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Winner of the 2003 Pulitzer Prize for Fiction.
Nominated for the 2002 National Book Critics Circle Award, Fiction.
2002 Lambda Literary Award Finalist, Transgender.
Raised as a girl by her second-generation Greek-American family, Calliope (now Cal) Stephanides is physiologically a hermaphrodite and is more male than female. That's not giving away much -- Cal explains it on the first page. What's remarkable is that a book can start with such a revelation and still manage to be full of surprises. Narrated by Cal, the story also shares the thoughts, feelings, and intimate details of the lives of Cal's grandparents, parents, and other family members. In this omniscient first-person mode, we get an epic family saga, a journey from 1920s Greece to 1960s Detroit to contemporary Europe -- one that leads to a remarkably satisfying conclusion. To understand anyone, Eugenides seems to be implying, we need to know not only his or her (or in this case, "his/her") inner thoughts, but also those of all the ancestors whose DNA has contributed to the mix that created him/her.
"Sorry if I get a little Homeric at times," begs Cal. But she/he has nothing to apologize for. It's exactly that willingness to take this rich and accessible story over the top that makes Eugenides' novel so complexly and wonderfully moving. Lou Harry
| Book 1 | ||
| The Silver Spoon | 13 | |
| Matchmaking | 41 | |
| An Immodest Proposal | 80 | |
| The Silk Road | 121 | |
| Book 2 | ||
| Henry Ford's English-Language Melting Pot | 149 | |
| Minotaurs | 198 | |
| Marriage on Ice | 235 | |
| Tricknology | 276 | |
| Clarinet Serenade | 304 | |
| News of the World | 335 | |
| Ex Ovo Omnia | 362 | |
| Book 3 | ||
| Home Movies | 391 | |
| Opa! | 423 | |
| Middlesex | 459 | |
| The Mediterranean Diet | 494 | |
| The Wolverette | 531 | |
| Waxing Lyrical | 562 | |
| The Obscure Object | 582 | |
| Tiresias in Love | 620 | |
| Flesh and Blood | 655 | |
| The Gun on the Wall | 684 | |
| Book 4 | ||
| The Oracular Vulva | 723 | |
| Looking Myself Up in Webster's | 764 | |
| Go West, Young Man | 792 | |
| Gender Dysphoria in San Francisco | 826 | |
| Hermaphroditus | 859 | |
| Air-Ride | 893 | |
| The Last Stop | 922 |
About this Guide
The questions and discussion topics that follow are intended to augment your group's reading of Jeffrey Eugenides' novel Middlesex, a fable of immigration, the intricacies of gender, and the deep, untidy promptings of desire. We hope they will enhance your discussion of the story of one person's unusual life and a family's dark secret.
Introduction
"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." So begins Jeffrey Eugenides' second novel, Middlesex, the story of Calliope Stephanides, who discovers at the age of fourteen that she is really a he. Cal traces the story of his transformation and the genetic condition that caused it back to his paternal grandparents, who happen also to be brother and sister, and the Greek village of Bithynios in Asia Minor.
In 1922, Desdemona Stephanides and her brother, Lefty, whose parents were killed in the recent war with the Turks, are living alone in their nearly abandoned village. Pulled together by isolation, sympathy, and, perhaps, fate, Lefty and Desdemona become husband and wife, and a recessive genetic condition begins its journey toward eventual expression in their grandchild Calliope.
Middlesex is a story about what it means to occupy the complex and unnamed middle ground between male and female, Greek and American, past and present. For Cal, caught between these identities, the journey to adulthood is particularly fraught. Jeffrey Eugenides' epic portrayal of Cal's struggle is classical in its structure and scope and contemporary in its content; a tender and honest examination of a battle that is increasingly relevant to us all.
Questions for Discussion
1. Describing his own conception, Cal writes: "The timing of the thing had to be just so in order for me to become the person I am. Delay the act by an hour and you change the gene selection" (p. 11). Is Cal's condition a result of chance or of fate? Which of these forces governs the world as Cal sees it?
