The Barnes & Noble Review
A fast-paced, action-packed thriller with a series of bang-up twists and surprises, William Landay's debut novel is filled with highly charged prose and memorable scenes. The author, a former prosecutor, puts his firsthand knowledge of cops, felons, and lawyers to great benefit in this story of a small-town sheriff caught up in a swirl of big-city corruption. When Ben Truman travels to Mission Flats -- the roughest corner of Boston -- in order to solve a murder, he finds an even more complex mystery that spans two decades. The inventive, elaborate plot is highly engaging, as the young, inexperienced law officer teams with a hardened cop and runs into cover-ups and conspiracies at every turn.
Mission Flats unfolds with a rapid pace that will hurl you into the story and hold you firmly in its grip. Landay knows his characters and their predicaments, and he allows authentic investigative procedure to form the essence of the exciting story. He uses a natural, deadpan, carefully controlled narrative to underscore crimes and create real suspense, and it's this ring of truth that makes the book so captivating. Mission Flats will deserves wide attention, as William Landay demonstrates that he is one of the most noteworthy new voices in the field. Tom Piccirilli
The New York Times
Tough but true: a first-time novelist has to bring something new to the tablesomething like the trumps that William Landay throws down in his high-stakes police procedural, Mission Flats...Landay, a former prosecutor, writes with eloquent intensity, even a sense of despair, about the no-win ethical choices that can corrupt or otherwise crush a good cop.Marilyn Stasio
Forced by circumstances to become a small-town cop, the protagonist of former Boston district attorney Landay's inventive, gripping suspense debut finds himself embroiled in a big-city murder investigation. Ben Truman, the young police chief in the Maine town of Versailles (pronounced "Ver-sales"), tells us early on that he gave up his pursuit of a doctorate in history at Boston University to come home and care for his Alzheimer's-stricken mother. What he doesn't reveal-at least right away-is the true story of his mother's death and his father's alcoholic rages. Landay deals out pertinent details with the finesse of a poker player, first describing Ben's discovery of the bloated body of a Boston assistant district attorney in a rental cabin. Is the discovery really accidental? Is the almost immediate arrival on the scene of a retired Boston cop named John Kelly as fortuitous as it seems at first? Can Ben really be as much of a small-town hick (the Boston cops call him "Opie") as he appears to be? Determined to stay on the case, Ben joins a crew of big-city cops and prosecutors (including Kelly's intriguing daughter) in a search through the blighted (fictional) Boston neighborhood of Mission Flats for the answer to the ADA's murder and a 10-year-old mystery. As bits of his personal history surface, Ben occasionally seems in danger of violating one of the rules of crime fiction-that the narrator shouldn't lie to us about his role in the story. But Landay's book is such a rich, harrowing and delightful read that few will complain. (Aug. 26) Forecast: Landay's strong writing and imaginative plotting give him an edge; foreign rights to Mission Flats have already been sold in eight countries. With a little marketing muscle, this could be a hit. Copyright 2003 Reed Business Information.
Another former district attorney writes a novel? At least this one has been sold in eight countries. Following a brutal murder in tiny Versailles, ME, chief of police Ben Truman follows a lead to Boston-and confronts some secrets he has tried to bury. Copyright 2003 Reed Business Information.
