Mighty Rearranger [Bonus Tracks]

Editorial Reviews

All Music Guide - Thom Jurek
On Mighty Rearranger, the core of the band Robert Plant showcased on 2002's Dreamland and named the Strange Sensation is a full-blown expanded lineup that shares the bill with him. Guitarists Justin Adams and Skin Tyson, drummer Clive Deamer, keyboardist John Baggot, and bassist Billy Fuller help Plant give listeners his most musically satisfying and diverse recording since, well, Led Zeppelin's Physical Graffiti. The reference is not a mere platitude to Plant's pedigree. The songs, production, and sequencing of the album overtly incorporates those sounds as well as those of Eastern modalism, Malian folk, guitar rock, R&B, and others, for inspiration -- and why shouldn't...
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Editorial Reviews

All Music Guide - Thom Jurek
On Mighty Rearranger, the core of the band Robert Plant showcased on 2002's Dreamland and named the Strange Sensation is a full-blown expanded lineup that shares the bill with him. Guitarists Justin Adams and Skin Tyson, drummer Clive Deamer, keyboardist John Baggot, and bassist Billy Fuller help Plant give listeners his most musically satisfying and diverse recording since, well, Led Zeppelin's Physical Graffiti. The reference is not a mere platitude to Plant's pedigree. The songs, production, and sequencing of the album overtly incorporates those sounds as well as those of Eastern modalism, Malian folk, guitar rock, R&B, and others, for inspiration -- and why shouldn't they? Mighty Rearranger opens with "Another Tribe," a sociopolitical ballad that touches upon the textural string backdrops from Zep's "Kashmir" and is fueled by Moroccan bendir drums. Adams' guitar shifts it over to rock in the middle, but never crowds the crystalline lilting vocal. The single, "Shine It All Around," sports Deamer's crunch and crack drums, while Adams' canny emulation of Jimmy Page's Les Paul toneography fills Plant's sung and moaned lines with ferocity. But it is "Freedom Fries," with its startling percussive syncopation and juxtaposition of roots rockabilly blues and hard rock -- à la "Black Dog" -- that breaks the record wide open and shatters the sensual tension with pure Dionysian rawk swagger. On "Tin Pan Valley," Baggot's whispering keyboard lines under Plant's nocturnal moan set a mood -- slippery, sexy, undulating -- before Deamer cracks through with cymbal and snare work that not only emulates John Bonham, but evokes his power, unfurling the Zep talons deeper into the core of the album. The beautiful balladry of "All the King's Horses" offers solid proof of Plant's ability to reference the English folk tradition with elegance and taste, and his continued acumen for fine lyric writing. The acoustic guitars purposely kiss the same space that Page did on "Over the Hills and Far Away" and "Goin' to California," but are balanced by Adams' pastoral electric country fills. But here's the important part: the Zeppelin spirit that is seemingly ever present here takes nothing away from the startling imagination and creativity on Mighty Rearranger -- it actually serves, rather than houses, the songs it adorns. And it's the songs, like the sultry slow stroll of "The Enchanter" and the North African-flavored rocker "Takamba," that matter. Plant and Strange Sensation have painstakingly and energetically crafted an album that takes his full history into account, yet offer something living, breathing, and actually new. This is big rock music making an appearance on the scene again. It's music that is full of itself, that sneers at the competition, and pushes forward by acknowledging the full breadth of the music's tarted-up history. The dramatic "Let the Four Winds Blow" touches everything from early rock & roll to droning Delta blues to biker soundtrack music in a dramatic and utterly serious song. The title track uses the Malian guitar plank and turns it back on itself, pointing its gaze toward John Lee Hooker, Skip James, and the piano blues of Otis Spann. The album closes with Baggot's barroom blues piano that propels Plant to pay a brief barrelhouse tribute to Ray Charles on "Brother Ray." Mighty Rearranger is a literate, ambitious, and sublimely vulgar exercise in how to make a mature yet utterly unfettered rock & roll album that takes chances, not prisoners, and apologizes for nothing. [The 2007 reissue adds five bonus tracks including a remix of "The Enchanter" by Unkle.]
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Product Details

  • Release Date: 3/20/2007
  • Label: Rhino
  • UPC: 081227416621
  • Catalog Number: 74166
  • Sales rank: 25,196

Album Credits

Performance Credits
Robert Plant & the Strange Sensation Primary Artist
Robert Plant Indexed Contributor, Harmonica, Vocals
Clive Deamer Drums, Bendir
John Baggot Keyboards, electronics, Moog Bass
Justin Adams Bass, Electric Guitar, Lap Steel Guitar, Bendir, Tehardent
Skin Tyson Acoustic Guitar, Bass, Electric Guitar, Lap Steel Guitar
Technical Credits
Robert Plant Composer, Concept, Creation
Clive Deamer Composer, Engineer, Concept, Creation
Bill Inglot Reissue Remastering
Teo Miller Engineer
Tim Oliver Engineer
John Baggot Composer, Engineer, Concept, Creation
Steve Evans Engineer
Raj Das Remastering
Justin Adams Concept, Creation
Grahame Baker Smith Illustrations, Cover Design
Skin Tyson Composer, Engineer, Concept, Creation
Ed Vulliamy Liner Notes
Daniel Hersch Reissue Remastering
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