2. Middlesex begins just before Cal's birth in 1960, then moves backward in time to 1922. Cal is born at the beginning of Part 3, about halfway through the novel. Why did the author choose to structure the story in this way? How does this movement backward and forward in time reflect the larger themes of the work?
3. When Tessie and Milton decide to try to influence the sex of their baby, Desdemona disapproves. "God decides what baby is," she says. "Not you" (p. 13). What happens when characters in the novel challenge fate?
4. "To be honest, the amusement grounds should be closed at this hour, but, for my own purposes, tonight Electric Park is open all night, and the fog suddenly lifts, all so that my grandfather can look out the window and see a roller coaster streaking down the track. A moment of cheap symbolism only, and then I have to bow to the strict rules of realism, which is to say: they can't see a thing" (pp. 110-11). Occasionally, Cal interrupts his own narrative, calling attention to himself and the artifice inherent in his story. What purpose do these interruptions serve? Is Cal a reliable narrator?
5. "I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever," Cal writes (p. 217). How does Cal narrate the events that take place before his birth? Does his perspective as a narrator change when he is recounting events that take place after he is born?
6. "All I know is this: despite my androgenized brain, there's an innate feminine circularity in the story I have to tell" (p. 20). What does Cal mean by this? Is his manner of telling his story connected to the question of his gender? How?
7. How are Cal's early sexual experiences similar to those of any adolescent? How are they different? Are the differences more significant than the similarities?
8. Why does Cal decide to live as a man rather than as a woman?
9. How does Cal's experience reflect on the "nature vs. nurture" debate about gender identity?
10. Who is Jimmy Zizmo? How does he influence the course of events in the novel?
11. What is Dr. Luce's role in the novel? Would you describe him as a villain?
12. Calliope is the name of the classical Greek muse of eloquence and epic poetry. What elements of Greek mythology figure in Cal's story? Is this novel meant to be a new "myth"?
13. How is Cal's experience living within two genders similar to the immigrant experience of living within two cultures? How is it different?
14. Middlesex is set against the backdrop of several historical events: the war between Greece and Turkey, the rise of the Nation of Islam, World War II, and the Detroit riots. How does history shape the lives of the characters in the novel?
15. What does America represent for Desdemona? For Milton? For Cal? To what extent do you think these characters' different visions of America correspond to their status as first-, second-, and third-generation Greek Americans?
16. What role does race play in the novel? How do the Detroit riots of 1967 affect the Stephanides family and Cal, specifically?
17. Describe Middlesex. Does the house have a symbolic function in the novel?
18. "Everything about Middlesex spoke of forgetting and everything about Desdemona made plain the inescapability of remembering," Cal writes (p. 273). How and when do Desdemona's Old World values conflict with the ethos of America and, specifically, of Middlesex?
19. The final sentence of the novel reads: "I lost track after a while, happy to be home, weeping for my father, and thinking about what was next" (p. 529). What is next for Cal? Does the author give us reason to believe that Cal's relationship with Julie will be successful?
20. "Watching from the cab, Milton came face-to-face with the essence of tragedy, which is something determined before you're born, something you can't escape or do anything about, no matter how hard you try" (p. 426). According to this definition, is Cal's story a tragedy?
Praise for Middlesex
"Beautifully written . . . The most wonderful thing about this book is Eugenides's ability to feel his way into the girl, Callie, and the man, Cal. It's difficult to imagine any serious male writer of earlier eras so effortlessly transcending the stereotypes of gender."
-Publishers Weekly (starred review)
"Brilliant . . . Altogether irresistible . . . Middlesex vibrates with wit." -Kirkus Reviews (starred review)
"Jeffrey Eugenides is a big and big-hearted talent, and Middlesex is a weird, wonderful novel that will sweep you off your feet."
-Jonathan Franzen
Praise for The Virgin Suicides
"The narrator's hypnotic voice succeeds in transporting us to that mythic realm where fate, not common sense or psychology, holds sway. By turns lyrical and portentous, ferocious and elegiac, The Virgin Suicides insinuates itself into our minds as a small but powerful opera in the unexpected form of a novel."
