Jacqueline Woodson snagged the 2001 Coretta Scott King Author Award for Miracle's Boys, a moving tale of one family's struggle to make a better life for themselves despite overwhelming odds and terrible tragedy. Woodson is no stranger to award-winning fiction. Among the many awards she has received for her novels are two prior Coretta Scott King Honors.
The story of Miracle's Boys is told by 12-year-old Lafayette Bailey, the youngest of three brothers living in New York City. They are orphans, living under the care of the oldest brother, Ty'ree, 22, a whiz kid who was forced to give up on his dream of attending MIT so he could work full time and keep his family together. The boys' diabetic mother, Milagro (Miracle), died of insulin shock two years ago, and their father died before Lafayette was born, succumbing to hypothermia after his heroic rescue of a woman and a dog from a frozen lake. The middle brother, Charlie, 15, has been away at the Rahway Home for Boys for the past two years, serving a sentence for armed robbery. But now that Charlie's back home, it's all too clear to Lafayette that things will never be the same.
Charlie isn't the same tenderhearted and caring boy he used to be. Newcharlie, as Lafayette now calls him, is changed: bitter, angry, and mean. It's bad enough that the boys are struggling to survive against crushing poverty, oppressive grief, and the ever-present threat of gang violence. Newcharlie's penchant for finding trouble may prove to be a fatal chink in their already rusted armor, leading to a breakup that would send Lafayette and Charlie off to foster homes. In addition, each of the boys is toting a ton of emotional baggage: a collection of guilty secrets, private demons, and mind-numbing fears. Their journey out of the darkness is a step-by-step process toward an uncertain future, and the only thing helping them along is their hope, their dreams, and their love for one another -- "brother to brother to brother."
Woodson's talent for peeling away emotional layers and exposing the raw, unadulterated truth is both riveting and refreshing. Young readers should delight in the moving but funny voice of Lafayette as he deals with his grief, anger, and sense of alienation. And the story's gritty prose and complex characters provide a level of clarity and commonality that should speak well to readers from age nine on up.
Publishers Weekly - Publisher's Weekly
Seventh-grader Lafayette fears that he will become separated from his two brothers after the death of their mother. "Viewing household tensions through Lafayette's eyes, readers will come to realize each character's internal conflicts and recognize their desperate need to cling together as a family," said PW. Ages 12-up. (Dec.) n Copyright 2001 Cahners Business Information.
Children's Literature - Children's Literature
Jacqueline Woodson's Miracle's Boys is the story of three boys left alone after their mother's death. Lafayette, present when his mother, Miracle, died, feels like a snake with shed skin "but I hadn't grown new skin underneath...I was just blood and bones spreading all over the place." Laf's older brother Charlie has been sent to a juvenile correction center after breaking into a store and Laf thinks somebody "scooped out his heart and sent the empty bitter rind of him home." Oldest brother Ty'ree, nicknamed St. Ty'ree, has given up MIT to be their guardian, but if Charlie messes up, they'll be sent to an aunt. There is a lot of pain in this book, but Woodson delivers it like an ode, strung together from lyrical images that reach inside readers as if to remind them that there is a beauty in grief. Miracle is dead, but she's left pictures "chiseled into" her boys and won't be forgotten because "she's too deep inside of us." And in the end when they hang on to each other, the love she's created pulls them together. 2000, Putnam, Ages 11 up, $15.99. Reviewer: Susie Wilde
Jacqueline Woodson's novels beautifully depict sensitive, topical issues. In her newest book, she introduces readers to three troubled brothers, struggling to cope with their mother's tragic death. Lafayette, the thirteen-year-old narrator, feels responsible for his mother's death and the impact it has had on his older brothers. His oldest brother, Ty'ree, turned down a college scholarship to work full-time to support the brothers so that social services will not separate the family. Charlie, once a loving, caring boy, has turned into a cold, hostile stranger, recently returned from a juvenile correctional facility. Lafayette struggles to handle his guilt and his increasing anger over Charlie's unpredictable behavior. The book lyrically relays Lafayette's evolving feelings, leading the reader to the surprising end. Once again, Woodson demonstrates her unique mixture of extraordinary writing and story. 2000, G.P. Putnam's Sons, Ages 11 up, $15.99. Reviewer: Rebecca Joseph
