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Miracle Letters of T. Rimberg

Miracle Letters of T. Rimberg

5.0 2
by Geoff Herbach

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“Believe the hype. I killed myself.”

Having destroyed his life, the suicidal T. Rimberg strikes out on a journey through history and geography. From Minneapolis to Europe to a fiery accident near Green Bay, he searches for a father who is likely dead, digs for meaning where he’s sure there is none, fires off suicide letters to family,


“Believe the hype. I killed myself.”

Having destroyed his life, the suicidal T. Rimberg strikes out on a journey through history and geography. From Minneapolis to Europe to a fiery accident near Green Bay, he searches for a father who is likely dead, digs for meaning where he’s sure there is none, fires off suicide letters to family, celebrities, presidents, and football stars, and lands in a hospital bed across from a priest who believes that Rimberg has caused a miracle. This funny, moving novel asks us to consider the nature of second chances and the unexpected form that grace sometimes takes.

From the Trade Paperback edition.

Editorial Reviews

Publishers Weekly

This debut bears an uncomfortable resemblance to Everything Is Illuminated, both in plot-a Jewish American travels through Europe, gleaning secrets about his family and the Holocaust-as well as tone-comic to make the mystical, sentimental stuff go down-but Herbach largely manages to pull out something worthwhile. The book presents, via letters and suicide notes (compiled by a Green Bay, Wis., priest who thinks the narrator may have been involved in a miracle), the odd case of T. Rimberg, a "skittish part-Jew who grew up underachieving in a small Midwestern town." T. has lost his wife, kids and girlfriend, but when a large inheritance check arrives from his long-lost Holocaust survivor father's estate, T. undertakes a quixotic voyage to Europe to... what? Find the truth about his dad? Kill himself? And what to make of his nightmares? A more secure T. emerges, however, as he discovers startling things about his father, the meaning behind his strange dreams and, on a Wisconsin highway, his own power to act heroically. While the tenor of the novel is comedic, Herbach infuses T.'s story with some serious inquiry into faith, inheritance and what makes a good life. (Apr.)

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Kirkus Reviews
The epistolary novel lives, albeit in this rather strange variation. Theodore (who always goes by "T.") Rimberg has pretty much given up on life-not surprising since he's lost his corporate job (when he finds he's gotten an inheritance from his father he strips during a boring company meeting), as well as his wife, his children and his mistress. He decides to take the usual way out, by taking his own life, but not before he has written a multitude of bizarre suicide notes to the likes of President Clinton, Paul McCartney, Jack Nicholson-and Mrs. Carter (T.'s high-school English teacher, who "sucked" because she thought his poetry should rhyme). The twist is that these events happened a year in the past. In the present, T. has recently been involved in a mysterious and fiery crash and has emerged both a hero and a changed man. The narrative has a complex structure, alternating his year-of-crisis documents (suicide notes, journal entries) with transcripts of T.'s side of conversations with Father Barry, a sympathetic priest whose voice we never hear directly. Father Barry is interested in what miracle might have occurred in the conflagration, for T. has become something of a media darling. Both the letters and journals trace T.'s tangled relationship with his father, a distant figure who seems to have had more love for the Green Bay Packers than for his son. In exploring his family's past (his grandfather, a successful German Jew, colluded with the Nazis) and reviewing his relationship with his father, T. becomes aware of the "miracle" of realizing the preciousness of his life and of all life: "Thank God I am."Herbach's debut is an odd read-simple, even spartan, on one hand, but luxuriantlyflaky on the other. Agent: Jim McCarthy/Dystel & Goderich Literary Management
From the Publisher
The Miracle Letters of T. Rimberg is a darkly comic, extraordinary peek into the delicate mind of a suicidal no-hoper. T. Rimberg is a superbly crafted character: death obsessed and soulful, resentful and ashamed, chivalrous and scruffy. In his brilliant debut novel, Geoff Herbach parks good and evil side-by-side in the sandbox and, with masterful confidence, allows them to figure things out for themselves.”
–Tish Cohen, author of Town House

