If the author of this meandering record has noted elsewhere that an event occurring early in 1870 was to mark the end of his youth, he is moved here at once to qualify in one or two respects that emphasis. Everything depends in such a view on what one means by one's youth-so shifting a consciousness is this, and so related at the same time to many different matters. We are never old, that is we never cease easily to be young, for all life at the same time: youth is an army, the whole battalion of our faculties ...
If the author of this meandering record has noted elsewhere that an event occurring early in 1870 was to mark the end of his youth, he is moved here at once to qualify in one or two respects that emphasis. Everything depends in such a view on what one means by one's youth-so shifting a consciousness is this, and so related at the same time to many different matters. We are never old, that is we never cease easily to be young, for all life at the same time: youth is an army, the whole battalion of our faculties and our freshnesses, our passions and our illusions, on a considerably reluctant march into the enemy's country, the country of the general lost freshness; and I think it throws out at least as many stragglers behind as skirmishers ahead-stragglers who often catch up but belatedly with the main body, and even in many a case never catch up at all. Or under another figure it is a book in several volumes, and even at this a mere instalment of the large library of life, with a volume here and there closing, as something in the clap of its covers may assure us, while another remains either completely agape or kept open by a fond finger thrust in between the leaves. A volume, and a most substantial, had felt its pages very gravely pressed together before the winter's end that I have spoken of, but a restriction may still bear, and blessedly enough, as I gather from memory, on my sense of the whole year then terminated-a year seen by me now in the light of agitations, explorations, initiations (I scarce know how endearingly enough to name them!) which I should call fairly infantine in their indifference to proportions and aims, had they not still more left with me effects and possessions that even yet lend themselves to estimation.
"Notes of a Son and Brother," 1914.
Henry James was a master at tracing the social boundaries of the Gilded Age -- between Old and New World, Europe and America, desire and convention, men and women. He brought an invaluably clear-eyed, and critical, sensibility to America's evolving cultural mores.
Henry James (1843-1916), born in New York City, was the son of noted religious philosopher Henry James, Sr., and brother of eminent psychologist and philosopher William James. He spent his early life in America and studied in Geneva, London and Paris during his adolescence to gain the worldly experience so prized by his father. He lived in Newport, went briefly to Harvard Law School, and in 1864 began to contribute both criticism and tales to magazines. In 1869, and then in 1872-74, he paid visits to Europe and began his first novel, Roderick Hudson. Late in 1875 he settled in Paris, where he met Turgenev, Flaubert, and Zola, and wrote The American (1877). In December 1876 he moved to London, where two years later he achieved international fame with Daisy Miller. Other famous works include Washington Square (1880), The Portrait of a Lady (1881), The Princess Casamassima (1886), The Aspern Papers (1888), The Turn of the Screw (1898), and three large novels of the new century, The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904). In 1905 he revisited the United States and wrote The American Scene (1907). During his career, he also wrote many works of criticism and travel. Although old and ailing, he threw himself into war work in 1914, and in 1915, a few months before his death, he became a British subject. In 1916 King George V conferred the Order of Merit on him. He died in London in February 1916.