Author Jacqueline Woodson's poignant novel I'd Hadn't Meant to Tell You This and its sequel Lena address child abuse; From the Notebooks of Melanin Sun tells the story of a teenage boy who must deal with his mother's coming out as lesbian; If You Come Softly addresses interracial romance. Each successive book, while issue-inspired, draws from the same lyrical, honest pool of her heart; none of these books seems clinical or forced. Woodson's most recent novel Miracle's Boys tells a contemporary urban tale of three brothers, the thirteen year old protagonist Lafayette, and his two older brothers Ty'ree and Charlie. Their father died rescuing a woman and her dog in Central Park; their mother has recently died from diabetes. The three boys are left to fend for themselves in the big city. Ty'ree the oldest and the most responsible works full time to pay the rent and take care of the entire family. Charlie, who has a knack for getting into trouble, has just gotten home from three years in a halfway house for boys, after being implicated in a robbery. Lafayette simply tries to live a normal life by going to school and hanging with this friends, but he still desperately misses his parents and the brother Charlie, whom he now calls Newcharlie, since he seems so changed from his semi-incarceration. In a novel that seems strongly cinematic (movie scouts, take notice), readers are shown the dynamic which makes this family of brothers hang together. Instead of saying the word love out loud, Lafayette and Ty'ree have a code, saying, "Brother to brother," for the unconditional love they feel for each other. Much of the novel is focused on Lafayette's sensations being the youngest child and hisruminations on why his parents had to die, why his brother Charlie has to be "bad" sometimes, why he and his brothers have to be poor. At the end of the novel, Lafayette helps turn Charlie around because he alone realizes that Charlie is carrying around, like "a monkey on his back," bad feelings of guilt and inadequacy. His simple words open the older brother's hardened heart, and in the end, readers know that while the way will be tough, this family won't crumble but will somehow endure. Unusual because it explores the feelings that boys, and specifically brothers, have for one another, Miracle's Boys has a lot of emotional resonance. Woodson's portrait of an inner-city family in a tough, contemporary world shows how much of a miracle it truly is when human beings are able to cobble together an existence with pride and all the love they can muster together, even when all the odds seem against them. 2000, Putnam, $15.99. Ages 10 up. Reviewer: Stephen Fraser The Five Owls, May/June 2000 (Vol. 14 No. 5)
To quote from the review of the hardcover in KLIATT, May 2000: This is a brief novel about three brothers, orphans, who are trying to get along without their parents. The narrator is the youngest brother, Lafayette, 12, who is furious with his next oldest brother, Charlie, who has returned from two years at a reform school bitter and angry. The two are looked after heroically by their older brother Ty'ree, who gave up a dream to go to college when their mother Milagro died. The boys are still recovering from the horror of their parents' deaths. Ty'ree eventually reveals to Lafayette how he feels responsible for the death of their father, who died of hypothermia after jumping in a freezing lake to save a lady and her dog from drowning. (Ty'ree, a small boy, had urged his father to save them.) Ty'ree is trying to comfort Laf for his guilt in not being able to keep their mother from dying when her diabetes put her in a coma. Laf was just a 9-year-old boy when this happened; he found her unconscious and he did the best he could in the emergency, but their mother died anyway. These life dramas are told well by Woodson, a fine writer, who makes the brothers quite real for her readers. In some ways, the main character is the middle brother, Charlie, who is close to being lost in a life of crimeit is his "return" emotionally to his brothers that signals the beginning of his healing and that becomes the spine of this story. The portrait of their mother that emerges from the boys' memories is one of a truly strong, loving woman, determined that her boys will be intelligent and whole. They are trying to fulfill her dreams. The cover art on the paperback is excellent. (Winner of the CorettaScott King Award.) Category: Paperback Fiction. KLIATT Codes: J*Exceptional book, recommended for junior high school students. 2000, Penguin, Puffin, 131p., $5.99. Ages 13 to 15. Reviewer: Claire Rosser; KLIATT SOURCE: KLIATT, March 2002 (Vol. 36, No. 2)
