The Washington Post
The Missingby Tim Gautreaux
A masterful novel set in 1920s Louisiana, The Missing is the story of Sam Simoneaux, a floorwalker at a New Orleans department store. When a little girl is kidnapped on Sam’s watch he is haunted by guilt, grief, and ghosts from his own troubled past. Determined to find her, Sam sets out on a journey through a world of music and violence, where riverboats teem with drinking and dancing, and where dark swamplands conceal those who choose to live by their own laws. With the fate of the stolen child looming, The Missing vividly depicts an America lurching away from war, where civilization is only beginning to penetrate the hinterlands, and a man must choose between compassion and vengeance.
From the Trade Paperback edition.
The Washington Post
The New York Times
Bayou shepherd of half-sunk souls, Gautreaux returns to the land of the lost and the lonely in his haunting and transient third book (after The Clearing). Post-WWI Louisiana is a "root-buckled" and "magnolia-haunted" underworld for seedy, drunken mobs and twisted backwoods families. Floating through the chaos is Sam Simoneaux, who, "half dead" after the slaughter of his parents and the later loss of his two-year-old son to fever, undertakes a quest to find a missing girl. Encountering embittered thieves, forlorn vaudevillians and icy bourgeoisie, Simoneaux is a keen observer who can find the one good stitch of humanity in an otherwise sordid tableau, even as his investigation begins to connect back to his family's murders. He is also a refreshingly candid voice, brimming with a lyrical intensity that graces some of the best Southern literature. Though the hasty, romantic wrapup to Sam's investigation and his refusal to exact revenge on his family's murderers-emotionally tepid even through the novel's decisive climax-obscure Gautreaux's finer redemptive tones, Sam's struggle to redeem the memories of his son and parents sustains the book's raw beauty. (Mar.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
“A thrilling page-turner that crisscrosses the Deep South, Tim Gautreaux’s The Missing is a look at lives that are steeped in loss, and an examination of what it is that we can recover.” —San Francisco Chronicle
“Absorbing. . . . A primal story about the meaning of loss, the pull of revenge, and the necessity of healing.” —The Boston Globe
“If you’ve been complaining that nobody writes novels as they used to, this could be your book. . . . Fantastic.” —The Washington Post Book World
“Gautreaux has a mythic sense of plot, a keen ear for dialect and vivid powers of description. . . . [He] is an old-fashioned storyteller, a spinner of yarns with a moral.” —The New York Times Book Review
“Jazz flows through The Missing like another river. . . . A grand story with unconventional heft.” —The Miami Herald
“Remarkable. . . . Mr. Gautreaux has given us a compelling adventure tale with a moral center.” —The Wall Street Journal
“Evocative. . . . Few novels this year will hold so much story, craft and song.” —Winston-Salem Journal
“Gautreaux’s language is as rich as the land he writes about, and he conveys a sense of the wild new jazz music as well as the ageless swamp.” —Boston Phoenix
“The seamless structuring of the classic and the contemporary, of the past and the present, is the mesmerizing magic of The Missing. . . . Exquisite.” —The Anniston Star
“[Gautreaux’s] writing is a masterful mix—beautifully lyrical, yet incredibly authentic. . . . Gautreaux transports readers to a place and time populated by characters who are fully formed, deftly drawn and—for the most part—quite a scary bunch.” —The Beachcomber
“[Gautreaux’s] depiction of the hardscrabble, base lives of the vile people in the country is the best writing about that class of people since Charles Frazier described a similar clan in Cold Mountain.” —Baton Rouge Advocate
“Beautifully detailed. . . . Sentence by sentence, [Gautreaux’s] prose is as accomplished as anything I've read in the past couple of years.” —Doug Childers, Richmond Times-Dispatch
“An epic triumph. . . . [The Missing] has the impact of a book twice its length. It’s a dramatic, theatrical meditation on law and lawlessness, guilt and the hollowness of vengeance. . . . The anticipation clutching your throat makes you race towards the novel’s climax.” –The Guardian (UK)
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Read an Excerpt
Sam Simoneaux leaned against the ship’s rail, holding on in the snarling wind as his lieutenant struggled toward him
through the spray, grabbing latches, guy wires, valve handles. “Pretty bad belowdecks,” the lieutenant cried out against the
“That’s a fact. Stinks too bad to eat.”
“I noticed you have a bit of an accent. Where are you from?”
Sam felt sorry for him. The lieutenant was trying to be popular with his men, but none of them could imagine such a white- blond beanpole from a farm in Indiana leading anyone into battle. “I don’t think I have an accent. But you do.”
The lieutenant gave him a startled look. “Me?”
“Yeah. Where I was raised in south Louisiana, nobody talks like you.”
The lieutenant smiled. “Everybody’s got an accent, then.”
Sam looked at the spray running over the man’s pale freckles, thinking that in a heavy frost he’d be nearly invisible. “You come up on a farm?”
“Yeah, sure. My family moved down from Canada about twenty years ago.”
“I was raised on a farm but figured I could do better,” Sam yelled. “The lady down the road from us had a piano and she taught it to me. Moved to New Orleans when I was sixteen to be close to the music.”
The lieutenant bent into the next blast of wind. “I’m with you there. I can’t throw bales far enough to farm.”
“How many days till we get to France?”
“The colonel says three more, the captain, two, the pilot, four.”
Sam nodded. “Nobody knows what’s goin’ on, like usual.”
“Well, it’s a big war,” the lieutenant said. They watched a huge swell climb the side of the rusty ship and engulf a machine- gun crew hunkered down below them in a makeshift nest of sandbags, the deluge flushing men out on deck, where they slid on their bellies in the foam.
The next few days were a lurching penance of bad ocean, flinttopped rollers breaking against the bows and spray blowing by the portholes like broken glass. Inside the ship, Sam slept among the thousands of complaining, groaning, and heaving men, but spent his waking hours at the rails, sometimes with his friend Melvin Robicheaux, a tough little fellow from outside of Baton Rouge. On November 11, 1918, their steamer escaped the mountainous Atlantic and landed at Saint-Nazaire, where the wharves were jammed with people cheering, some dancing together, others running in wild rings.
Robicheaux pointed down over the rusty side of the ship. “How come everybody’s dancin’? They all got a bottle of wine. You think they glad to see us?”
Tugboats and dock locomotives were blowing their whistles through a hanging gauze of coal smoke. As he watched the celebration, Sam felt happy that he’d shown up with his rifle. The French looked like desperate people ecstatic about an approaching rescue. However, as the tugboats whistled and pushed the ship against the dock, he sensed the festival wasn’t for this boatload of soldiers but for some more important event. Hardly anybody was waving at the ship.
Four thousand troops unloaded onto the dock, and when all the men were lined up under the freight sheds and out of the wind, a colonel climbed onto a pile of ammunition crates and announced through a megaphone that an armistice had just been signed and the war was over.
Many cheered, but a portion of the young recruits seemed disappointed that they wouldn’t get to shoot at anybody. The weapons hanging on them, the ammunition stacked around in wooden crates, the cannons still being unloaded by the puffing dock cranes were suddenly redundant. Sam wondered what he would tell his friends back home of his war experience. The most valuable trophies of war were the stories, and this one was good only for a derisive laugh.
Robicheaux poked him in the back with the tip of his bayonet scabbard. “This like that time you tried workin’ at Stein’s?”
“Stein, the shoe man.”
“Oh. I guess so.” He had tried for two weeks to get a job at Stein’s Shoe Emporium on Canal Street, but the morning after the old man had finally decided to take him on, Sam showed up for work only to find a wreath on the door and a typed note announcing the death of Solomon Stein and the permanent closure of his shop.
He stood in his ranks for an hour feeling awkward and unnecessary while the officers tried to figure what to do with all these soldiers and their tons of gear. Sam’s long suit was patience, or at least an ability to wait for something good to happen, so he stood there, watching the civilians cheer as the men around him grumbled that they might have to file onto the ship for a lurching voyage back to New Orleans. It was cold, and he was hungry. After a long while, boys pushing carts of food came up and fed each man a miniature loaf of hard bread with a slice of cheese hanging out like a pale tongue. Then they were marched five miles to the edge of the city, where they pitched camp in a bald field that, judging by the stumps and posturing bronze statues, must once have been a landscaped park. An icy breeze flowed down a boulevard feeding into the camp, and Sam fastened the top button on his tunic and closed his coat. He had never felt a wind that cold in his life.
That night he was sure he would freeze to death. Robicheaux, his tent mate, lay on his cot talking nonstop.
“Hey, Simoneaux, I’m thinkin’ of a warm fire, me. Hot potatoes in each pocket. How about you?”
“I’m thinkin’ about those recruiting posters. They made joining up look like a good idea,” he said glumly.
“I liked the one with the Hun molesting them Belgian women.”
Sam raised his head from his cot and looked at him. “You liked it?”
“I mean it made me mad. Made me want to come over and help ’em out.”
“You wanted to make them Belgian women grateful, huh?”
Sam covered his head. “Sometimes I think about the music. I was sales clerk at Gruenwald’s when I joined up, and we got in all this sheet music full of sunshine, like ‘Over There,’ ‘Somewhere in France Is Daddy,’ ‘Keep Your Head Down, Fritzie Boy.’”
Robicheaux sniffed. “You didn’t think you’d need to keep your head down between your legs to keep your ears from freezin’ off.”
“So far,” Sam said dreamily, “it’s not a happy song.” At home, the war had seemed a colorful musical production, a gay fox- trot in the key of C, but the voyage on the Alex Denkman changed all that. The Denkman was a round- bottom, coal- burning nausea machine, its hull so fouled with giant streamers of rust that the government decided painting a camouflage pattern on it was unnecessary. A boy who’d grown up in Sam’s hometown had died en route of a burst appendix and was buried at sea after a perfunctory prayer. Sam and several other Louisiana men had stood in snow flurries on the fantail and watched the shrouded figure bob in the ship’s rolling wake, refusing to sink, as though the corpse itself didn’t feel right about the lead- cold sea and was trying to drift back toward the warm soil of a Louisiana graveyard. He was a Duplechen boy, his father a wiry little farmer who was good with mules. Sam knew the man and could imagine his sorrow, the vacant place at his table, the forever- broken link. This cold camp seemed a minor inconvenience next to that, and he turned over and went to sleep.
One morning, after a week of camping among the statues, he watched a group of officers drive up in an open motorcar and choose squads of ten to travel to Paris and work in hospitals. Sam drew this duty and was put in charge of guarding a narcotics dispensary.
Sometimes he was sent through the pungent wards to deliver a dose of morphine to a nurse, and the things he saw on these errands aged him. The amputations, the groaning, the smell of infection and illness were proof of how little he knew about the meanness of warfare. At the end of each day, he felt humbled and simple. Sometimes he and his contingent would walk to a café where there was a very bad piano, and Sam would practice for an hour straight. The men didn’t talk about the things they had seen in the wards, because all of it was beyond words. Sam was afraid that talking about it would make pictures stick in his head forever. They all worked in the ward for those too sick to move, and it was so huge that the ten of them combined had never seen half of it, much less the satellite buildings and compounds. There were French hospitals. English hospitals. American hospitals. Nothing in the patriotic posters or sheet music hinted at the blown- away jawbones, the baked eyeballs, or the trembling black rubber tubes dripping pus.
Eventually, because he could speak Cajun French, which to the Parisians sounded like a very bad seventeenth- century patois from the south of France, he was asked to perform some rudimentary interpreting. But every Frenchman he talked to raised his eyebrows in alarm, studied his pleasant face, and asked which colony he came from.
In January he was pulled off hospital duty and teamed up with eight fellow Louisianans under the Indiana lieutenant, for battlefield cleanup in the Argonne. They were told they were going to a forest, and Robicheaux picked up his rifle and said, “Hot damn, maybe we can shoot us a deer and get some good meat.” But days later, when they jumped off the muddy, open truck, they saw a dead and ice- glazed countryside convulsed with shell craters and stippled with exploded trees, a vast, botched junkscape of shot- apart wagons, upended tanks, and frost- etched ordnance of every description. They were given a map and told to police two square miles of it.
Sam stepped off the frozen track and his boot broke through a crust of ice, sinking deep into a foul- smelling brook. He pulled free and looked back at his lieutenant, tall, pale- eyed, barely there, his boyish midwestern face full of obedience and confusion.
“Sir, what exactly do they want us to do?”
The lieutenant put a foot up on an abandoned water- cooled machine gun. “I think it’s pretty simple. We should look for the most dangerous ordnance and detonate it.” His voice was thin, and Sam remembered hearing that he was highly educated and had never seen combat. They all looked over the immense battlefield, unable to comprehend any of it. Even in the cold, a stink rose out of the earth, and bristling everywhere were rusted hummocks of barbed wire.
They set up a camp of sorts, erecting a small tent for their supplies, and two hours after they’d arrived, a plodding noise came from the west, and they turned to see the head of an infantryman rise up from a steep swale and then the rest of him, his right hand towing the reins of five saddled horses over the remnant of a road. He plodded on deliberately— like a horse himself, and stopped next to the truck. “I have orders to let you have these here animals,” he drawled.
“What on earth for?” the lieutenant asked.
The soldier shrugged. “Each demolition group gets a team.”
Sam pointed over the chaos of no- man’s- land. “They don’t expect us to ride these out there, do they?”
“Good idea!” the lieutenant exclaimed, his face brightening. He dismissed the soldier and took the reins, tying them to the truck’s side rails. “From horseback you’ll be able to find the shells much better. That’s the first thing to go after. The big projectiles. We can stack them and blow them up.” He gestured toward the truck bed. “We’ve been sent out with a detonator, electrical wire, and cases of dynamite.” Sam had been issued a pair of field glasses and was studying a hill to the north, his stomach heavy with foreboding. “What about the grenades? They’re out there like gravel.” He put down the glasses and looked over at the lieutenant.
“I know enough not to handle them. Some might go off with just a nudge. I think we should try shooting them with our Springfields.”
Melvin Robicheaux took off his helmet. “Will that set them things off ?”
The lieutenant raised his shoulders and turned up his hands. “Pick one and shoot at it. Sort of an experiment.”
Sam again peered through his field glasses. “I wouldn’t do it.”
The lieutenant rose up on the balls of his feet. “We’ll give it a try.”
Robicheaux got his rifle from the rear of the truck and worked the bolt. He glanced over his shoulder. “Them horses, they been in the fightin’ or they like us?”
The lieutenant turned toward the animals. “I’d guess the gimpy pair and that one with the scarred rump are veterans. The others, I don’t know. Maybe they just came up from a transport.” He turned, put his hands behind his back, and looked up the hill. “Go ahead and shoot one.”
Robicheaux adjusted the sights of the rifle, aimed at a grenade on the lip of a shell crater seventy yards away, and fired. He missed, but at the crack of the rifle one of the horses whinnied and reared, pulling loose from the truck and taking off in a zigzag gallop across the galled field and up the hill. Sam grabbed the bridles of two of the shying horses, and the other pair stood steaming in the light snow as if nothing at all had happened. The men watched the spooked horse run up the far rise for half a mile, dodging stumps and jumping craters and then stepping on God knows what, disappearing at once in a monstrous pink fireball. The ear- flattening concussion roared back across the field like a clap of thunder and they all ran behind the truck, scanning the sky for falling debris.
Once the sound of the explosion had echoed away, the lieutenant turned around and pointed to Dupuis, the only veteran among them. “What did that animal step on?”
Dupuis, a dour older man from Arnaudville, said, “I don’t know, Cap. I been here a whole year and don’t understand none of it.”
A twenty- pound piece of shrapnel came straight down out of the clouds and banged through the hood of the truck. Crouched next to a tire, Sam stared at where the horse had been vaporized and then up at the sky, unable to imagine this cause- and- effect, the power involved, or what they were doing here. Up on the hill, a crater smoked like an entrance to a burning mine.
They fanned out over the blasted countryside shooting at grenades, about half of which exploded. Sam adjusted his sights and began setting off German stick grenades that went up with earcutting thuds, both dull and sharp at the same time. After an hour he felt something like a hammer blow on his helmet. Examining a long coppery crease, he guessed it was caused by a stray shot from another man’s rifle, for other teams were working adjacent quadrants. After that, he worked in the low places, sighting in from the edge of trenches. Walking along a poisoned trickle of a stream, the water blue and stinking, he looked up the bank and saw a thighbone protruding from the earth. Downstream five German helmets sat as inert as dead turtles. Farther on he saw a mortar hitched to a team of killed horses frozen hard in their harness, and his thoughts began to balk against the math of the place; there were enough unexploded grenades of all nationalities to keep him busy for a hundred years. The smell was a walking presence and a mockery of what he had imagined of war, now blasted out of his mind forever. He understood how brutally the illusion of warfare had ended for the hundreds of thousands who’d struggled here. “What a damned lie,” he said aloud. Climbing out of the stream, he worked the bolt and fired at a French pear grenade, which tumbled away but didn’t detonate.
Suddenly an infantryman raised his head over the next hillock.
“Son of a bitch, didn’t they give you a compass? You’re not supposed to fire to the northwest.”
They walked toward each other until only a naked ravine graveled with spent machine- gun casings separated them.
“You with a disposal unit?” Sam called.
The man was coated with mud and his helmet was missing.
“What’s left of one. Two of us were killed outright this morning when they kicked over grenades. Another caught a bullet in the ass, and we don’t even know who did it.”
“I been sure of my backdrop when I took a shot.”
The man held his arms up against the sky and let them drop. He looked behind him into his own sector and then back at Sam.
“Nobody’s ever done anything like this before.” Bareheaded, sickly small, he seemed lost and befuddled.
Sam spat into the ravine. “It’s a bitch, all right.”
“A trainload of bitches,” the infantryman said, turning back down the hill.
It took them all afternoon to build a stack of German three- inch shells to the size of a cord of wood, set the dynamite charges, and pay out wire to the detonating machine. They had no idea how far to back off. The lieutenant found a long trench a hundred yards away, and the ten of them piled into it. After Dupuis wired the machine, the lieutenant pushed the plunger. The explosion was astounding, and at the end of the row a man from Lafayette cried out when a chunk of shell came down and fractured his collarbone. Sam crawled through a rain of falling dirt and found that the man’s heavy coat
had saved his shoulder from being cut off, but that some terrible wound was bleeding under the cloth.
He laid him flat in the trench and as gently as he could, pulled his arm straight down by his side. The soldier roared at the hot star ofpain in his shoulder, and Sam, who had never seen such hurt, felt foolish and near tears himself. He turned to the lieutenant. “What can we do for him?”
The lieutenant’s voice rose half an octave. “Well, I don’t know.” He looked up over the lip of the trench. “We’re not supposed to get hurt.”
Sam opened his canteen and tilted it toward the injured man’s white, clenched lips. “Maybe you could send somebody to that other bunch in the northwest. Maybe their truck works and they can come get him.”
The lieutenant remained silent. Dupuis volunteered to climb over the ridge to find another unit, and the man from Lafayette
began screaming about his bones grinding together.
“What can I do, bud?” Sam asked.
The soldier’s eyes opened wide and looked past Sam out of a narrow, stubbled face wrinkled even in youth. “Hit me in the head with somethin’,” he rasped.
The rest of the men gathered close, as though the heat of their bodies would collect and offer comfort. The wounded soldier began to fill the trench with his moans, and Sam sensed how minuscule this pain was compared to the vast agonies of the death field they were in. He looked out and saw half a million soldiers going at each other in a freezing rain, their bodies shredded by artillery, their faces torn off, their knees disintegrated into snowy red pulp, their lungs boiled out by poison gas, and all of this for four years, spread out as far and wide as the continent itself.
That night, after the wounded man had been picked up by an ambulance wagon, the rest of them bedded down around their ruined truck. Robicheaux had hobbled the horses but they shuffled among the men all night and one of them stepped on Sam’s hand as he slept. In the morning his wrist was swollen and stiff, and he had trouble unbuttoning his trousers. The men washed their rations down with water and started out again, shooting not only at hand grenades, but also a certain type of four- and- a- half- inch shell that would explode if hit near the nose. For these, the lieutenant ordered them to lie flat at least seventy- five yards away before firing so the shrapnel would fly over their backs. They shot until a man named LeBoeuf was hit in the elbow by a fragment and had to be hauled hollering out to the road to wait for the ambulance. The remaining seven continued, gamely picking up grenades now and arranging them like ducks in a shooting gallery. They shot ineffectively at mortar rounds, and even large artillery duds. The sky faired off late, and they went on firing until sundown, their faces smudged gray with gunpowder. Between explosions they could hear teams in other sectors shooting as well, blowing up large caches, all of it a silly echo of the war itself. When the light gave out, Sam’s ears were ringing like struck anvils. Taking one last look at the darkening land, he felt fortunate and, at the same time, deeply saddened.
From the Hardcover edition.
Meet the Author
Tim Gautreaux is the author of two previous novels and two collections of stories. His work has appeared in The Atlantic Monthly, GQ, Harper’s Magazine, and The New Yorker, as well as in volumes of the O. Henry and The Best American Short Story annuals. A professor emeritus in English at Southeastern Louisiana University, he lives with his family in Hammond.
From the Trade Paperback edition.
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Most Helpful Customer Reviews
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A glorious yet fearful glimpse into a part of americana rarely seen. I found this book captivating. It gives us a picture of life along the Mississippi and Ohio Rivers both in the rural south and the metropolitan areas of New Orleans and Cincinnati. Focused in the 1920's, the story line draws out the lifestyle of many who inhabited that area.
You may want to start with "The Clearing" or his fun first novel "The Next Step in The Dance" or "Welding with Children." I found "The Missing" by Tim Gautreaux not quite as strong as those books, but maybe because it was too ambitious and I'm uncomfortable criticizing ambition. The story concerns abducted children, takes place in the teens and early 1920s, right after World War I. Gautreaux writes about New Orleans, Louisiana and surrounding environs. He's one of the best writers around and should have a wider audience. Although there were bits of the plot that seemed a tad contrived, the characters are well drawn, the dialog at times excellent and the sentences at times truly sublime. The theme is about the destructiveness of violent behavior on both the perpetrators and victims. visit - http://timothyherrick.blogspot.com/