berkeley, the university. That stumbled her heart.

    "G'ahead. Open it." Harry was too good at his job not to be curious about what he brought people, and not to know that this was the first real mail this girl had received here.

    Pi had a dark dread that it could be some personal item of hers that someone had found. Combing through the ashes, maybe. Whatever it was, it was heavy. Maybe someone—she didn't know who, it was hard to imagine who would do this—had found some melted clot of old jewelry of hers. Or a book, something precious that she'd forgotten she kept in a fireproof safe. Maybe it was Zeno's punky chain collar that Fran had given her when Zeno was just a kitten. Pi had nothing left. Had someone contradicted that fact, found her something still to hold and to have?

    It was heavy and metal and turned out to be a small piece of equipment. Pi extracted it from the bag in a cloud of padding fluff. She sneezed. A card fluttered to the ground, postcard-sized.

    On one side, the familiar letterhead that caused her teeth to clench. DEPARTMENT OF PHILOSOPHY, UNIVERSITY OF CALIFORNIA, BERKELEY.

    On the other side, in Rob's handwriting:


This is from the body politic. (Didn't want you to think it was an individual thing. There is no private language, don't forget.) We figured it would be more useful than a gold watch. HINT: the non-referential meaning of this gift is: keep in touch.


    Tears cluttered Pi's vision for a second. But she didn't even know what she was crying over. It was something small, corded, with lots of buttons.

    "Did you order it?" Harry asked.

    "What is it?"

    "What is it? It's a modem."

    "Oh." It sweated in her reluctant palms. She kind of wanted to drop it. A modem. Who said she wanted a modem?

    "I don't even know how to use it. I've never had one."

    "They're simple. Did they send you the software? You can always download mine if you want. What system do you have?"

    "Can I see?"

    Martha stood in her loose purple dress wanting to play with the new toy. Wait! Here it was—another chance for Pi to get the kid thing right.

    "Sure! Here, take a look."

    Pi was happy to get rid of it. She placed the humming, alien object in Martha's cupped, eager hands. Harry smiled at Pi before turning with his canvas mailbag to the rest of the town's bills and circulars and hefty piles of mail order catalogues.

    "You wait." He winked at her. "In about a month she'll be showing you how to work it. Like my son. He teaches me how to play computer games. He always beats me, but I don't mind. I tell him, it's when he can beat me at tennis that'll bug me."

    Martha looked up into the high foolish faces of the grown-ups. She pulled on Pi's pants leg. There was no time to waste.

    "Come on," she said to Pi. "Let's go plug it in."


    Pi had been living in Abbie's Mendocino house with Abbie and Martha a little less than a month. She was still finding her way around. Around the coastal town, which was small and strange but not hard to negotiate; and around her life, which was unrecognizable, a green dark wood with odd clearings of brightness, a place she hadn't grown up in but had arrived in now, at this age of about thirty, without a clear sense of the north and south of it.

    Pi had lost everything in the fire.

    It was like death, but the other way around. When you die, it is you, suddenly, leaving all your things behind. Something gets you—a dangerous street, a disease, a blocked heart, or a bullet—and you float off and disappear and become ash. For your "survivors" you leave a heap of things to go through: unpaid bills, embarrassing notes or photographs hidden in drawers, dirty laundry. Small intimate reminders of you—your soap, the contents of your refrigerator, a signed card that will make them cry. The collection of your things is what your survivors have to deal with, but it is also a strange comfort to them because it prolongs their ability to imagine you alive. They move through your youless rooms and they speak to you, because at this late date they've become superstitious and (they swear) they can feel you there. They put your clothes up to their faces and inhale the soon-to-be-forgotten scent of you. They look at all the books on your bookshelves, for hours they look at your books and listen to your music, and they think about the worlds of thought and character and song that spoke to you in your inner ear while you were still alive.

    It was all the other way around for Pi. All her belongings, all the things that reminded her of herself, even the unpaid bills and dirty laundry—all of that was gone, and she was the one left behind. She was the survivor. She had survived the death of everything she owned. In a single day, actually in a minute or two, her belongings had succumbed to an improbable heat and a ferocious light, had been eaten alive by fire, and Pi was left alone, roomless and objectless, to make some kind of sense of their going.

