The world's unluckiest trio of children have their most perilous adventure yet in The Miserable Mill, the fourth book in Lemony Snicket's delightful tales of woe, A Series of Unfortunate Events. Orphans Violet, Klaus, and Sunny Baudelaire have yet to find a guardian they can live with and, after the disasters that occurred during their last living arrangement, they are now headed for a lumber mill in the town of Paltryville (most of the names used in these tales are as revealing as they are entertaining), located just beyond the gloomy, black Finite Forest.
Another misadventure is virtually guaranteed when the children arrive at the mill and discover an eye-shaped building (the eye being Count Olaf's signature symbol) located right next door. Supposedly the building is an eye clinic, but the children have their doubts. Life with their newest caretaker doesn't look very promising either, as the children are forced to work in the mill and bunk in a dormitory with the other employees, all of whom are paid in coupons. Then Klaus breaks his glasses and has to visit the eye clinic. He doesn't return for hours -- and then when he does, he acts very strangely.
Violet begins to suspect that Klaus has been hypnotized and her investigation of the eye clinic reveals Count Olaf in his latest disguise. It's one the children can see through easily, though they can't seem to convince any of the adults around them that the eye clinic receptionist named Shirley is actually Count Olaf. Only by using their singular strengths -- Violet's knack for inventing, Klaus's book smarts, and Sunny's T-Rex-like bite -- can they escape their latest horrible fate.
While many of the events that occur on these pages are indeed bleak, miserable, and unfortunate, the indomitable spirits of the Baudelaire children and Lemony Snicket's gleeful telling of their tale makes reading them irresistible. As a side benefit, there's also a marvelous education in linguistics hidden amidst the mishaps. (Beth Amos)
Children's Literature - Children's Literature
The pseudonymous Snicket returns in fine fettle for "Series of Unfortunate Events, Book 4." In this episode the three Baudelaire orphans are shipped off to labor like serfs in the Lucky Smells Lumbermill, being fed nothing but a stick of chewing gum for lunch, nasty casseroles for dinner--and always, always living in fear that their nemesis, the villainous Count Olaf, is lurking somewhere very near, about to pounce. It remains, however, irrelevant what gloom and doom actually descends upon these children while Snicket is the omniscient narrator in charge. His marvelous asides and play on words are what enliven these Victorian-style satires. It's unclear how many actual children there are out there who can follow Snicket's verbal swoops, but he's a joy to the literate adult. Reviewer: Kathleen KarrChildren's Literature
The Baudelaire children were orphaned when their parents were killed in a fire. Violet (14), Klaus (12) and, the infant, Sunny, are being sent to yet another place (#4) in the hopes of securing a permanent home. Each adventure has them being tracked by the dastardly Count Olaf and his cronies who want to swindle the children out of their substantial inheritance. The Miserable Mill was the Lucky Smells Lumbermill in the Finite Forest in Paltryville. The children live an unhappy existence. They have no breakfast, chewing gum for lunch, and a casserole for dinner. They must debark trees, saw planks, share the space of one bunk bed, and overcome adults who will not listen to them because we all know that children "should be seen..." They find disaster and danger lurking everywhere. They just cannot win. The Miserable Mill is written in the style of Dahl and Dickens. Although the story is predictable, the narrator (Lemony Snicket) keeps young readers guessing and giggling. The Baudelaire children are upbeat, smart, lovely, and optimistic. Readers become optimistic all the while predicting (optimistically) success for them. This is the fourth of a series of events that chronicle the eventful mishaps of the children. Genre: Reviewer: Linda Broughton; Mobile, Alabama
Read an Excerpt
Sometime during your lifein fact, very soonyou may find yourself reading a book, and you may notice that a book's first sentence can often tell you what sort of story your book contains. For instance, a book that began with the sentence "Once upon a time there was a family of cunning little chipmunks who lived in a hollow tree" would probably contain a story full of talking animals who get into all sorts of mischief. A book that began with the sentence "Emily sat down and looked at the stack of blueberry pancakes her mother had prepared for her, but she was too nervous about Camp Timbertops to eat a bite" would probably contain a story full of giggly girls who have a grand old time. And a book that began with the sentence "Gary smelled the leather of his brand-new catcher's mitt and waited impatiently for his best friend Larry to come around the corner" would probably contain a story full of sweaty boys who win some sort of trophy. And if you liked mischief, a grand old time, or trophies, you would know which book to read, and you could throw the rest of them away.