-Michiko Kakutani, The New York Times
"Eugenides is one of those rare writers who can manage sympathy and detachment simultaneously-and work small wonders with words while he's at it. As The Virgin Suicides puts its heroines through hell, its readers, weirdly enough, will be delighted."
-David Gates, Newsweek
About the Author
Jeffrey Eugenides was born in Detroit, Michigan, in 1960, the third son of an American-born father whose Greek parents emigrated from Asia Minor and an American mother of Anglo-Irish descent. In 1988, Mr. Eugenides published his first short story. His first novel, The Virgin Suicides (FSG), was published in 1993. His fiction has appeared in The New Yorker, The Paris Review, The Yale Review, Best American Short Stories, The Gettysburg Review, and Granta. Mr. Eugenides now lives in Berlin, Germany, with his wife and daughter.
Very interesting read. On the surface, a story about a Greek-American hermaphrodite. Calliope/Cal narrates this tale of birth and rebirth.
Cal describes the family history and traces the journey of a rare, recessive gene over about 80 years. Cal's grandparents flee from their burning home in a small village in Turkey. Desdemona and Lefty, brother and sister, reinvent themselves during their journey to America and get married. When their son marries his cousin, two recessive genes collide. The result? Calliope, raised as a girl until an emergency room doctor notices something different about her. A visit to a famous specialist in New York sets Calliope on a completely new path and she is reborn as Cal.
Excellent character development and the intricate details of Cal's convoluted family history will keep readers turning pages. The normal adolescent angst and sexual exploration take on a whole new dimension, yet these issues are handled with grace, sensitivity, and, often, humor.
I did not expect to like this book, as it was on my "have to read" list, rather than the "want to read" list. Nevertheless, Cal's story grabbed me from the very first lines. I found this to be an excellent read.
11 out of 11 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I loved this novel. I picked up this fat tome with some trepidation, hearing it was inspired by a memoir discovered and promoted by Foucault by and about a hermaphrodite. I pictured some post-modern turgid avant-garde mess--like Delillo's Underworld, which had been on the same recommendation list. Instead I found what was promised in Underworld's blurbs was fulfilled in Middlesex--a Great American Novel--and a page-turner.
Strangely, in the tale of a hermaphrodite I didn't find anything remotely freakish, but humanely universal, as if by having this protagonist of an ambiguous gender, Eugenides was able to embrace and bridge both (all?) genders. It's an ambitious work, taking in about 80 years from his Greek immigrant grandparents roots in Turkey, to his parents and childhood in Detroit, to his coming of age on the road from New York City to San Francisco and his current life at a diplomatic posting in Germany. It takes in massacres in Turkey, Ellis Island, the development of America's car culture, Prohibition with it's Speakeasies and bootlegging, The Great Depression, World War II, The Nation of Islam, Detroit race riots and Black/White relations, the sexual revolution, politics, religion--there doesn't seem anything missed, and yet nothing that feels rambling or contrived or caricatured.
The voice is miraculous. Technically it's a first person narrative, but it breaks the bonds of that point of view into an expansive omniscience in telling its story of three generations: Book One dealing with his grandparents in Turkey and their immigration to Detroit; Book Two with the story of his grandparents and parents in Detroit before his birth; Book Three with his childhood and early adolescence; Book Four with his crisis of identity when doctors discover he's not the girl he was raised to be. Even in those two parts of the book during his own lifetime, the narration has that expansive, feel of third person omniscience, but with the intimacy of the first person voice.
Eugenides makes me feel for his characters. I ached for Callie--and Cal--both. I worried for him. I hoped for him. I was propelled through the 500 pages not wanting to skip one paragraph and ended it sorry it was over and wanting to read this again sometime--and Eugenides other novel.