    This did not make her unique. Far from it. The fire had been a public event, the kind watched greedily on television by people somewhere else. The kind nationally remarked, mourned, editorialized, and finally forgotten except by the people disenfranchised by the disaster. Pi was merely one of a group of disenfranchised people; which somehow made the whole thing more humiliating.

    Many people in Berkeley seemed to feel differently. In the days and weeks after the great fire there was a tremendous amount of gush, as you'd expect anywhere but especially in California, about how wonderfully the community had pulled together: all the strangers helping strangers and moving photographs of soot-blackened young men helping old ladies, diamonds pulled from the fire and neighbors lending each other their spare Mercedes so they could make their getaways from the flames. Everyone was high on community, after. It lifted people's opinions of themselves. We may think we're all rich selfish folks only watching our own backs, but in a crisis we'll hand each other garden hoses and holler through closed oak doors, we'll help save each other's pets and paintings, and we'll even—under pressure—carpool. Because underneath it all we have good hearts and we know how to pull together. Such was the bracing moral taken from the ashes of the fire.

    Sadly for Pi this wasn't true. Not that her heart wasn't good—it wasn't bad, anyway—but there was something deep within her that cherished her solitude and uniqueness, and even a fire couldn't burn that part of her spirit away. Pi's impulse, when she learned from her landlord and friend, Jay Dixon, that the Dixons' house, including her "in-law" apartment, had been completely destroyed, was to turn her face to the wall. She hadn't really wanted to run in and help or salvage. She had no desire to see the Dixons or any of her other neighbors. She didn't want to come together and heal. As soon as she could, Monday after the fire and before she'd even talked to Jay, Pi had driven over to San Francisco to stay with friends there, to push the bay's distance between herself and the wasteland, between herself and all the stricken people gathering to share notes, stories, statistics, and sympathy.

     Nonetheless. A couple of months later she found she knew all those statistics in spite of herself. And if one of the whole points of getting away from the Bay Area had been to be referenceless for a while, here in a northern town where she knew no one and no one knew her, where the fire was far away and had happened in a place many locals rolled their eyes over for its arrogance—somehow, in Mendocino, Pi found herself reciting those stats to people who weren't aware of them in order to emphasize the size of the disaster. She wanted and nurtured her private grief. She wanted solitary walks, soundless reflection; she wanted space, water, waves. Time. The things she'd come away for. Yet in conversations—with Abbie, or Harry, or Xander at the store—Pi found herself identifying with the nameless group she had left behind, with the numbers of afflicted left in Berkeley and Oakland.

    And the statistics were impressive. On that October Sunday of 1991 over three thousand homes were destroyed. The fire did five billion dollars' worth of damage, placing it in honorable company with that other recent disaster, the '89 quake, which clocked in at eight billion. (Other expensive California disasters were still to come. As always.) Seventeen hundred and seventy acres were laid waste by the blaze. Five thousand people were left homeless. Residents who had become used to using that word to describe vagrants and madmen, untouchables even if you pitied them, were suddenly learning to attach the word to themselves. Many spoke of suing. Somebody out there had to get sued for this. A hundred and fifty people were injured—bones broken from sliding down muddy hills and falling off roofs and running over broken, desperate ground to safety. Also burns, of course, terrible magenta burns. Heart failures. Strokes. And twenty-five people were killed outright. Suffocated in basements, fried in their cars, a couple lost to heroic acts and the brutal collapse of a burning power line.

    Some listeners concentrated on the money. That was what fascinated a lot of people: that billion dollar figure and all the little gruesome stories that made it up, stories of people who'd just bought brand-new homes and hadn't yet insured them, people who'd just built on extensions with elaborate playgrounds to accommodate their six children and had taken out a special loan to do it, people whose fancy cars became black and hollow and whose faxes and PCs and home entertainment systems were transformed through bright fire into dark lumps of nothingness. Often the people Pi met in Mendocino wanted to hear these terrible stories, the personal disasters, or they quoted them back to her from what they'd read, with a certain glitter in their eyes—giving Pi the chance to wonder again as she once had in a Wittgenstein seminar why there wasn't a word in English for Schadenfreude, that very human pleasure taken in other people's misery.

