"A palpable sense of dread pulses beneath Minor Detail . In Elisabeth Jaquette’s fine translation from Arabic, Shibli asks how we can account for and understand major crimes, by looking more closely for the details that escape."
"The power in the syntax and diction—the pulsing lyricism in its raw realities—reminds me of how central poetry is to the prose of Palestinian storytellers."
Bookforum - Sarah Schulman
"Minor Detail can be read as the blackest of black comedies, in orbit about tragedy as rings around a dark planet. The abject is the centre of gravity here, and we may only approach so close before words themselves are crushed."
The Sydney Morning Herald
"Adania Shibli takes a gamble in entrusting our access to the key event in her novel – the rape and murder of a young Bedouin woman – to two profoundly self-absorbed narrators – an Israeli psychopath and a Palestinian amateur sleuth high on the autism scale – but her method of indirection justifies itself fully as the book reaches its heart-stopping conclusion."
"Adania Shibli’s exceptional novel Minor Detail belongs to the genre of the novel as resistance, as revolutionary text. Simultaneously depicting the dehumanisation that surrounds rape and land-grab, it is a text that palpitates with fear and with outrage. As we join the nameless young woman in her quest to find the truth of a long-forgotten atrocity, we realize how dangerous it is to reclaim life and history in the face of ongoing, systematic erasure. The narrative tempo, that eventually reaches a crescendo, astutely captures how alienation and heightened anxiety are elemental states of living under Israeli occupation. This is the political novel we have all been waiting for."
"A mind-changing revelation of how the past and the present converge on Palestinian life, achieved through craft, character voice, and time travel expertly realized by the author."
Bookforum - Porochista Khakpour
"Though Minor Detail initially promises to be a kind of counterhistory or whodunit—a rescue of the victim’s story from military courts and Israeli newspapers—it turns out to be something stranger and bleaker. Rather than a discovery of hidden truths, or a search for justice, it is a meditation on the repetitions of history, the past as a recurring trauma....For Shibli, the emblematic experience of occupation is the longue durée of ennui and isolation rather than the dramatic moment of crisis."
New York Review of Books - Robyn Creswell
"In Adania Shibli's subversively quiet, compelling Minor Detail, threads of connection are embodied in a young woman's quest to find almost erased history. Written in spare, careful language (praise also to translator Elisabeth Jaquette), Shibli helps reclaim what would be obliterated by forces actively at work yet today, doing so with a narrative masterfully carrying both surprise and inevitability within. This book has devastation and loss to a shattering, wrenching degree, and yet. Yes, and yet."
Elliott Bay Book Company - Rick Simonson
"An intense and penetrating work about the profound impact of living with violence—Shibli’s work is powerful and this translation by Elisabeth Jaquette is rendered with exquisite clarity and quiet control."
The Choreography of Violence: On Adania Shibli’s “Minor Detail” - Los Angeles Review of Books - Katie da Cunha Lewin
"A short but powerful novel. Shibli interrogates a world of unstable and shifting boundaries and borders, from the Negev Desert a year after the 1948 war to a contemporary version of the tightly controlled lands of Palestine and Israel. Dreamlike, haunting prose."
"An extraordinary work of art, Minor Detail is continuously surprising and absorbing: a very rare blend of moral intelligence, political passion, and formal virtuosity."
"This short book got under my skin when I first read it and has haunted me ever since. The austere prose in this magnificent translation throws a pitiless, impassive air over every page, where murder is dealt with as impersonally as a pack of chewing gum."
Words Without Borders - Leri Price
"Shibli crafts a story that connects strangers to one another through the occupation that has shaped their lives. Nerve-racking and eye-opening."
"Shibli has created a powerful set of dual heroines, women wracked with disquiet and violence, resisting the frames that have first, been chosen for them, then denied to have ever existed. This is an astonishing, major book."
"An explosive double-telling of a single crime story.... The extreme economies of Shibli's style—blending aphorism and enigma, dry humor and searing critique—recall the novellas of César Aira and Mario Bellatin. In the act of writing such an evocative, tightly wrought fiction, in her invention of such a complex, fighting character who is at once the victim’s double and the author’s stand-in, Shibli not only reflects the deadening conditions of occupation. She also, crucially, transcends the damage they have done."
"A quiet, searching, precise observer—Adania Shibli deserves to be better known."
"What links these two stories? Borders, of course, but also some weird echoes. The woman from Ramallah sneaks into Israel to find out more, for there may be 'nothing more important than this little detail, if one wants to arrive at the complete truth.’ Shibli delicately suggests that the 'complete truth' of the crime [in Minor Detail ] might never be found out, that perhaps the details in the two stories mirror each other because the past isn’t even past."
Four Social Novels in Translation Consider the World’s Ills - The New York Times Book Review - Yu Miri
"A blistering allegory about state violence and the conscription of women’s bodies. In its minor details, Shibli's novel offers a piercing account of everyday life for Palestinians living under Israeli occupation. The translation by Elisabeth Jaquette is superb. Minor Detail is a credo for revolution, a major book: tense, propulsive and timely."
The Saturday Paper - Emily Stewart
"The terror Shibli evokes intensifies slowly, smouldering, until it is shining off the page...The book is, at every turn, dangerously and devastatingly good."
"The dead are ever present in Adania Shibli’s novel Minor Detail . Indirectly through multiple narrators, Shibli constructs a meditation on brutality, war, memory and the collective suffering of the Palestinian people in this chilling novel in which the legacy of violence remains unresolved."
The Observer - Lauren LeBlanc
"[A] harrowing account of a crime that takes place in the aftermath of Israel’s 1948 war known as the Nakba (catastrophe or disaster) to Palestinians...Anyone interested in better understanding life in the Occupied Territories needs to read this powerful tale."
"Like an affidavit in its egalitarian specificity—every detail of every character’s action is accounted for, and therefore scrutinized. A starkly poetic accounting of a crime, its burial, and its exhumation."
Community Bookstore - Alia Persico-Shammas
"The most talked-about writer on the West Bank."
"Palestinian Adania Shibli’s cinematic novel stages a return of the repressed on a national scale by reposing an atrocity committed by Israeli soldiers in the Negev region in 1949. An unflinching account of violence and dehumanisation—Shibli breaks new ground. She uses a lyrical, intensely sensory mode to describe how we identify with figures from the past, and especially the restless dead. Brutal, hypnotic and haunting."
The Monthly - Mireille Juchau
‘All novels are political and Minor Detail , like the best of them, transcends the author’s own identity and geography. Shibli’s writing is subtle and sharply observed.’Guardian
‘A sophisticated, oblique novel about empathy and the urge to right wrongs’Observer
‘An intense and penetrating work about the profound impact of living with violence—Shibli’s work is powerful and this translation by Elisabeth Jaquette is rendered with exquisite clarity and quiet control.’Los Angeles Review of Books
‘This is probably my novel of the year so far.’Daily Mail
‘Though Minor Detail initially promises to be a kind of counterhistory or whodunit—a rescue of the victim’s story from military courts and Israeli newspapers–it turns out to be something stranger and bleaker. Rather than a discovery of hidden truths, or a search for justice, it is a meditation on the repetitions of history, the past as a recurring trauma ... For Shibli, the emblematic experience of occupation is the longue duree of ennui and isolation rather than a dramatic moment of crisis.’ New York Review of Books