School Library Journal
Gr 6-10-A compelling novel about three streetwise New York City brothers trying to help one another confront their personal demons. Thirteen-year-old Lafayette still grieves for his mother, who died of diabetes two years earlier. He blames himself for not being able to save her. Older brother Ty'ree is more mature and responsible but he, too, is tormented by the past. He witnessed his father rescue a drowning woman and later die of hypothermia before Lafayette was born, and he continues to feel guilty for not being able to help him. Lafayette and Ty'ree take comfort in school, work, and other routines of daily life to keep their lives focused and their minds off the past. All of this changes, however, when a middle brother named Charlie returns from a juvenile-detention facility where he served a three-year sentence for an armed robbery. Having this angry, sometimes hostile presence in their lives forces Lafayette and Ty'ree to depend upon one another even more to work through their grief and figure out how to help Charlie survive. As usual, Woodson's characterizations and dialogue are right on. The dynamics among the brothers are beautifully rendered. The narrative is told through dialogue and Lafayette's introspections so there is not a lot of action, but readers should find this story of tough, self-sufficient young men to be powerful and engaging.-Edward Sullivan, New York Public Library Copyright 2000 Cahners Business Information.|
Read an Excerpt
Chapter One "Brothers is the baddest. Then comes Dominicans. Dominicans don't mess around. I'm cool with Dominicans though. They don't mess with me, I don't mess with them.
I lay back on my bed and listened to my brother Newcharlie talking. We had shared this room since the day I was born. And I swear since the day I was born, he'd been going on about who was the baddest. Used to be Puerto Ricans were the second baddest, but somewhere along the road their status dropped. Brothers were always at the top or the next ones down.
Newcharlie wasn't talking to me. Since he'd gotten home from Rahway Home for Boys a few months ago, he never talked to me. He was combing his hair and talking to Aaron. They'd known each other forever to say "W's up" and stuff, but they didn't start hanging till Newcharlie came home from Rahway. Seems once Newcharlie saw the inside of Rahway, most of the guys around here who cut school, hung out real late, and got into all kinds of stuff thought he was some kind of wonderful. Aaron acted like he wanted to kiss the heels of Newcharlie's shoes, hanging on to Newcharlie's words like they were something special. And Newcharlie was just as stupid over Aaron. Hanging out with him like Aaron was his brother. Like Aaron was me.
Newcharlie and Aaron were the same height and walked the same way, and now they had the same meanness. Aaron's meanness had always been around him. Even when we were small, we'd walk past him and he'd say something negative. Like when Mama used to make us go to church on Sundays. We'd be all dressed up walking to the bus stop, and Aaron'd say something like "Mama's church boys going to meet their maker." Or the time our big brother, Ty'ree, stopped him from snatching this little kid's Halloween bag. Aaron didn't take the bag, but he kept glaring over his shoulder as me and Ty'ree and the kid walked away, saying, "That's all right, church boy. That's all right." Like he had something waiting for us later on. Newcharlie's meanness was as new as his name. He'd come back from Rahway with it, and the way he and Aaron hung so tight, you'd think he didn't remember those days when we crossed to the other side of the street when we saw Aaron and his boys hanging out.
I watched Newcharlie part his hair on the side and comb it one way, then shake his head, part it on the other, and pull the comb through it again. His hair's curly, like our mama's was-jet-black curls that girls go crazy for. He's three years older than me but only a little bit taller, and at the rate he was going schoolwise, come this time next year, I'd be almost caught up with him. I'd just started seventh grade and Newcharlie was repeating ninth, but he didn't seem to care one way or the other.