4 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.One of the most stimulating and original books I have read. Truly, a modern-day epic. This is one of my favorite books of all time. Highly recommended.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 27, 2009
I just couldnt get into this book..I tried reading the first 100 pages and couldnt read it I was falling asleep.
2 out of 10 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted February 27, 2008
While reading this book, I realized that what I really was doing was watching a movie. I could actually imagine the scenes playing out on the big screen through Eugenides¿ eccentric writing. The way he wrote Middlesex was appealing he described the setting, the characters, the moods in full detail using various, sometimes hilarious analogies along the way. I am also a big fan of narratives that overlook many generations in one hardcover it is a reminder to all of us that everyone 'our parents, grandparents, so on and so forth' have a story to tell. I enjoyed the plot for what it was worth, since there were times I was engaged enough that I could not put the book down. I was slightly disappointed about the way the book ended, however, because I felt like there was still an unexplained development from his confused youth at 14 to where he was now as a cautious adult male. Overall, maybe I just expected a tad bit more from a book that is inducted into Oprah's book club.
2 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted February 21, 2006
There was way too much detail on the past history of her family, and not enough info that delved into her 'prolem'. The ending had an interesting twist, but if you are an impatient reader, this is not for you. Also there were a lot of noticable typo's.
2 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted November 1, 2011
Calliope Stephanides undergoes birth and rebirth as she discovers that she is a hermaphrodite. Yes, this book is interesting. Yes, this book is about a hermaphrodite. But that isn't the one determining factor in making Middlesex memorable. Eugenides writes so beautifully that he instills a certain quality of life into his characters. Cal is so humane, charming enough so that you don't sympathize with him and instead continue reading to learn more about him; this fresh and imaginative character's flaw is just another stepping stone in his life. Even Desdemona and Lefty's incestuous relationship wrenches your heart, being so genuine yet sinful. Eugenides writes this book in a thoughtful perspective; it's filled with love and empty of regrets and resentment. Middlesex is certainly an unforgettable book, moving your soul as you stayed fixed to your seat reading this heartfelt tale.
1 out of 1 people found this review helpful.
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Posted June 30, 2011
An absolute must in any library of any age, sex, or profession
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted March 30, 2010
I am reading oprahs book club books and I was looking for something else but ended up with this. It didn't really appeal to me but I absolutely loved this book. I couldn't put it down. Everything about it was amazing and I was crying by the end. I recommend it to anyone.
1 out of 1 people found this review helpful.
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Posted January 2, 2010
Much better than most books on the Oprah Book Club Series so don't be discouraged if you are not a fan of the "list". This one is a don't miss.
1 out of 1 people found this review helpful.
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Posted June 6, 2009
A real treasure in so many ways.
1 out of 2 people found this review helpful.
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Posted May 25, 2009
Middlesex contains a large array of imformation including the early years of Ford Motor Company in Detroit, the burning of Smyrna by Turkish troops in 1922, the nation and culture of Islam, as well the main topic -- hermaphroditism. Cal, the main character, on the first page tells that he was born and raised as a girl but was revealed as a teenager to be a boy, in genetic and chromosomal terms. His complications are due to a genetic mutation kept alive by incestuous marriages in a tiny village high on Mt. Olympus. Although, Cal does not believe that the scientific version of genetics and the ancient Greek notion of fate can explain his life or anyone else's for that matter. A common rags-to-riches theme is conveyed as the story tells the life of Cal's grandparents, then parents, then his own. America is shown as a place of opportunity and fortune and the title, Middlesex is accounted for the name of the street their mansion is on in Grosse Point, Michigan and it is also for Cal's own sexual conflicts. The book is eventful, unpredictable, eager to entertain, but missing the main character throughout the first 215 pages. And this happens when Cal's moment of transsexual truth comes when a hippie doctor decides to remove his testicles and treat him with hormones, give him surgically the nature that nurture has already dictated and make an honest woman of him. Soon after the procedure, he sets out for California on a journey that echoes closely his grandparents' flight from Smyrna. Intertwined throughout the novel, we get a taste of dry humor; for instance, Cal calls his brother "Chapter Eleven" and the "peep show" that occurs in San Francisco is wickedly humorous. The book is a symbol for anyone struggling with their sexuality and was well thought out and planned since it took Eugenides 10 years to write. The novel leads us to the future where particularities are what make us human and that takes precedence over the limitations of female and male as gender.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted January 28, 2009
The book started off with his grandparent's story, his parent's story, and then her/his own. I thought it was very clever to identify a person by not what she/he is or has done but what has happened in their grandparent's, parent's, etc lives. The story is very touching - a little distrubing at times but a very good story if you are open-minded enough to enjoy a book like this. It was a quick and tantalizing read. And I recommend it to people who have an open-mind about sexuality.