But this book begins with the sentence "The Baudelaire orphans looked out the grimy window of the train and gazed at the gloomy blackness of the Finite Forest, wondering if their lives would ever get any better," and you should be able to tell that the story that follows will be very different from the story of Gary or Emily or the family of cunning little chipmunks. And this is for the simple reason that the lives of Violet, Klaus, and Sunny Baudelaire are very different from most people's lives, with the main differencebeing the amount of unhappiness, horror, and despair. The three children have no time to get into all sorts of mischief, because misery follows them wherever they go. They have not had a grand old time since their parents died in a terrible fire. And the only trophy they would win would be some sort of First Prize for Wretchedness. It is atrociously unfair, of course, that the Baudelaires have so many troubles, but that is the way the story goes. So now that I've told you that the first sentence will be "The Baudelaire orphans looked out the grimy window of the train and gazed at the gloomy blackness of the Finite Forest, wondering if their lives would ever get any better," if you wish to avoid an unpleasant story you had best put this book down.
The Baudelaire orphans looked out the grimy window of the train and gazed at the gloomy blackness of the Finite Forest, wondering if their lives would ever get any better. An announcement over a crackly loudspeaker had just told them that in a few minutes they would arrive in the town of Paltryville, where their new caretaker lived, and they couldn't help wondering who in the world would want to live in such dark and eerie countryside. Violet, who was fourteen and the eldest Baudelaire, looked out at the trees of the forest, which were very tall and had practically no branches, so they looked almost like metal pipes instead of trees. Violet was an inventor, and was always designing machines and devices in her head, with her hair tied up in a ribbon to help her think, and as she gazed out at the trees she began work on a mechanism that would allow you to climb to the top of any tree, even if it were completely bare. Klaus, who was twelve, looked down at the forest floor, which was covered in brown, patchy moss. Klaus liked to read more than anything else, and he tried to remember what he had read about Paltryville mosses and whether any of them were edible. And Sunny, who was just an infant, looked out at the smoky gray sky that hung over the forest like a damp sweater. Sunny had four sharp teeth, and biting things with them was what interested her most, and she was eager to see what there was available to bite in the area. But even as Violet began planning her invention, and Klaus thought of his moss research, and Sunny opened and closed her mouth as a prebiting exercise, the Finite Forest looked so uninspiring that they couldn't help wondering if their new home would really be a pleasant one.
"What a lovely forest!" Mr. Poe remarked, and coughed into a white handkerchief. Mr. Poe was a banker who had been in charge of managing the Baudelaire affairs since the fire, and I must tell you that he was not doing a very good job. His two main duties were finding the orphans a good home and protecting the enormous fortune that the children's parents had left behind, and so far each home had been a catastrophe, a word which here means "an utter disaster involving tragedy, deception, and Count Olaf." Count Olaf was a terrible man who wanted the Baudelaire fortune for himself, and tried every disgusting scheme he could think of to steal it. Time after time he had come very close to succeeding, and time after time the Baudelaire orphans had revealed his plan, and time after time he had escapedand all Mr. Poe had ever done was cough. Now he was accompanying the children to Paltryville, and it pains me to tell you that once again Count Olaf would appear with yet another disgusting scheme, and that Mr. Poe would once again fail to do anything even remotely helpful. "What a lovely forest!" Mr. Poe said again, when he was done coughing. "I think you children will have a good home here. I hope you do, anyway, because I've just received a promotion at Mulctuary Money Management. I'm now the Vice President in Charge of Coins, and from now on I will be busier than ever. If anything goes wrong with you here, I will have to send you to boarding school until I have time to find you another home, so please be on your best behavior."
"Of course, Mr. Poe," Violet said, not adding that she and her siblings had always been on their best behavior but that it hadn't done them any good.