A crackling debut that answers the question: Who will be the new Grisham? Young Ben Truman, who's succeeded his dad as police chief of tiny Versailles, Maine, is reminiscing about his recently deceased mom as he perfunctorily goes about the business of inspecting deserted summer cabins. When he discovers the corpse of Boston public defender Robert Danzinger in one of them, his little backwater is soon overrun by a Massachusetts contingent out to reclaim its own. Determined not to be left out of the loop, Ben, helped by retired Boston cop John Kelly and his lawyer daughter Caroline, sprints to Boston, dogs the Beantown investigators, and acquires a new mentor, crusty bend-the-rules cop Martin Gittens, whose past includes shady interference in a crack-house raid ten years before that just may tie in with Danzinger and focus on a nonexistent snitch, a setup, a couple of dead cops, and a cover-up by the DA's office. But why was Danzinger in Versailles in the first place? It's a mystery that will make Ben himself a suspect, drive him to an alliance with drug kingpin Harold Braxton, and end in more death and a double-twist that few readers will see coming, but will leave them gasping-and mourning. Stylish writing, wickedly convoluted plotting, and an insider's view of big-city jurisprudence and police accommodation. You'll barely finish this many-tentacled tale before you start clamoring for former ADA Landay's next. Agent: Alice Martell
From the Publisher
"Tough but true: a first-time novelist has to bring something new to the table—something like the trumps that William Landay throws down in his high-stakes police procedural, Mission Flats.... Landay writes with eloquent intensity ... about the no-win ethical choices that can corrupt or otherwise crush a good cop."—The New York Times Book Review
"You'll get everything you paid for in William Landay's debut thriller, Mission Flats....Landay is a superb writer who can evoke visceral emotional reactions with skillful evocative prose."—St. Petersburg Times
"Landay's story is rife with nuanced characters and the gritty realism of street justice. His tale is reminiscent of his fellow Beantown writer Dennis Lehane, which is a true compliment."—Rocky Mountain News
"A crackling debut that answers the question: Who will be the new Grisham? ... Stylish writing, wickedly convoluted plotting, and an insider's view ... you'll barely finish this many-tentacled tale before you start clamoring form former ADA Landay's next."
—Kirkus Reviews, starred review
“Every assumption the reader makes turns into a landmine, which makes for an excruciatingly suspenseful thriller…. [Author] Landay gives us an original detective creation in the humorous, self-deprecating Truman, and he also delivers an action-packed plot with a skillfully detonated final surprise.”—Booklist, starred review
“[An] inventive, gripping, suspense debut…. Landay deals out pertinent details with the finesse of a poker player…. A rich, harrowing, and delightful read.”—Publishers Weekly, starred review
"Lyrical, keenly observed, and occasionally as dark as a wrong turn at midnight, Mission Flats is a harrowing, memorable debut by a writer to watch."
— New York Times bestselling author Stephen White
"Mission Flats is a stunning debut, heralding the arrival of a major new voice in mystery fiction. Landay's action scenes are electric, his prose crisp, his characters unforgettable. Read this book. You'll be getting in on the ground floor of something big."—Rick Riordan, Edgar Award-winning author of Cold Springs
"Mission Flats has action, excellent surprises and a powerful ending, but it also has strong, well-written characters. William Landay's debut novel is a cut above and I’m looking forward to his next book." —New York Times bestselling author Phillip Margolin
The U.K. raves:
"This debut undoubtedly marks the emergence of a fine new American crime writer. And for those of you who like Scott Turow, [Mission Flats] is the perfect find."
—Waterstones Books Quarterly
"[Landay] couples a moral seriousness to his plotting, placing this book ahead of the likes of Jeffrey Deaver and Harlan Coben."
—Hampstead & Highgate Express
"The naive country cop in the big bad city is not an unfamiliar story, but Landay makes it his own, with a sympathetic central character, good quality—often witty—writing, stark brutality and a stunning twist in the tale."
— Manchester Evening News
"Landay's debut is a dark, tense affair, superbly written with a plot that steadily ratchets up the suspense to the brutal denouement."
"This impressive debut novel delivers a well-judged final shock, and left me looking for more from Mr. Landay."
—Mat Coward, The Morning Star
Read an Excerpt
Maurice Oulette tried to kill himself once but succeeded only in blowing off the right side of his jawbone. A doctor down in Boston was able to construct a prosthetic jaw, with imperfect results. The surgery left Maurice's face with a melted appearance, and he went to great lengths to hide it. When he was younger (the accident happened when Maurice was nineteen), he wore a bandanna around his face like a bank robber in an old western. This gave Maurice, who was otherwise a mousy and unromantic sort of guy, a dashing appearance he seemed to enjoy for a while. Eventually he got tired of the bank-robber mask, though. He was always lifting it up to catch a breath of fresh air or to take a drink. So he simply discarded the thing one day, and since then Maurice has been about as unself-conscious as a jawless man can be.