“I read The Miracle Letters of T. Rimberg and I was gob-smacked. It’s a tasty dark treat, inspiring the reader to suck on every last hilarious morsel.”
–Heather McElhatton, author of Pretty Little Mistakes

The Miracle Letters of T. Rimberg is a wonderful trifecta–funny, mysterious, and full-hearted. From a farewell letter written to Aunt Jemima to a quiet moment in a Polish cemetery, I laughed and ached alongside T. Rimberg all the way through his fantastic journey.”
–Brian Leung, author of Lost Men

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Read an Excerpt

Section I Minneapolis

Day One (August 10, 2005): Transcript 1

Note: Only Mr. Rimberg’s responses were transcribed.

Yes. Ready. Go ahead, sir.

Okay, Father Barry it is.

I’m sorry, Father Barry. I don’t remember who you are exactly. I remember you being around . . . was it yesterday?

Okay. Good. That was yesterday. I’ve been taking a lot of painkillers.

What do you want to know? I mean . . . I don’t remember the accident. I can’t help you with . . . I don’t remember . . .

I’m sorry, you’re more interested in the rest? Can you be—

You have my . . . Where did you get my backpack?

Letter 1 August 18, 2004

Dear Jesus,

I am drunk. I think I just got rich. My dad never came through for me in life, but looks like he’s trying to make it up.

Not a chance. Not gonna work, Dad! Too late!

My wife took my kids, Jesus. She left me. My goddamn girlfriend left me, too! My job is nowhere, horror, dumbassed, dry eyes always dizzy at a damn computer. I don’t care! I just don’t care! I am drunk. Just peed in the yard! What do you think of that?

Here’s hi-larious. Here’s FUNNY. I’m going to commit suicide. Kill MySelf. I’ve thought about it for a long time and it is a great choice. Why not?

Are you laughing?

I’m not sad. Never felt better, which maybe you’d think would put me back in business (the life business). Wrong, Jesus!

I’m gonna do it. Why wouldn’t I? Name a reason.

T. Rimberg

Day One: Transcript 2

You have my permission to record.

I wrote to Jesus because I was drunk, I think.

Yes. I’m breathing. I’m glad you have my backpack. I’d be very worried if I thought it was still at the motel.

Okay. My name is Theodore Rimberg. Call me T. I don’t know. That’s what people have always called me. I’m used to it.

Date of birth, August 19, 1969. My permanent address is in Minneapolis, Minnesota. But I haven’t really lived there for . . . I’ve been in Poland, mostly, for the last year. Now I am recuperating in a hospital in Green Bay, Wisconsin, after . . . an accident?

No sir . . . Father. I’m not Catholic. My wife, Mary Sheridan, grew up Catholic. My mother grew up Catholic, too. My dad—well, he lived as a Catholic during World War II. He was just a kid.

Yes, that’s correct. Mary Sheridan is my ex-wife. I’m divorced.

Three children. A twelve-year-old boy and twin ten-year-old girls.

I wrote to . . . everybody. I don’t know. One day, about a year ago, I started writing and I couldn’t stop for months. My dad wrote stuff, too.

Yes. Dad is important. He was Jewish. I don’t know why I wrote to Jesus. . . .

Because Dad inspired this. I got this . . . money. He’s the reason I went to Europe.

Dad left when I was a kid, actually.

I was a tiny . . . I was a nine-year-old having heart attacks. Letter 2 August 19, 2004

Dear David my “brother,”

I just tried calling. What in the hell is going on? You’re never home or you don’t pick up the phone. Aren’t you home at two a.m.? I need to talk to you. I have some important news.

Shh. Listen.

Herbie, the Love Bug is a seriously fucked-up movie.

That’s the truth. I hadn’t seen Herbie since we were kids, David. Didn’t we love it? I remember playing Herbie, running through ditches at Grandma’s, honking, “spinning” our wheels in the gravel, pretending to do VW Bug wheelies, all in fast motion.

I’m very serious, David. Listen: It’s a fucked-up movie.