The old Charlie would have cared about me catching up to him. He would have sat down at the dining-room table and crammed, because he would have been embarrassed about me being in almost the same grade as him. See, the old Charlie had feelings. If Charlie saw a stray cat or dog, he'd start crying. Not out-and-out bawling, but he'd just see it and start tearing up.
Sometimes, when we were out walking, he'd turn away real fast and I'd know it was because he saw the shadow of some stray animal and was wishing it wasn't out in the cold. Once he told me that some nights he lay in bed just praying for all the stray animals out there. There's a lot of them, you know, Charlie said. And probably not a whole lot of people praying for them. He told me about St. Francis of Assisi, how he was the guy who looked out for all the animals. He said him and St. Francis were the only two asking God to help those animals walking the cold streets not to freeze to death. I promised Charlie I'd pray too.
And sometimes, late at night, Charlie would just start talking, telling me stories about how things were before I was born-memories of him and our older brother, Ty'ree, and my mama and daddy together. Wasn't ever anything mean in it-like that he wished I hadn't been born or something-just stories, quiet stories that would make me smile and help me fall asleep.
Now I called him Newcharlie because Rahway hadn't sent the guy I was just talking about home. This guy standing at the mirror moving his hair around his head was someone'something-different. Not the guy who used to laugh and tell jokes and put his arm around my shoulder. This guy never did any of those things. Ever.
Right after he came home from Rahway, I got up in the middle of the night to look at him. He'd been away for more than two years, and the guy sleeping across from me was a stranger. Some days he'd just sit on that bed with his hands hanging down between his knees. Just staring out the window and looking evil. But when he was asleep, his face spread out-all the frowns and scowls just kind of faded and he looked like Charlie again, ready to care about something, to be happy, or to cry about stray animals.
Newcharlie checked himself out for a moment without saying anything. He's light brown with thick black eyebrows and Mama's nose. He winked at himself, then caught me watching him in the mirror and gave me the finger. I looked away from him without giving him the finger back.
What changed you, Cha? I wanted to ask him. What made you cold?
"Ya'll don't go to church no more?" Aaron nosed.
I swallowed and caught Newcharlie's eye. He looked back at me for a second, then frowned.
"Church is for little boys," he said. "Little mama's boys. I look like a little mama's boy to you?"
The last time any of us was in a church was for Mama's funeral. I didn't want to see the inside of one again. Least not for a long time. Least till the thought of even passing by one isn't enough to make me choke up and start bawling about Mama.
"Stupid little mama's boys like Lala," Newcharlie said.
"My name ain't Lala," I said.
In the summer I go down south to my great-aunt Cecile's house. If the watermelons are ripe, she'll buy one. When we get home, she always takes it out back and breaks it open against a rock, then scoops out the heart of it-the sweetest, reddest part-and hands it to me. I stared out the window. Somebody had done that to Charlie: scooped out his heart and sent the empty bitter rind of him on home.
Aaron was sitting on the bed directly across from mine, Newcharlie's bed, and he was rolling one of his pants legs up real slowly. Sometimes when he looked at me, I felt the coldness, like somebody was dripping ice water down my back.
"Anyway, Puerto Ricans," Newcharlie said. "If they're in a gang, then you got a problem. But if they're on their own, then it's cool. Most of the ones in Rahway had gangs behind them."
"I don't know no Puerto Ricans that ain't in a gang, Cha," Aaron said.
"What're you talking 'bout?" I said. "We're half Puerto Rican and we ain't in no gang, and you're all Puerto Rican and you ain't either."
"How you know what I'm in with your little self?" Aaron said. "You don't know nothing about me, little boy."
Aaron looked me up and down like he was looking at something that didn't even have a right to be in the world. He was wearing a Yankees baseball cap with the front of it pulled down over his eyes so that he had to lift his whole face to look at me. I thought that was a stupid way to wear a hat but didn't say anything about it.