    Pi didn't know much about the money aspect of the fire. In her own story it was not so important. Yes, she lost a computer and stereo equipment and some fancy jewelry her grandmother had given her before she died, as well as her parents' old VCR they'd shipped up a few weeks earlier for her birthday. And --no. None of it was insured. What graduate student insured anything? They were all used to living cheaply and living with the knowledge that their lives were cheap. That was the graduate student condition. It was demeaning, but it was made up for by the single thing that made you and your home valuable—invaluable. That was your mind. Your ideas. Your papers and books, the collection of words that was going to set you on your way into the great human library of thought and endeavor, of intellectual achievement.

    This was what Pi had lost. This was her version of everything. Pi was a philosopher: 1991 marked her fifth year philosophizing at UC Berkeley with various grey eminences and other snappy young things like herself, charting invisible worlds in well-appointed classrooms and book-thick apartments all around that pretty, green, worldly institution. Pi had been getting ready her first job applications, having completed about two-thirds of her dissertation on Kant's transcendental idealism. It was efficient of her to have written so much already—some older, lingering students were searching still for thesis topics—and this was one reason people in her department valued Pi. She was quick and also deep. She was one of the ones tipped to go far. She had already had an article accepted for publication in the Journal of Philosophy, an achievement more or less on a level with being recruited in your second year of law school to clerk for the Supreme Court, or being nabbed as a junior to play for the NBA. It was the kind of thing that made people envious. Somewhere out there, Pi supposed, some UC Berkeley grad students must be shivering with a little Schadenfreude of their own about what had happened to her. It was inevitable. Possibly some of the secretly gleeful included the same people who'd talked about it in the Wittgenstein class, maybe that blond guy Helmut or whatever his name was who'd said, with an unfortunate Teutonic accent, "In a people dzet can name Schadenfreude perhaps dzis is a real, vivid emotion, whereas in a people—as it were a language community—which cannot name dzis experience it does not so arise. Perhaps in English one sees another's misfortune and has no experience because it is not named." Somebody argued with that, Pi remembered. Someone, maybe it was her friend Rob, said, "I think it's that in English we like to deceive ourselves that we're basically nice people. We enjoy other people's misfortunes as much as anybody, we just don't admit it. German doesn't allow you that self-deception."

    So perhaps the Schadenfreuders, German or American, were now rubbing their hands together to think of what she'd lost. It wasn't that people didn't like Pi. But of course academic departments are dark stuffy rabbit warrens of jealousy, filled with people squabbling in corners, fretting over limited resources, and twitching with anxiety about other people's progress. Pi was famously thorough—or pretentious, if that was the angle you took on it—for having all of Kant's works in German as well as English. In some departmental corners people whispered meanly that Pi had been heard to mispronounce some basic German word like Dasein or Kritik. On the other hand, you couldn't deny that phrases like die Dinge-an-sich, things in themselves, fell musically off her lips or that she spoke of Kant's "noumenal realm" with an absent-minded, easy reverence.

    All her Kant was gone. All that German. All of her books, most of them scribbled in either with embarrassingly unsubtle comments in pen when she was an undergraduate or in more cautious pencil from graduate re-readings. She had always corresponded with the philosophers she'd read, ever since she was seventeen and first encountered John Stuart Mill. "What is now called the nature of women is an eminently artificial thing—the result of forced repression in some directions, unnatural stimulation in others," Mill wrote in On the Subjection of Women, to which young Pi had penned Pretty rad stuff John! The conversations had grown more adult over the years—she was less flippant, at least—but Pi had never lost her urge to engage with these old dead minds. They lived for her in print and she lived with them there, chattering on year after year in the margins of their volumes, in the volume after volume she had stacked on wall-length bookshelves in her converted garage apartment in a low corner of the Berkeley hills. Conversations that were ash or air now. Voices burnt to a crisp. German and English volumes of the First Critique of Judgment, of the Prolegomena to Any Future Metaphysics, of Wittgenstein's Philosophical Investigations ... and others, others. All dead and buried now, and with them everything she'd ever written or thought about them. Every thought she'd ever considered worth committing to print—which, for Pi, who delighted in the workings of her own mind and who felt most alive when she was burrowed deep within it—for Pi, that meant almost every philosophical thought she'd ever had.

