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During her lifetime, Mira's reputation spread across her country. She was known as a woman of immense talent and devotion. By the time she died in 1550, she was considered a saint. People across India recited and danced to her poems, and they still do today. In this collection, Robert Bly and Jane Hirshfield, two of America's best poets, have created lively English versions of Mirabai's poems, using fresh images and energetic rhythms to make them accessible to modern readers. Their work makes clear that Mirabai's poetry transcends her time and culture.
Columbia University professor of religion John Stratton Hawley provides an afterword to the volume that discusses what is known of Mirabai's life and reputation. With a historian's precision, he shows how Bly and Hirshfield's versions belong to a tradition of reinterpretation and rephrasing that is already centuries old.
Mirabai comes to life through the impressive interpreting of her poems by Bly and Hirshfield. The poems feel as fresh today as they must have felt when this amazing woman sung them herself five centuries ago.
| A few words about Mirabai | ||
| Mirabai's teachings | ||
| All I was doing was breathing | 3 | |
| The dagger | 4 | |
| Mira has finished with waiting | 5 | |
| It's true I went to the market | 6 | |
| Mira the milkmaid | 7 | |
| The fish and the crocodile | 8 | |
| Polish into gold | 9 | |
| A dream of marriage | 10 | |
| Ankle bells | 12 | |
| The flute | 13 | |
| The rope of jasmine blossoms | 14 | |
| His hair | 15 | |
| The gooseberry patch | 16 | |
| To my brother-in-law Rana | 17 | |
| Fate is strange | 18 | |
| Not hiding not seeking | 19 | |
| Don't go, don't go | 20 | |
| Why Mira can't come back to her old house | 21 | |
| The necklace | 24 | |
| How this will go | 25 | |
| The arrow | 26 | |
| Heading for the ocean | 27 | |
| Don't tell me no, mother | 28 | |
| Where did you go? | 29 | |
| Mira asks only to join with the elephants & parrots | 30 | |
| Mira is jasmine | 33 | |
| The cuckoo calls a beloved who comes | 34 | |
| Only the beloved can open the blossoming spring | 36 | |
| Mira is mad with love | 38 | |
| In all my lives | 39 | |
| The door | 40 | |
| The storm clouds | 41 | |
| Mira the bee | 44 | |
| No longer thirsty | 45 | |
| The coffer with the poisonous snake | 46 | |
| Mira the slave | 47 | |
| Awake to the name | 48 | |
| The long drought is over | 50 | |
| Near the throne | 51 | |
| Drunk for life | 52 | |
| Water through the fingers | 53 | |
| Wild plums are sweetest | 56 | |
| Mira swims free | 57 | |
| Mira the barterer | 58 | |
| The clouds | 59 | |
| To dance for the dark one is all the clothing Mira needs | 60 | |
| Faithfulness | 62 | |
| Mira the lotus | 63 | |
| The heat of midnight tears | 64 | |
| No more drought | 66 | |
| Afterword | 67 |
Overview
During her lifetime, Mira's reputation ...