Most people in town accept Maurice's deformity as if it were no more unusual to be jawless than to be nearsighted or left-handed. They are even a little protective of him, taking care to look him in the eye, call him by name. If the summer people stare, as even the adults invariably do, you can bet they'll catch an icy stare right back, from Red Caffrey or Ginny Thurler or anyone else who happens to be around, a look that says, Eyes front, mister. Versailles is a nice town that way. I used to think of this place as an enormous Venus's-flytrap with glue-sticky streets and snapping wings that snared young people like me and held us here until it was too late to ever live anywhere else. But these people have stuck by Maurice Oulette and they've stuck by me too.
They appointed me chief of police when I was twenty-four. For a few months I, Benjamin Wilmot Truman, was the youngest police chief in the United States, or so it was assumed around here. My reign was brief; later that same year, there was a story in USA Today about a twenty-two-year-old who was elected sheriff in Oregon somewhere. Not that I ever enjoyed the distinction anyway. Truth be told, I never wanted to be a cop at all, let alone police chief in Versailles.
In any event, Maurice lived in his late father's white clapboard house, subsisting on SSI checks and occasional free meals from the town's two competing diners. He'd won a settlement from the Maine Department of Social Services for negligent monitoring of his case while he shot the jawbone off his head, so he was comfortable enough. But, for reasons no one understood, the last few years Maurice had ventured out of the house less and less. The consensus in town was that he was becoming a little reclusive and maybe even a little crazy. But he had never hurt anyone (except himself), so the general view was that whatever Maurice Oulette did out here was nobody's business but his own.
I tended to agree with that position too, though I drew one exception. Every few months, with no warning, Maurice decided to use the streetlights on Route 2 for target practice, to the great distress of motorists traveling between Millers Falls, Mattaquisett township, and Versailles. (The name is pronounced Ver-sales, not Ver-sigh.) Maurice was usually lit on Wild Turkey on these occasions, which may account for his poor decision-making and poorer aim. On this night--it was October 10, 1997--the call came in around ten, Peggy Butler complaining that "Mr. Oulette is shooting at cars again." I assured her Maurice wasn't shooting at cars, he was shooting at streetlights, and the odds of him hitting a car were actually very slim. "Ha ha, Mr. Comedian," Peggy said.
Off I went. I began to hear the shots when I got within a mile or two of the house. These were sharp rifle cracks at irregular intervals, once every fifteen seconds or so. Unfortunately it was necessary for me to go up Route 2 to reach the house, which meant passing through Maurice's crosshairs. I lit up the wigwags, the light bar, the alley lights, every bulb that truck had--it must have looked like a Mardi Gras float--with the hope that Maurice would hold his fire a minute. I wanted him to know it was only the police.
I parked the Bronco with two wheels on the lawn, lights flashing. At the rear corner of the house, I shouted, "Maurice, it's Ben Truman." No response. "Hey, Rambo, would you stop shooting for a second?" Again there was no response, but then, there was no shooting either, which I took to be a positive sign. "Alright, I'm coming out," I announced. "Now, Maurice, don't shoot."
The backyard was a small rectangle of scrub grass, sand, and pine needles. It was scattered with detritus of various kinds: a skeletal clothes-drying rack, a street-hockey goal, a milk crate. In the far corner an old Chevy Nova lay flat on its belly, the wheels having been transplanted to some other shitbox Chevy Nova years before. The car still had its Maine license plate, with the picture of a lobster and the motto vacationland.
Maurice stood at the edge of the yard with a rifle in the crook of his arm. The pose suggested a gentleman hunter on a break from shooting quail. He wore boots, oil-stained work pants, a red flannel jacket, and a baseball cap pulled low over the brow. His head was down, which was not unusual. You got used to addressing the button on his cap.