1 out of 1 people found this review helpful.
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Posted September 12, 2008
I resisted reading this book for a long time - frankly, I was turned off by the whole hermaphrodite subject. Things like that don't usually interest me. I guess I was visualizing Jerry Springer or Dr Phil or something. However, that is the key word I think - usually. There is nothing usual about this story - I could not put it down. I loved all the Greek imagery and the stories of the other family characters - I found myself engrossed and involved with all of them! You'd like to be angry at Lefty and Desdemona, but you can't be if you can visualize, even the littlest bit, what it might have been like for them. Anyway, I loved this story - could go on forever. I have to say that I disagree with a past reviewer in that I felt that the last chapter regarding Milton, and his death, was very necessary - critical in fact. And, I think we can rest assured that Cal's encounter went very well! For anyone else that is holding off on reading this, I say go for it!
1 out of 2 people found this review helpful.
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Posted May 26, 2012
Middelsex has a beautiful use of language and depicts the dichotomy of telling ones own story by including the historical element of the lives that came before and how it influenced. I did find a few areas that read a bit slow and at times and awkward; however, I think that has more to do with my discomfort with the incestual aspect.
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Posted March 21, 2012
I have not read a book so far this year that comes close to the beautifully descriptive pages of this book. Far more than understanding characters,i actually found myself sympathizing and living their lives through these pages. An absolute joy to read.....thank you for sharing your story and further educating our world....
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Middlesex is an extremely well written novel based on gender confusion and the fascinating recount of the history of a family. This book kept me reading during my every free moment, even when I had the opportunity to read one or just a few pages. This is a great book which any reader will have difficulties putting down for a moment. But one thing for sure is that I will start looking for more books like this.
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Posted March 5, 2012
I was assigned this book for a class and I was hesitant about reading this but I was quickly convinced that this wouldn't be just another book for a class. I honestly plan on reading it again on a personal level!
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Posted February 24, 2012
I read the virgin suicides first and fell in love. So I had high standards for this novel and found those standards met
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted February 18, 2012
I have to say that I am enamoured with this author's writing style, he has such a gift of the written word, that I was swallowed up in it. It is simply beautiful, and I recommend reading it just to be a part of this extoridinary talent. It started out slow ( for me), but before I realized it, I was hooked. The characters are captivating, especially, Calliope, I couldn't wait to see how his story unfolded. I was born and raised in the Detroit area around the same year as Cal, so I could relate to the surroundings. I was in Grosse Pointe all of the time. There was one thing the author messed up on, and I feel I need to make a point about it. There is a scene where there is a car chase on the Ambassador Bridge to Canada. The author is wrong on how that could have ocurred. When one enters the bridge, one must first pay to cross over, it isn't until one is completely over the bridge does one enter Costums, then one is on land and the bridge is behind. The author hoped for our ignorance and made it that they had to go through Costums before they crossed the bridge. Not true, because of this faux pas, I was a bit confused how the situation took place. Other than that, the story and writing is brilliant. I just wish he didn't get lazy in that very important scene.
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Overview
A dazzling triumph from the bestselling author of The Virgin Suicides--the astonishing tale of a gene that passes down through three generations of a Greek-American family and flowers in the body of a teenage girl.
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond clasmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, ...