"I don't know what my size got to do with anything, but I know you ain't in no?"
"Mind your business, Lala." Newcharlie glared at me through the mirror. "Nobody in this room talking to you. You hear anybody call your name? When somebody calls your name, then somebody's talking to you, and nobody in this room is ever gonna be calling your name."
"So just keep your stupid mouth closed," Aaron said, "and maybe you'll live."
"Lafayette," I said. "My name ain't no Lala. It's Lafayette."
I turned away from both of them and stared out the window. If you ever had a brother who didn't like you, then I don't have to explain it. Feels like being a stranger in your own house, like everything that used to mean something doesn't anymore. Even your own name. Newcharlie'd hated my guts since Mama died, and he wasn't shy about letting anybody listening know it. Most times when he and Aaron got to talking, I just stayed quiet. If I was real quiet, it was like I was invisible. And if I was invisible, Newcharlie couldn't hate me.
"What about white boys?" Aaron asked.
"White boys?! What you think about white boys?"
"Don't know, Cha. That's why I'm here asking you. You act like you know everything about Dominicans and Ricans and brothers, I figure?"
" 'Course I know about white boys," Newcharlie said. "They not even worth mentioning. It's like if you have a totem pole of badness, right? You got the brothers at the top, then the Dominicans and the Puerto Ricans in gangs, then the Puerto Ricans not in gangs-and maybe some of those Chinese guys that's in gangs?"
"They know karate and stuff, too," Aaron said. "Like Jackie Chan. Jackie Chan can mess some brothers up, yo."
"Yeah, like if they know karate, then they probably go before the Puerto Ricans in gangs?"
"Except if the gangbangers got guns." Aaron looked over at me. "Blow somebody's head off."
I chewed on my bottom lip and didn't say anything. Once, before he went to Rahway, Charlie took me to see a Jackie Chan movie. When we came out of the movies, I started kicking and chopping and stuff, telling Charlie I wished I was Chinese so then I could know karate. Charlie put his hand on my shoulder and turned me toward him.
"Not all Chinese people know karate," he said. "That's a stereotype."
I didn't know what he was talking about, but his hand was hard on my shoulder, so I stopped chopping.
"Like when people say all black people are lazy or something," Charlie said.
I shrugged. A few months later I saw another movie. Only it wasn't Jackie Chan and it wasn't about karate. It was about this couple and they had this landlord who lived upstairs who was supposed to be Chinese or something. Only he wasn't really. He was some guy making believe. When people in the audience started laughing at the way the guy was talking, I felt weird, like it wasn't right.
"But if they know karate," Newcharlie was saying, "then they can kick a gun out of a gangbanger's hand, right?"
"Yeah," Aaron said. "You right. If they're fast enough. Don't a bullet travel at the speed of sound or something?"
"Depend on the gun, probably," Newcharlie said.
I wanted to remind Newcharlie about that day at the Jackie Chan flick, about his hand on my shoulder and what he'd said. And I wanted to tell Newcharlie that he had the totem pole idea all screwed up. If brothers were at the top, that meant they were the least bad. Anybody who knew even the tiniest bit about totem poles knew that the most important was at the bottom. But I bit my bottom lip and didn't say anything.
"Then after every every every body else," Newcharlie was saying, "then you got white boys."
"What about that guy David?" Aaron asked. "The one from Rahway?"
I looked at Newcharlie in time to see him glance at me in the mirror, then cut his eyes back at Aaron. He wasn't allowed to talk about Rahway in front of me. Ty'ree didn't allow it. But Ty'ree was at work, and Newcharlie took every chance he could get to do the opposite of what Ty'ree said. He turned toward Aaron and leaned back against our dresser. Then he dropped his voice real low.
"I saw him make a knife out a slipper spoon," he said. "His moms had sent him one 'cause he kept saying his shoes was getting too small, and since she couldn't afford to buy him a new pair of shoes, she sent him some Vaseline and one of those things make putting your shoes on easier-I know they got another name, but he called it a slipper spoon." Newcharlie eyed me, daring me to give the right name for it. I looked up at the ceiling and didn't say anything. I loved stories about Rahway.