Three days ago, I received Herbie, the Love Bug in the mail from Netflix. Had to be an accident. Never would have rented it. Charlie and the girls (my kids—you remember them?) like that new-style Disney crap (thanks to their mother) (no offense—I know you hold Mary in high regard), and I tried to show them The Shaggy D.A. last year and they were bored, pissing around, poking each other within ten minutes, paying no attention at all to The Shaggy D.A. You know why? The Shaggy D.A. contains no oversaturated colors or big-breasted mermaids to boil their desensitized brain chemicals. So Herbie, the Love Bug? I wouldn’t have rented it.

But there it was, Herbie, the Love Bug, when I picked up the mail on Monday. And I was excited. It’s my thirty-fifth birthday today. (You might remember?) Getting Herbie was like getting a birthday present a couple of days early. “This is just what I need,” I said, “a little fun.” But I was too beat after work to watch it, so I slept (poorly) and the next morning, Tuesday morning, I called in sick to work, cooked a big breakfast, brewed some coffee, and sat down to watch, totally psyched to walk down memory lane and ready to get cheered up.

Not a chance. Fucked up!

The truth: Herbie, the Love Bug, if you look past all the slapstick, hyperspeed racing scene, is a story about the need for sentient beings to be acknowledged, understood by their loved ones. There’s this surreal montage, after Jim Douglas (Herbie’s owner) buys a different, ostensibly faster, race car to replace Herbie, in which Herbie drives alone, dejected, through the wet and hazy streets of nighttime San Francisco (very noir) and haphazardly, as if drunk, weaves into a Chinese parade in Chinatown—amidst weird marching band music and muted firecracker explosions and dancing paper dragons—and finally moves ghostlike through wisps of yellow curling fog onto the Golden Gate Bridge, where he attempts to commit suicide by jumping over the railing (this is a VW Bug, remember). Luckily for the viewer, assuming the viewer is made of more hopeful stuff than me, Jim Douglas shows up in the nick of time to save Herbie (who actually ends up saving Jim as Jim’s rescue attempt ends with him dangling from Herbie’s bumper over San Francisco Bay).

But I am not that kind of viewer. I found myself cheering for Herbie’s suicide attempt, David. The anthropomorphization of the VW Bug sank in deep for me, me being made of hopeless stuff, and I felt wholly in tune with the Bug’s feelings of abandonment, his feelings of being misunderstood. Herbie didn’t have a context in which to understand himself anymore—he was so alone—and since I live in the real world and not in a fictional one in which society accepts and eventually embraces the uncharacterizable (e.g., a skittish part-Jew who grew up underachieving in a small midwestern town who falls in love with not his wife), the impossible to label (e.g., a VW Bug with a heart, eyes, enormous desires), I felt the most appropriate and true-to-life ending of the story would be Herbie’s successful annulment of his bitter, misbegotten life. And I’d started to think so only a third of the way through the actual movie.

And it was at that moment I began to seriously consider the annulment of my own (though I’ve had more serious fodder for suicidal thoughts in the last two days), a little more than a third of the way through my own actual life.

There you have it.

I’d like to discuss, so I’m sorry I’ll be dead when you get this. You should rent Herbie anyway and see what you think.

You’re not so bad, David. But you should answer your phone.


P.S. Don’t let Jared and Will watch Herbie. It’s too much. You want to keep your boys off drugs, don’t you? And if you’re depressed yourself, don’t do it.

From the Trade Paperback edition.

Meet the Author

GEOFF HERBACH is a cofounder of the Lit6 Project, a Midwestern literary group, and their project Electric Arc Radio, a literary tragicomedy, which is recorded live and airs on Minnesota Public Radio. Visit him at TheMiracleLetters.com.

From the Trade Paperback edition.

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Miracle Letters of T. Rimberg 5 out of 5 based on 0 ratings. 2 reviews.
melaniehaber More than 1 year ago
I didn't plan on being the first to write a review; I really thought I'd see a ton here. This book was hilarious despite the title. And very original....it hops from present tense to these suicide letters that T. Riberg wrote to lots of different people; people who made an impact of some sort on his life including celebrities. It's been almost a year since I read it and it was one of the best that I read. Beat Edgar Sawtelle with a stick.
Anonymous More than 1 year ago