    The dissertation was gone, of course. All the notes for it. Disks with all the papers she'd written, files of her essays from college, scores of scholarly volumes of commentary, interpretations. Pi's dissertation was to have been on Kant's metaphysics—on his stark, wisdom-starred vision of what was knowable in the world and what lay beyond the knowable. As a graduate student you had to read around, be ready to teach anything from the ethics of euthanasia to Pythagoras' transmigration of souls; but Pi's loyalty was to Kant. Her heart was floating out there with the German idealist, in the pure ether of his thought, in the deep space of his noumenal realm.

    Or it had been, before the fire. Since that October Sunday she couldn't let herself think of him. Pi couldn't see the initial "K" without flinching, without folding in on herself with dread of the memory of what she'd lost. Fortunately, since it all went at once, Pi had lost along with Kant all the other Ks she'd loved—Kierkegaard, Kundera, Kafka. This made the loss simpler, in a way. It meant that she had simply to get used to living in an entirely K-less world, a world without alphabet: the strange printless place she was expected now to build her life in.

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Reading Group Guide

Pi and JD both have reasons to feel isolated from the world. For Pi, a philosophy student, the situation is immediate and dramatic: she has lost all her books and belongings in the Oakland fire of 1991. She retreats to a place in northern California by the sea where she stays with two new friends, a woman and her young daughter. From there, she begins to explore a new, pageless form of writing: the Internet. JD, a would-be writer has recently been fired from his computer-related job. Aimless and depressed, he decides to post a sardonic "Diery" of his urban life on an Internet chatline. Gradually, he develops a cult readership, and one of his most important readers is Pi. When Pi starts to write to him (under a different name), their charged communication gives new meaning to the "mind/body problem." Brownrigg believes that The Metaphysical Touch raises many questions about connecting with somebody in a spiritual way, and hopes that this guide will spark conversations about the unexpected ways people find to touch each other.

Discussion Questions:
1. The Metaphysical Touch is the story of two characters who use the Internet to reconnect with the world. Have you ever used the Internet this way? What are the advantages and dangers for Pi and JD in this kind of connection?

2. Pi survives the loss of everything she once owned. What does her response to this loss tell you about her? Pi becomes close to two people in the course of the novel: JD and Abbie. What are the differences between these two relationships? Does one seem more fulfilling than the other?

3. How does creating alter-egos free Pi and JD? Have you ever felt more freedom in writing to somebody than you might in meeting them face to face?

4. How does the Internet keep JD and Pi apart but also bring them together?

5. How does Martha become an important character in the story?

6. What role do the families of JD and Pi play in their lives?

7. JD says he is looking for his "Horatio." What sort of person does he seem to be seeking-a lover or a friend? Is there a Horatio in your life?

8. On pages 300-301 Pi writes a list of the pros and cons of dating men vs. women. What do you think of this list? Are there items you would qadd to either side?

9. How do Pi and JD change each other?

10. Do you feel Pi and JD should meet? Why or why not?

11. Why do you think the author ends the novel the way she does? Would you have ended it differently?

About the Author:

Sylvia Brownrigg is the author of The Metaphysical Touch, a New York Times Notable Book and Ten Women That Shook The World (FSG). She has a degree in philosophy from Yale University. She was born in California and currently resides in London. Her new novel is Pages For You (FSG).