"Every night I'd hear something scraping and scraping-real soft against the floor, like you had to listen real hard to hear. Sounded like a shy cat against a screen door-just like a little whisper of a scrape, but I knew what it was, so it sounded real loud to me. Like a clock ticking away somebody's life."
"How he gonna sharpen it on the floor, yo?"
Newcharlie rolled his eyes. "Floors in Rahway ain't regular floors. Everything there's made out of cement-walls, ceilings, floors-like you living inside a big gray rock. Winter you feel like you'll freeze to death inside that rock. Summer you think you gonna fry."He stared into the mirror. Only he wasn't looking at himself anymore. He was looking somewhere else. Someplace far away.
"Everywhere, everywhere cement," he said, his voice dropping lower. "And all of us always marching in a line-to the bathroom, to grub hall, to yard time. No talking, just marching, marching. Say one word and the C.O.'s calling your last name and taking something away from you'no TV, no yard time, no rec hall. . . ." He was still looking at that faroff place, but he was whispering now. "No you. No more."
I pressed my back into the wall, the white white walls Mama had painted to make our room bright, and tried to imagine my brother inside that stone place. The place he'd gone back to after Mama's funeral. No Mama. No name.
"Who that guy kill, Cha?" Aaron said.
Newcharlie blinked and looked from me to Aaron like he wasn't sure who we were or why we were there.
"That guy David, yo. The one with the slipper spoon," Aaron said. "What's wrong with you, man? You're like 'beam me up' or something."
"It's not deep, A. I'm just trying . . . to remember . . . all of it. Few days later David showed me the slipper spoon, only it wasn't a slipper spoon no more. He moved it real light across his finger and one drop of blood came out. Reddest blood I'd ever seen in my life. I mean, he like barely touched his finger and that drop of blood was there. His finger was real pale, and that blood just stood out on it. All thick and red. I looked at that blood and knew the next person come in contact with that slipper spoon was never gonna hear the words 'happy birthday' again."
"Who he kill?" Aaron asked again.
"Yeah," Newcharlie said. "I'd have to put David higher on the totem pole than other white boys."
Aaron grinned. "You ain't gonna say 'cause of Lala?"
"I know he didn't kill anybody," I said. "I know the C.O. found that shoehorn under David's pillow one day while ya'll were out in the yard and David got sent off to another place-worse than Rahway."
Newcharlie gave me a dirty look. "That's what you think, stupid. That's what Ty'ree says to tell you, but that ain't what happened. And since you think you know so much, I'm really not gonna say. I almost said, too. Then you had to go and open your fat mouth. That's what you get, you little . . ." I waited for him to say it, but he didn't and I felt my stomach relax.
He turned back to the mirror. Newcharlie was wearing a plaid long-sleeved shirt and baggy jeans. He unbuttoned the top button, then buttoned it again and checked himself out one more time.
"You ready?" Newcharlie asked.
"Then let's step." He looked at me. "When Ty'ree gets home, you tell him we just left too, you hear me?"
I kept staring out the window.
"Your brother talking to you, man." Aaron said.
"Yeah-I hear you."
"Later, Milagro killer."
"Oh shoot." Aaron laughed. "That's cold, man."
"It's true," Charlie said.
I swallowed and looked down at my hands so Newcharlie wouldn't see my eyes tearing up. I could hear the door slamming in the living room and him and Aaron running down the stairs, taking them two at a time the way they always did. A few minutes later I heard Newcharlie calling out to somebody. It was gray out. I stared at the sky and tried not to let his words sink in. I stared until the window blurred.
"I didn't kill her," I whispered.
Then I lay back on my bed and prayed it would pour down rain.Copyright-2000 by Jacqueline Woodson. Published by G. P. Putnam's Sons, a division of Penguin Putnam Books for Young Readers. All rights reserved.