Michelangelo in Ravensbruck: One Woman's War against the Nazis

Michelangelo in Ravensbruck: One Woman's War against the Nazis

5.0 1
by Karolina Lanckoronska, Noel Clark, Eva Hoffman
     
 
"While the human dimension of the Holocaust has been made indelibly vivid through a body of powerful personal testimony, the other aspects of the Polish war are known, at best, as remote history. Lanckoronska's narrative, written mostly during the war years, gives us rare insight into some of that history's complexities, even as it introduces us to a fascinating story

Overview

"While the human dimension of the Holocaust has been made indelibly vivid through a body of powerful personal testimony, the other aspects of the Polish war are known, at best, as remote history. Lanckoronska's narrative, written mostly during the war years, gives us rare insight into some of that history's complexities, even as it introduces us to a fascinating story and an extraordinary personality."

Editorial Reviews

Susie Linfield
This is a fascinating book, though for reasons its author may not have entirely intended. Written in 1945-46 but just published in the United States, Michelangelo in Ravensbruck is a memoir of the German and Soviet occupations of Poland—but it is not the kind of World War II memoir we are used to. The author, who died in 2002 at the age of 104, was a wealthy countess, a professor of art history, a devout Catholic, a fervent anticommunist and a member of the Polish underground. In 1942, she was arrested by the Gestapo, which sent her to a series of prisons and then to Ravensbruck, the women's concentration camp north of Berlin. But because of who she was—and who she was not—Karolina Lanckoronska's experience, and the meaning she makes of it, differed in fundamental ways from those of Jewish camp survivors such as Primo Levi and Jean Amery. Her account is as interesting, and as valuable, for what she puts in as for what she leaves out.
—The Washington Post
Booklist
"Offers a rare insight into this aspect of the Holocaust and of the courage of those who resisted the mass murderers."
Jewish Week
An unusually gripping story.
Bookpage
[Lanckoronska's] almost dispassionate telling of the suffering she witnessed makes for heartbreaking . . . reading, but this is reading we must do.

Publishers Weekly
A Polish aristocrat born in Austria, Countess Lanckoronska (1898- 2002) became an art history professor at the University of Lvov, Poland. When the Soviets invaded in September 1939, the countess joined the resistance and eventually evaded arrest by fleeing to German-occupied Krakow, where she worked with the Polish Red Cross and continued her resistance activities. At Stanislawow, where she had been delivering care packages to prisoners, Lanckoronska was briefly imprisoned and local Gestapo chief Hans Kruger confessed to her that he had murdered 23 University of Lvov professors, a war crime she made it her mission to publicize. Imprisoned at Ravensbruck because of her political activities, the ever-resilient Lanckoronska cared for victims of medical experiments and taught art and European history. She eschewed her privileged status to join the ranks of prisoners, but as a Christian Lanckoronska never shared the ordeal of Jewish concentration camp prisoners, and her memoir says little about atrocities committed against European Jewry. Although the style is stilted and restrained, this is still a worthy, unsentimental eyewitness account that sheds welcome light on a tumultuous era of modern Polish history. 8 pages of b&w photos; map. (Apr. 5) Copyright 2007 Reed Business Information.
Kirkus Reviews
A Polish aristocrat blessed with a considerable sense of noblesse oblige recalls years of resistance to totalitarian rule. Countess Karolina Lanckoronska, who died in Rome at the age of 104, in 2002, wrote this rich memoir in 1945 and '46. She sent parts of it to two English publishers, she writes, who rejected it as "too anti-Russian." A few years later, she sent it to two more publishers, who rejected it as "too anti-German." In the context of Cold War politics, the publishers were right. In whatever context, Lanckoronska describes, sometimes with considerable indignation, what life was like in Lvov when the Red Army first invaded it under the partition following the Nazi-Soviet pact; a university professor of art history and specialist in the Renaissance, she clearly considered the newcomers barbarians, easily amused by baby rattles and ignorant of how to use a toilet or shower. By her account, the Soviets were also easily misled, childish as they were, yet not without resources and the ability to induce fear: "I was expecting the NKVD every time the doorbell rang," she writes. With the arrival of the Nazis, she found a new enemy, and so did they. Captured and sentenced to be executed for working with the resistance, she was spared by odd circumstances: One of her interrogators admitted to her that he had participated in the murder of 25 of her fellow professors, and when she brought the matter to another Nazi officer, her sentence was commuted to imprisonment. At Ravensbruck concentration camp, perhaps improbably, she organized her barracks into a miniature university and taught art history to her fellow inmates-and, summoning up the weight of her nobility, also commanded "a degree oforderliness in collective living to ensure that contact with the Germans was kept to the minimum possible."An unusual memoir from an unusual point of view, one that at times recalls Czeslaw Milosz's The Captive Mind; readable and thought-provoking.

Product Details

ISBN-13:
9780306815379
Publisher:
Da Capo Press
Publication date:
03/26/2007
Edition description:
Translatio
Pages:
368
Product dimensions:
6.30(w) x 9.00(h) x 1.50(d)

Meet the Author

Countess Karolina Lanckoronska (1898-2002) survived imprisonment and after the war lived in Rome, where she devoted herself to art history and to Polish culture and learning.

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