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted March 15, 2001

    A philosophical novel about love and loss on the Internet

    'The thought of suicide is a powerful comfort: it helps one through many a dreadful night.--Friedrich Nietzsche, Beyond Good and Evil The poet Robert Hass once wrote: 'All the new thinking is about loss / In this it resembles all the old thinking.' THE METAPHYSICAL TOUCH is a novel about loss, and about how one copes with loss and survives in the face of purposelessness. The year is 1991, when the Internet is still in its infancy. Emily 'Pi' Piper, a second-year graduate student at the Univ. of California, Berkeley, is working on her doctoral dissertation on the metaphysics of Immanuel Kant. It is the year of the devastating Berkeley-Oakland fire that destroyed over 3,000 homes, and left Pi's possessions, and her dreams of academic glory, in ashes. Traumatized by her loss, Pi retreats to Mendocino, a small Pacific coast resort town 200 miles north of San Francisco, where she stays with Abbie, the aunt of her friend Fran, and with Martha, Abbie's precocious eight-year-old daughter. Meanwhile, on the East Coast, a man who signs his Internet postings simply as 'JD' is severely depressed over the loss of his job. JD's mental disturbance goes deeper than his career setback. He has been deeply wounded by his father's rejection. He is suffering from angst, an inchoate existential crisis. He teeters on the edge of spiritual bankruptcy. Although the title of this novel, THE METAPHYSICAL TOUCH, suggests that Kant, or some such idealist philosopher, grounds this story, actually it is the genius of Shakespeare that underpins the plot. Floundering in his desperate attempts at a 'writing cure,' JD posts his suicidal thoughts on the Internet in a document he calls his 'Diery' (salutations from the diary of one who is about to 'die'). Signing his cyberspace chronicles as 'Hamlet,{ JD cries out for Horatio, his long-sought-after spiritual brother. Hamlet indeed finds Horatio, but his soulmate turns out to be a woman rather than a man. Shakespeare would have smiled, for he was the original gender-bender. Indulging in some gender-bending of her own, Brownrigg creates a sapphic interlude between Pi and Abbie, an equal-opportunity erotic encounter. As Nietzsche puts it, 'Whatever happens out of love always happens beyond good and evil.' 'The only real philosophical question,' wrote Albert Camus in THE MYTH OF SISYPHUS, 'is suicide.' And the original Hamlet, in his famous soliloquy, mused, 'To be or not to be: that is the question.' And Mark Twain, whether seriously or tongue-in-cheek, quipped: 'But we are all insane, anyway. The suicides seem to be the only sane people. Suicide is the only sane thing the young or old ever do in this life.' The gloom-mongering JD is in elite company. A cult following soon develops around JD's Diery, as eager computer junkies and weird websurfers hand on the latter-day Hamlet's every discouraging word. Meanwhile, back in Mendocino, Pi is stirred out of her malaise by JD's cry for help. Although JD and Pi make a connection in cyberspace, Pi longs for the 'pressing of flesh,' a physical encounter that transcends the (mere) metaphysical touch. Alas, such is not to be. JD and Pi never meet face to face. Not every love story hask a happy ending, nor need it have one. The last chapter of this novel, however, is not only an offense against realism but an insult to our intelligence. The final installment of JD's Diery is written AFTER JD's death, and is forwarded to us by Pi, whom JD (from his new home on 'The Other Side') describes as his 'channeler.{ Please, Ms. Brownrigg, give us a break! Brownrigg solves the perennial problem of voice by introducing onstage the omniscient author--a veritable DEUS EX MACHINA. Thumbs up or thumbs down? Neither. This novel could have been worse, but it could have been much better. Like our star-crossed lovers, THE METAPHYSICAL TOUCH exists in a murky, surreal limbo between potentiality and actuality.

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  • Anonymous

    Posted May 29, 2000

    A Deeper Connection

    An interesting and beautifully-written story of two ungrounded people connecting in the only medium possible for them at this stage in both their lives. Their 'cyber-relationship' helps JD reconsider suicide and satisfies his need for a soulmate, and renews a sense of life and purpose in Pi. The book underscores the basic truth, as I've experienced, of how you can become so intimate with a total stranger through words alone, without the distraction of the physical self and everyday life. The ending was sad and ironic but isn't life, more often than not?

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  • Anonymous

    Posted May 4, 2000

    So this is what the 90s were all about!

    Just as the 60s were just a blur to anyone who lived them, the 1990s, through the advent of the internet, are illuminated in this smart and sophisticated romance. If you liked the movie 'You've Got Mail,' but thought it a bit sappy, you'll love this novel. Is is really 'Hamlet,' updated? This novel was chosen from the new fiction section of the Boston Public Library. It's ending is heartbreaking and has changed the way I look at people on the street.

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