I shined my flashlight over him. "Evening, Maurice."
"Evenin', Chief," the cap said.
"What's going on out here?"
"Just shootin' is all."
"I see that. You about scared Peggy Butler half to death. You want to tell me what the hell you're shooting at?"
"Them lights there." Maurice nodded toward Route 2 without looking up.
The two of us stood there for a moment nodding at each other.
"You hit any?"
"Something wrong with the gun?"
"Well let's have a look at it, Maurice."
He handed me the rifle, an old Remington I'd confiscated at least a dozen times. I checked that there was a round in the chamber, then pinged one off a metal fence-pole at the edge of the field. "Gun's okay," I informed him. "Must be you that's off."
Maurice gave a little murmuring laugh.
I patted down the outside of his coat, felt the box of shells in his pocket. Reaching inside, my fingers got snarled in the Kleenex balls Maurice collected there like chestnuts. "Jesus, Maurice, do you ever clean out these pockets?" I pulled out the box of ammunition and stuck it in my own pocket. A box of Marlboro reds I opened and slipped back in Maurice's coat. "Okay if I take a look around and see how you're doing out here?"
He looked up at last. The skin grafts along his concave jawline shone silvery in the flashlight. " 'M I under arrest?"
I went in the back door, leaving Maurice where I'd found him. He kept his arms by his sides like a scolded child.
The kitchen stank of boiled vegetables and body odor. A fifth of Jim Beam stood on the table, half empty. The refrigerator was empty save for an ancient box of baking soda. In the cabinets were a few cans (Spaghetti-O's, Green Giant corn), a few packets of powdered soup, and a tiny hole through which carpenter ants were entering and exiting.
"Maurice," I called to him, "has your caseworker been out to see you?"
With the barrel of Maurice's rifle, I nudged open the bathroom door and shined the flashlight about. The tub and toilet were stained yellow. Two cigarette butts floated in the toilet. Beneath the sink, a section of the wall had rotted, and a piece of particle board had been nailed there to patch the hole. At the edges of the board, the ground outside was visible.
I switched off the lights and closed up the house.
"Maurice, you remember what protective custody is?"
"What is it?"
"It's when you put me in the jail but I'm not under arrest."
"That's right. And do you remember why I have to do that, put you in protective custody?"
"To protect me, I guess. That's why they call it that."
"Well, yeah. Exactly. So that's what we're going to do, Maurice, we're going to put you in protective custody before you kill someone while you're taking potshots at streetlights."
"I didn't hit none."
"Well, Maurice, that doesn't exactly make me feel better about it. See, if you hit what you were aiming at . . ."
He gave me a blank expression.
"Look, the point is, you can't shoot at them. They're town property. Besides, what if you hit a car?"
"I never shot no cars."
These conversations with Maurice only go so far, and this one had about run its course. It wasn't completely clear whether Maurice was just slow or a little crazy. Either way, he'd earned some leeway. He'd survived a maelstrom of emotions no outsider could fathom, and he had the scars to prove it.
He looked up at me. In the moonlight, with his right side in darkness, his face was restored nearly to normal. It was the sort of lean, dark-eyed face common around here. The face of a voyageur or a timberman in an old sepia photo.
"You hungry, Maurice?"
"Did you eat?"
"Want to go to the Owl?"
"Thought you were PC'ing me."
"Do I get my gun back?"
"Nope. I'm going to have it forfeited before you shoot somebody. Like me."
"Chief Truman, I ain't gonna shoot you."
"Well, I appreciate that. But I'm going to keep it just the same because--and this is no disrespect, Maurice--you're not the greatest shot that ever was."
"The judge'll make you give it back. I got my F.I.D."
"What, are you a lawyer now?"
Maurice made his little laugh, like a moan. "Ayuh, guess so."
There were a few people at the Owl, all sitting at the bar, all drinking Bud long-necks, staring up at a hockey game on the TV. Phil Lamphier, who owned the place and in the off-season was the only bartender, was leaning on his elbows at the end of the bar, reading a newspaper. The little countertop was L-shaped, and Maurice and I slid onto stools on the short side, facing the others.
