Mighty Rearranger

Mighty Rearranger

4.8 6
by Robert Plant & the Strange Sensation
     
 

View All Available Formats & Editions

Apropos of its title, this unflaggingly riveting disc finds Robert Plant revisiting his Led Zeppelin roots, grabbing bits and pieces of deep blues, North African melodies, and shamanic mysticism, and putting them back together in slightly off-balance fashion. Plant's unmistakable serpentine moan is, naturally, at the core of the disc'sSee more details below

Overview

Apropos of its title, this unflaggingly riveting disc finds Robert Plant revisiting his Led Zeppelin roots, grabbing bits and pieces of deep blues, North African melodies, and shamanic mysticism, and putting them back together in slightly off-balance fashion. Plant's unmistakable serpentine moan is, naturally, at the core of the disc's dozen songs -- soaring particularly high into the stratosphere on the uplifting "Shine It All Around" -- but he's not shy about sharing the spotlight with the other members of his band, Strange Sensation. On "Brother Ray" -- a tribute to the late Ray Charles -- keyboardist John Baggott gets a chance to let loose with some stellar boogie-woogie piano, while the Moroccan-flavored "Another Tribe" showcases the spot-on tribal playing of drummer Clive Deamer. The latter song is one of several that find Plant abandoning his usual lyrical touchstones -- unfettered lust and otherworldly questing -- in favor of a solidly political stance. The most pronounced of those tracks is "Freedom Fries," a slithery jump blues that's redolent of Plant's Honeydrippers material, until the anti-imperialist screed really kicks in. Plant doesn't take things so far as to make fans worry that he's repositioned himself as a post-millennial protest singer -- the breathy "The Enchanter," for instance, is as sensual as anything he's done in his solo career -- but he does move in enough mercurial directions to confirm that even the most iconic artist is capable of some reinvention.

Read More

Editorial Reviews

All Music Guide - Thom Jurek
On Mighty Rearranger, the core of the band Robert Plant showcased on 2002's Dreamland -- and named the Strange Sensation -- is a full-blown expanded lineup that shares the bill with him. Guitarists Justin Adams and Skin Tyson, drummer Clive Deamer, keyboardist John Baggot, and bassist Billy Fuller help Plant give listeners his most musically satisfying and diverse recording since, well, Led Zeppelin's Physical Grafitti. The reference is not a mere platitude to Plant's pedigree. The songs, production, and sequencing of the album overtly incorporates those sounds as well as those of Eastern modalism, Malian folk, guitar rock, R&B, and others, for inspiration -- and why shouldn't they? Mighty Rearranger opens with "Another Tribe," a sociopolitical ballad that touches upon the textural string backdrops from Zep's "Kashmir" and is fueled by Moroccan bendir drums. Adams' guitar shifts it over to rock in the middle, but never crowds the crystalline lilting vocal. The single, "Shine It All Around," sports Deamer's crunch and crack drums, while Adams' canny emulation of Jimmy Page's Les Paul toneography fills Plant's sung and moaned lines with ferocity. But it is "Freedom Fries," with its startling percussive syncopation and juxtaposition of roots rockabilly blues and hard rock -- à la "Black Dog" -- that breaks the record wide open and shatters the sensual tension with pure Dionysian RAWK swagger. On "Tin Pan Valley," Baggot's whispering keyboard lines under Plant's nocturnal moan set a mood -- slippery, sexy, undulating -- before Deamer cracks through with cymbal and snare work that not only emulates John Bonham, but evokes his power, unfurling the Zep talons deeper into the core of the album. The beautiful balladry of "All the King's Horses" offers solid proof of Plant's ability to reference the English folk tradition with elegance and taste, and his continued acumen for fine lyric writing. The acoustic guitars purposely kiss the same space that Page did on "Over the Hills and Far Away" and "Goin' to California," but are balanced by Adams' pastoral electric country fills. But here's the important part: the Zeppelin spirit that is seemingly ever present here takes nothing away from the startling imagination and creativity on Mighty Rearranger -- it actually serves, rather than houses, the songs it adorns. And it's the songs, like the sultry slow stroll of "The Enchanter" and the North African-flavored rocker "Takamba," that matter. Plant and Strange Sensation have painstakingly and energetically crafted an album that takes his full history into account, yet offers something living, breathing, and actually new. This is big rock music making an appearance on the scene agian. It's music that is full of itself, sneers at the competition, and pushes forward by acknowledging the full breadth of the music's tarted-up history. The dramatic "Let the Four Winds Blow" touches everything from early rock & roll to droning Delta blues to biker soundtrack music in a dramatic and utterly serious song. The title track uses the Malian guitar plank and turns it back on itself, pointing its gaze toward John Lee Hooker, Skip James, and the piano blues of Otis Spann. The album closes with Baggot's barroom blues piano that propels Plant to pay a brief barrelhouse tribute to Ray Charles on "Brother Ray." Mighty Rearranger is a literate, ambitious, and sublimely vulgar exercise in how to make a mature yet utterly unfettered rock & roll album that takes chances, not prisoners, and apologizes for nothing.

Read More

Product Details

Release Date:
05/10/2005
Label:
Sanctuary Records
UPC:
0060768474727

Related Subjects

Tracks

Read More

Album Credits

Performance Credits

Robert Plant & the Strange Sensation   Primary Artist
Robert Plant   Indexed Contributor,Harmonica,Vocals
Clive Deamer   Drums,Bendir
John Baggot   Keyboards,Moog Synthesizer,electronics,Moog Bass
Justin Adams   Bass,Bass Guitar,Electric Guitar,Lap Steel Guitar,Bendir,Tehardent
Skin Tyson   Acoustic Guitar,Bass,Bass Guitar,Electric Guitar,Lap Steel Guitar
Billy Fuller   Bass Guitar,Double Bass

Technical Credits

Robert Plant   Composer,Concept,Creation
Bill Curbishley   Management
Clive Deamer   Engineer,Concept,Creation
Teo Miller   Engineer
Tim Oliver   Engineer
John Baggot   Composer,Concept,Creation
Steve Evans   Engineer
Justin Adams   Composer,Concept,Creation
Grahame Baker Smith   Illustrations,Cover Design
Skin Tyson   Composer,Engineer,Concept,Creation

Read More

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >