Mikhail Bakhtin: The Duvakin Interviews, 1973
Whenever Bakhtin, in his final decade, was queried about writing his memoirs, he shrugged it off. Unlike many of his Symbolist generation, Bakhtin was not fascinated by his own self-image. This reticence to tell his own story was the point of access for Viktor Duvakin, Mayakovsky scholar, fellow academic, and head of an oral history project, who in 1973 taped six interviews with Bakhtin over twelve hours. They remain our primary source of Bakhtin’s personal views:  on formative moments in his education and exile, his reaction to the Revolution, his impressions of political, intellectual, and theatrical figures during the first two decades of the twentieth century, and his non-conformist opinions on Russian and Soviet poets and musicians. Bakhtin's passion for poetic language and his insights into music also come as a surprise to readers of his essays on the novel. One remarkable thread running through the conversations is Bakhtin's love of poetry, masses of which he knew by heart in several languages. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the complete transcript of the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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Mikhail Bakhtin: The Duvakin Interviews, 1973
Whenever Bakhtin, in his final decade, was queried about writing his memoirs, he shrugged it off. Unlike many of his Symbolist generation, Bakhtin was not fascinated by his own self-image. This reticence to tell his own story was the point of access for Viktor Duvakin, Mayakovsky scholar, fellow academic, and head of an oral history project, who in 1973 taped six interviews with Bakhtin over twelve hours. They remain our primary source of Bakhtin’s personal views:  on formative moments in his education and exile, his reaction to the Revolution, his impressions of political, intellectual, and theatrical figures during the first two decades of the twentieth century, and his non-conformist opinions on Russian and Soviet poets and musicians. Bakhtin's passion for poetic language and his insights into music also come as a surprise to readers of his essays on the novel. One remarkable thread running through the conversations is Bakhtin's love of poetry, masses of which he knew by heart in several languages. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the complete transcript of the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
102.95 In Stock
Mikhail Bakhtin: The Duvakin Interviews, 1973

Mikhail Bakhtin: The Duvakin Interviews, 1973

Mikhail Bakhtin: The Duvakin Interviews, 1973

Mikhail Bakhtin: The Duvakin Interviews, 1973

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Overview

Whenever Bakhtin, in his final decade, was queried about writing his memoirs, he shrugged it off. Unlike many of his Symbolist generation, Bakhtin was not fascinated by his own self-image. This reticence to tell his own story was the point of access for Viktor Duvakin, Mayakovsky scholar, fellow academic, and head of an oral history project, who in 1973 taped six interviews with Bakhtin over twelve hours. They remain our primary source of Bakhtin’s personal views:  on formative moments in his education and exile, his reaction to the Revolution, his impressions of political, intellectual, and theatrical figures during the first two decades of the twentieth century, and his non-conformist opinions on Russian and Soviet poets and musicians. Bakhtin's passion for poetic language and his insights into music also come as a surprise to readers of his essays on the novel. One remarkable thread running through the conversations is Bakhtin's love of poetry, masses of which he knew by heart in several languages. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the complete transcript of the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Product Details

ISBN-13: 9781684480913
Publisher: Bucknell University Press
Publication date: 08/09/2019
Pages: 340
Product dimensions: 6.00(w) x 9.00(h) x 1.20(d)
Age Range: 16 - 18 Years

About the Author

SLAV N. GRATCHEV, MBA, PHD is an associate professor of Spanish at Marshall University in Huntington, West Virginia. He is the author or editor of several books, including The Polyphonic World of Cervantes and Dostoevsky.

MARGARITA MARINOVA, PHD is an associate professor of English and comparative literature at Christopher Newport University in Newport News, Virginia. She is a translator and author of Transnational Russian-American Travel Writing

DMITRY SPOROV is chair of the department of oral history at Moscow State University’s Science Library and a distinguished historian. He is also the president of the Foundation for Research in the Humanities and the chief editor for the book series Let's Remember Moscow: 1930s and Let's Remember Moscow: 1940s, a unique collection of oral memoirs about Moscow.
 

Table of Contents


Illustrations
Introduction
Slav N. Gratchev
Translator’s Introduction
Margarita Marinova
Interview One, February 22, 1973
Interview Two, March 1, 1973
Interview Three, March 8, 1973
Interview Four, March 15, 1973
Interview Five, March 22, 1973
Interview Six, March 23, 1973
Afterword: Six Interviews about the Death and Resurrection of the Word
Dmitriy Sporov
Acknowledgments
Bibliography, of the Introductions and Afterword ...
Index
About the Editors and Translator

 
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