A murmur of "hey, Ben" came from the group, though Diane Harned waited a moment before greeting me as "Chief Truman." She shot me a little smirk, then returned her attention to the TV. Diane had been good-looking once, but the color had drained out of her. Her blond hair had faded from yellow to straw. Raccoon shadows had formed under her eyes. Still, she carried herself with a pretty girl's arrogance, and there's something to be said for that. Anyway, we'd had a few dates, Diane and I, and a few reunions after that. We had an understanding.
Maurice ordered a Jim Beam, which I immediately canceled. "We'll have two Cokes," I told Phil, who made a face.
Jimmy Lownes asked, "You got Al Capone here under arrest?"
"Nope. Heat's out at Maurice's house so he's going to stay over at the station tonight till we get it turned on again. We just figured we'd get something to eat first."
Diane gave me a skeptical look but said nothing.
"My taxes paying for that dinner?" Jimmy teased.
"No, I'm treating."
Bob Burke said, "Well, that's taxes, Ben. Taxes is what pays your salary, technically."
"Yours too," Diane shot back. "Technically."
Burke, who worked for the town doing maintenance in the public buildings, was sheepish. Still, I did not need Diane to defend me.
"It doesn't take a lot of taxes to pay my salary," I said. "Besides, as soon as they find a new chief, I'll be off the dole. Get my ass out of this jerkwater place finally."
Diane snorted. "And go where?"
"I've been thinking maybe I'll go do some traveling."
"Well, listen to you. Just where do you think you're gonna go?"
"Prague." She said the word as if she were trying it out for the first time. "I don't even know what that is."
"It's in Czechoslovakia."
Diane sniffed again, disdainful.
Bobby Burke cut in, "It's the Czech Republic now. That's what they called it on the Olympics, the Czech Republic." Burke was a master of this kind of trivia. The man eked out a living mopping floors at the grade school, but he could tell you the names of every first lady, all the presidential assassins, and the eight states that border Missouri. A man like that can throw off the rhythm of a conversation.
"Ben," Diane persisted, "why in hell would you want to go to Prague?" There was an edge in her voice. Jimmy Lownes gave her a little nudge and said, "Uh-oh," like Diane was jealous. But it wasn't that.
"Why would I want to go to Prague? Because it's beautiful."
"And what are you going to do once you get there?"
"Just look around, I guess. See the sights."
"You're just going to . . . look around?"
"That was my plan, yes."
It wasn't much of a plan, I admit. But it seemed to me I'd been planning too long already, waiting for The Opportunity. I have always been one of those long-thinking, slow-acting men, the type that smothers every idea with doubt and worry. It was time to shake free of all that. I figured I could at least get as far as Prague before my second-guessing caught up to me. I sure as hell wasn't going to rot in Versailles, Maine.
Jimmy asked, "You taking Maurice here with you?"
"You bet. Whattaya say, Maurice? Want to come to Prague?"
Maurice looked up and grinned his shy, close-mouthed smile.
"Maybe I'll go too," Jimmy announced.
Diane snorted again. "Right."
"Jeezum Crow," Jimmy said, "why not?" "Why not? Look at yourselves!"
We looked but none of us saw anything.
"It's just, you guys aren't exactly Prague people."
"What the hell does that mean, 'Prague people'?" Jimmy Lownes could not have found Prague on a map if you gave him a week to look. But his indignation was genuine enough. "We're people, aren't we? All's we have to do is go to Prague and we'll be Prague people."
"Jimmy, really, what the hell are you going to do in Prague?" Diane persisted.
"Same as Ben: have a look around. I might even like it. Who knows, maybe I'll stay over there. Show you what Prague people I am."
"They have good beer," Bob Burke chimed in. "Pilsner beer."
"See, I like it already." Jimmy raised his Bud bottle in salute, though it was not clear whether he was saluting Prague or Bobby Burke or just beer.